Prof Geraint Wiggins
Professor of Computational Creativity
School of Electronic Engineering and Computer Science
Queen Mary University of London
Queen Mary University of London
Research
Computational Creativity, Music Cognition, Cognitive Science, Artificial Intelligence
Publications
Publications of specific relevance to the Centre for Human-Centred Computing2024
Wilson E, Fazekas G and Wiggins G (2024). Tidal MerzA: Combining affective modelling and autonomous code generation through Reinforcement Learning. AIMC 2024 Oxford, UK 9 Sep 2024 - 11 Sep 2024. 26-08-2024
Yuan Z, Wiggins G and Botteldooren D (2024). A novel Reservoir Architecture for Periodic Time Series Prediction. 2024 International Joint Conference on Neural Networks (IJCNN). 05-07-2024
Homer ST, Harley N and Wiggins GA (2024). Contrast Information Dynamics: A Novel Information Measure for Cognitive Modelling. 23-04-2024
Homer ST, Harley N and Wiggins G (2024). Modelling of Musical Perception using Spectral Knowledge Representation. Journal of Cognition, Ubiquity Press vol. 7 (1) 08-04-2024
Sturm BLT and Wiggins GA (2024). The Mismeasure of Music “On Computerized Music Listening and Analysis via Machine Learning”. The Oxford Handbook of Music and Corpus Studies 21-03-2024
2023
Ford C, Cardinale S, Bryan-Kinns N and Wiggins G (2023). Three Open Questions for the Design of AI for Music Composition. CHIME ONE DAY WORKSHOP 2023 The Open University, Milton Keynes 4 Dec 2023. 04-12-2023
Tang J, Wiggins G and Fazekas G (2023). Reconstructing Human Expressiveness in Piano Performances with a Transformer Network. CMMR 2023 13 Nov 2023 - 17 Nov 2023. 13-11-2023
Tang J, Wiggins G and Fazekas G (2023). Pianist Identification Using Convolutional Neural Networks. 2023 4th International Symposium on the Internet of Sounds. 27-10-2023
Wilson E, Fazekas G and Wiggins G (2023). On the Integration of Machine Agents into Live Coding. Organised Sound, Cambridge University Press (CUP) vol. 28 (2), 305-314. 01-08-2023
Rafee SRM, Fazekas G and Wiggins G (2023). HIPI: A Hierarchical Performer Identification Model Based on Symbolic Representation of Music. ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 10-06-2023
Mihelac L, Povh J and Wiggins GA (2023). A Computational Approach to the Detection and Prediction of (Ir)Regularity in Children's Folk Songs. Empirical Musicology Review, The Ohio State University vol. 16 (2), 205-230. 07-03-2023
Carnovalini F, Rodà A and Wiggins G (2023). Interactive Generation of Musical Corpora for Piano Education: Opportunities and Open Challenges. Proceedings of the 15th International Conference on Computer Supported Education. 01-01-2023
Carnovalini F, Harley N, Homer ST, Rodà A and Wiggins GA (2023). Musical Structure Analysis and Generation Through Abstraction Trees. Music in the AI Era 282-300. 01-01-2023
2022
Zhang H, Tang J, Rafee S, Dixon S and Fazekas G (2022). ATEPP: A DATASET OF AUTOMATICALLY TRANSCRIBED EXPRESSIVE PIANO PERFORMANCE. 23rd International Society for Music Information Retrieval Conference (ISMIR 2022) 4 Dec 2022 - 8 Dec 2022. 04-12-2022
2021
Pouw W, Proksch S, Drijvers L, Gamba M, Holler J, Kello C, Schaefer RS and Wiggins GA (2021). Multilevel rhythms in multimodal communication. Philosophical Transactions of the Royal Society B: Biological Sciences vol. 376 (1835) 11-10-2021
Carnovalini F, Rodà A, Harley N, Homer ST and Wiggins GA (2021). A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis. Audio Mostly 2021. 01-09-2021
Daikoku T, Wiggins GA and Nagai Y (2021). Statistical Properties of Musical Creativity: Roles of Hierarchy and Uncertainty in Statistical Learning. Frontiers in Neuroscience, Frontiers vol. 15 20-04-2021
Alvarado J and Wiggins GA (2021). Assessing creativity of MEXICA: An application of Ritchie’s criteria. 01-01-2021
Rafee SRM, Fazekas G and Wiggins GA (2021). Performer Identification From Symbolic Representation of Music Using Statistical Models. 01-01-2021
Wiggins GA (2021). Artificial Musical Intelligence: Computational Creativity in a Closed Cognitive World. Artificial Intelligence and the Arts 85-107. 01-01-2021
Wiggins GA (2021). Structure, Abstraction and Reference in Artificial Musical Intelligence. Handbook of Artificial Intelligence for Music 409-422. 01-01-2021
Wiggins GA (2021). Computational Creativity and Consciousness: Framing, Fiction and Fraud Paper type: Study Paper. 01-01-2021
Carnovalini F, Harley N, Homer ST, Rodà A and Wiggins GA (2021). Meta-Evaluating Quantitative Internal Evaluation: a Practical Approach for Developers. 01-01-2021
2020
McGregor S, Purver M and Wiggins G (2020). Metaphor generation through context sensitive distributional semantics. Producing Figurative Expression 419-448. 26-11-2020
Wiggins GA (2020). Response to commentaries on “Creativity, information, consciousness: The information dynamics of thinking”. Physics of Life Reviews, Elsevier vol. 34, 57-61. 10-11-2020
Thompson A, Fazekas G and Wiggins G (2020). Poster: Programming Practices Among Interactive Audio Software Developers. 2020 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC). 14-08-2020
Thalmann F, Yoshii K, Wilmering T, Wiggins GA and Sandler MB (2020). A METHOD FOR ANALYSIS OF SHARED STRUCTURE IN LARGE MUSIC COLLECTIONS USING TECHNIQUES FROM GENETIC SEQUENCING AND GRAPH THEORY. 01-01-2020
2019
Thalmann F, Wiggins G and Sandler M (2019). Representing Modifiable and Reusable Musical Content on the Web with Constrained Multi-Hierarchical Structures. IEEE Transactions on Multimedia, Institute of Electrical and Electronics Engineers 20-12-2019
Cameron DJ, Zioga I, Lindsen JP, Pearce MT, Wiggins GA, Potter K and Bhattacharya J (2019). Neural entrainment is associated with subjective groove and complexity for performed but not mechanical musical rhythms. Experimental Brain Research, Springer Nature vol. 237 (8), 1981-1991. 31-05-2019
Wiggins GA and Sanjekdar A (2019). Learning and Consolidation as Re-representation: Revising the Meaning of Memory. Frontiers in Psychology, Frontiers Media SA vol. 10 30-04-2019
MCGREGOR SE, AGRES K, Rataj K, PURVER MRJ and WIGGINS GA (2019). Re-Representing Metaphor: Modelling metaphor perception using dynamically contextual distributional semantics. Frontiers in Psychology, Frontiers Media 15-04-2019
Xiao P, Toivonen H, Gross O, Cardoso A, Correia J, Machado P, Martins P, Oliveira HG, Sharma R, Pinto AM, Díaz A, Francisco V, Gervás P, Hervás R, León C, Forth J, Purver M, Wiggins GA, Miljkovic D, Podpecan V, et al. (2019). Conceptual Representations for Computational Concept Creation. ACM Computing Surveys, Association for Computing Machinery vol. 52 (1), 9:1-9:33. 28-02-2019
DROOG-HAYES M, WIGGINS GA and PURVER MRJ (2019). Detecting Summary-worthy Sentences: the Effect of Discourse Features. 13th IEEE International Conference on Semantic Computing Newport Beach, CA 30 Jan 2019 - 2 Feb 2019. 01-02-2019
Droog-Hayes M, Wiggins GA and Purver M (2019). Detecting Summary-Worthy Sentences: The Effect of Discourse Features. 2019 IEEE 13th International Conference on Semantic Computing (ICSC). 30-01-2019
Wiggins GA (2019). To play with feeling? the opportunity of aesthetics in computational musical creativity. AAAI Spring Symposium "Towards Conscious AI Systems". 01-01-2019
McGinity MM, Purver M and Wiggins G (2019). The influence of cost on the emergence of a common language among cooperating agents. 01-01-2019
Wiggins GA (2019). A Framework for Description, Analysis and Comparison of Creative Systems. Computational Creativity 21-47. 01-01-2019
2018
Pollak S, Wiggins GA, Žnidaršič M and Lavrač N (2018). Computational creativity in Slovenia. Informatica (Slovenia) vol. 42 (1), 69-76. 07-05-2018
WIGGINS GA (2018). Creativity, Information, and Consciousness: the information dynamics of thinking. Physics of Life Reviews, Elsevier 07-05-2018
GODDARD C, BARTHET M and WIGGINS G (2018). Assessing Musical Similarity for Computational Music Creativity. Journal of the Audio Engineering Society, Audio Engineering Society 29-04-2018
Wiggins GA, Tyack P, Scharff C and Rohrmeier M (2018). The Evolutionary Roots of Creativity: Mechanisms and Motivations. The Origins of Musicality 287-308. 20-04-2018
Zuidema W, Hupkes D, Wiggins GA, Scharff C and Rohrmeirer M (2018). Formal Models of Structure Building in Music, Language, and Animal Song. The Origins of Musicality 253-286. 20-04-2018
Cong F, Liu S, Guo L and Wiggins GA (2018). A Parallel Fusion Approach to Piano Music Transcription Based on Convolutional Neural Network. 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 15-04-2018
Wolf OO and Wiggins G (2018). Look! It's moving! Is it alive? How movement affects humans' affinity to living and non-living entities. IEEE Transactions on Affective Computing 09-04-2018
Freeman J, Wiggins G, Starks G and Sandler M (2018). A Concise Taxonomy for Describing Data as an Art Material. 01-02-2018
Wiggins G and Forth J (2018). Computational creativity and live algorithms. The Oxford Handbook of Algorithmic Music 267-292. 01-01-2018
Droog-Hayes M, Wiggins G and Purver M (2018). Automatic detection of narrative structure for high-level story representation. 01-01-2018
Alvarado J and Wiggins GA (2018). Understanding Mexica: An analysis of an engagement-reflection system. 01-01-2018
Alvarado J and Wiggins GA (2018). Exploring the engagement and reflection model with the creative systems framework. 01-01-2018
Podpean V, Lavra N, Wiggins G and Pollak S (2018). Conceptualising computational creativity: Towards automated historiography of the research field. 01-01-2018
2017
Goddard C, BARTHET M and Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. Audio Mostly 2017 Queen Mary University of London, London 23 Aug 2017 - 26 Aug 2017. 23-08-2017
van der Velde F, Forth J, Nazareth D and WIGGINS GA (2017). Linking Neural and Symbolic Representation and Processing of Conceptual Structures., Editors: Perlovsky L. Frontiers in Psychology, Frontiers Media vol. 8, 1297-1297. 10-08-2017
Cameron D, Potter K, Wiggins G and PEARCE MT (2017). Perception of Rhythmic Similarity is Asymmetrical, and Is Influenced by Musical Training, Expressive Performance, and Musical Context. Timing and Time Perception 01-06-2017
McGregor S, Jezek E, Purver M and Wiggins G (2017). A geometric method for detecting semantic coercion. 01-01-2017
2016
Agres K, Forth J and Wiggins GA (2016). Evaluation of musical creativity and musical metacreation systems. Computers in Entertainment vol. 14 (3) 01-12-2016
FORTH J, AGRES K, PURVER MRJ and WIGGINS GA (2016). Entraining IDyOT: timing in the information dynamics of thinking., Editors: RAVIGNANI A. Frontiers in Psychology, Frontiers Media vol. 7, 1575-1575. 18-10-2016
Smith D, TOKARCHUK LN and Wiggins G (2016). Rapid Phenotypic Landscape Exploration through Hierarchical Spatial Partitioning. 14th International Conference on Parallel Problem Solving from Nature Edinburgh, UK 17 Sep 2016 - 21 Sep 2016. 31-08-2016
McGregor S, Purver M and Wiggins G (2016). Words, concepts, and the geometry of analogy. Workshop on Semantic Spaces at the Intersection of NLP, Physics and Cognitive Science. 02-08-2016
Smith D, Tokarchuk L and Wiggins G (2016). Harnessing Phenotypic Diversity towards Multiple Independent Objectives. Proceedings of the 2016 on Genetic and Evolutionary Computation Conference Companion. 20-07-2016
Smith D, Tokarchuk L and Wiggins G (2016). Exploring Conflicting Objectives with MADNS. Proceedings of the 2016 on Genetic and Evolutionary Computation Conference Companion. 20-07-2016
HEDGES TW and Wiggins GA (2016). The prediction of merged attributes with multiple viewpoint systems. Journal of New Music Research, Taylor & Francis (Routledge): SSH Titles 18-07-2016
Wiggins GA (2016). Computer representation of music in the research environment. Modern Methods for Musicology: Prospects, Proposals, and Realities 7-22. 15-04-2016
Wiggins GA (2016). Defining inspiration? Modelling the non-conscious creative process. The Act of Musical Composition: Studies in the Creative Process 233-254. 01-04-2016
Gingras B, Pearce MT, Goodchild M, Dean RT, Wiggins G and McAdams S (2016). Linking Melodic Expectation to Expressive Performance Timing and Perceived Musical Tension. Journal of Experimental Psychology Human Perception & Performance, American Psychological Association (APA) vol. 42 (4), 594-609. 01-01-2016
Hedges T and Wiggins G (2016). Improving predictions of derived viewpoints in multiple viewpoint systems. 01-01-2016
Thalmann F, Perez Carillo A, Fazekas G and Sandler M (2016). The Semantic Music Player: A Smart Mobile Player Based on Ontological Structures and Analytical Feature Metadata. 01-01-2016
Thalmann F, Carrillo G, Wiggins GA and Sandler M (2016). The Mobile Audio Ontology: Experiencing Dynamic Music Objects on Mobile Devices. 01-01-2016
Barthet M, Fazekas G, Thalmann F, Sandler M and Wiggins GA (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. 01-01-2016
Thalmann F, Fazekas G, Wiggins GA and Sandler M (2016). Creating, Visualizing, and Analyzing Dynamic Music Objects in the Browser with the Dymo Designer. 01-01-2016
Agres KR, McGregor S, Rataj K, Purver M and Wiggins GA (2016). Modeling metaphor perception with distributional semantics vector space models. 01-01-2016
McGregor S, Purver M and Wiggins G (2016). Process Based Evaluation of Computer Generated Poetry. Proceedings of the INLG 2016 Workshop on Computational Creativity in
Natural Language Generation. 01-01-2016
Pollak S, Boshkoska BM, Miljkovic D, Wiggins GA and Lavrač N (2016). Computational creativity conceptualisation grounded on ICCC papers. 01-01-2016
2015
FREEMAN J, SANDLER M, WIGGINS G and STARKS G (2015). A concise taxonomy for describing data as an art material. IEEE VIS Chicago, Illinois 25 Oct 2015 - 30 Oct 2015. 26-10-2015
Agres K, McGregor S, Purver M and Wiggins G (2015). Conceptualizing Creativity: From Distributional Semantics to Conceptual Spaces. 01-06-2015
Pontis S, Kefalidou G, Blandford A, Forth J, Makri S, Sharples S, Wiggins G and Woods M (2015). Academics' responses to encountered information: Context matters. Journal of the Association for Information Science and Technology, Wiley vol. 67 (8), 1883-1903. 13-05-2015
McGregor S, Purver M and Wiggins G (2015). Metaphor, Meaning, Computers and Consciousness. 01-04-2015
Wiggins GA, Tyack P, Scharff C and Rohrmeier M (2015). The evolutionary roots of creativity: mechanisms and motivations. Philosophical Transactions of the Royal Society B Biological Sciences, The Royal Society vol. 370 (1664) 19-03-2015
Rohrmeier M, Zuidema W, Wiggins GA and Scharff C (2015). Principles of structure building in music, language and animal song. Philosophical Transactions of the Royal Society B Biological Sciences, The Royal Society vol. 370 (1664) 19-03-2015
Griffiths SS, McGinity MM, Forth J, Purver M and Wiggins GA (2015). Information-theoretic segmentation of natural language. 01-01-2015
McGregor S, Agres K, Purver M and Wiggins G (2015). From Distributional Semantics to Conceptual Spaces: A Novel Computational Method for Concept Creation. Journal of Artificial General Intelligence, De Gruyter Open vol. 6 (1), 55-86. 01-01-2015
WIGGINS GA and Forth JC (2015). IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned Information. Computational Creativity Research: Towards Creative Machines , Editors: Besold TR, Schorlemmer M and Smaill A. 127-148. 01-01-2015
Agres K and Wiggins GA (2015). Schematic processing as a framework for learning and creativity in CBR and CC. 01-01-2015
Thalmann F, Ewert S, Sandler M and Wiggins GA (2015). Spatially Rendering Decomposed Recordings - Integrating Score-Informed Source Separation and Semantic Playback Technologies. 01-01-2015
Thalmann F, Carrillo A, Fazekas G, Wiggins GA and Sandler M (2015). Navigating Ontological Structures based on Feature Metadata Using the Semantic Music Player. 01-01-2015
2014
Bhattacharya J and Wiggins G (2014). Spontaneous creativity: Its theoretical and neurocognitive framework. 01-11-2014
Wiggins GA and Bhattacharya J (2014). Mind the gap: an attempt to bridge computational and neuroscientific approaches to study creativity. Frontiers in Human Neuroscience, Frontiers vol. 8 24-07-2014
McGregor S, Wiggins G and Purver M (2014). Computational Creativity: A Philosophical Approach, and an Approach to Philosophy. 01-06-2014
Hargreaves S, Wiggins G and Sandler M (2014). A Semantic Web approach to pattern discovery in data and music. Proceedings of the AES International Conference, 97-106. 01-01-2014
McGregor S, Wiggins G and Purver M (2014). Computational creativity: A philosophical approach, and an approach to philosophy. 01-01-2014
2013
Whorley R, Wiggins GA, Rhodes CS and Pearce MT (2013). Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints. Journal of New Musical Research 31-12-2013
Proutskova P, Rhodes C, Crawford T and Wiggins G (2013). Breathy, Resonant, Pressed – Automatic Detection of Phonation Mode from Audio Recordings of Singing. Journal of New Music Research, Taylor & Francis vol. 42 (2), 171-186. 01-06-2013
Egermann H, Pearce MT, Wiggins GA and McAdams S (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, Affective and Behavioral Neuroscience, Springer LInk vol. 13 (3), 533-553. 01-01-2013
Forth J, Giannimaras A, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H, Shek J and Woods M (2013). Demonstrating serena: Chance encounters in the space of ideas. 01-01-2013
Forth J, Giannimaras T, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H, Shek J and Woods M (2013). SerenA: A multi-site pervasive agent environment that supports serendipitous discovery in research. 01-01-2013
Whorley R, Rhodes C, Wiggins G and Pearce M (2013). Harmonising melodies: Why do we add the bass line first? 01-01-2013
Forth J, Giannimaras T, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H, Shek J and Woods M (2013). SerenA: A Multi-site Pervasive Agent Environment That Supports Serendipitous Discovery in Research. Advances on Practical Applications of Agents and Multi-Agent Systems 85-96. 01-01-2013
Forth J, Giannimaras A, Wiggins GA, Stewart R, Bental D, Aylett R, Maxwell D, Mehrpouya H, Shek J and Woods M (2013). Demonstrating SerenA: Chance Encounters in the Space of Ideas. Advances on Practical Applications of Agents and Multi-Agent Systems 275-278. 01-01-2013
2012
Proutskva P, Rhodes C, Wiggins G and Crawford T (2012). Breathy or resonant - A controlled and curated dataset for phonation mode detection in singing. 01-12-2012
Wiggins GA (2012). On the correctness of imprecision and the existential fallacy of absolute music. Journal of Mathematics and Music, Taylor & Francis vol. 6 (2), 93-101. 01-07-2012
Wiggins GA (2012). The future of (mathematical) music theory. Journal of Mathematics and Music, Taylor & Francis vol. 6 (2), 135-144. 01-07-2012
Ewert S, Muller M, Konz V, Müllensiefen D and Wiggins G (2012). Towards Cross-Version Harmonic Analysis of Music. IEEE Transactions on Multimedia vol. 14, 770-782. 01-01-2012
Wiggins GA (2012). “I let the music speak”: cross-domain application of a cognitive model of musical learning. Statistical Learning and Language Acquisition , Editors: Rebuschat P and Williams J. 463-495. 01-01-2012
Wiggins GA (2012). Defining Inspiration? Modelling non-conscious creative process., Editors: Collins D. 01-01-2012
Wiggins GA (2012). The Mind’s Chorus: Creativity before Consciousness. Cognitive Computation vol. 4 (3), 306-319. 01-01-2012
Wiggins GA (2012). Music, Mind and Mathematics: Theory, Reality and Formality. Journal of Mathematics and Music vol. 6 (2), 111-123. 01-01-2012
Pearce MT and Wiggins GA (2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. Topics in Cognitive Science vol. 4 (4), 625-652. 01-01-2012
Wiggins GA (2012). Crossing the theshold paradox: Modelling creative cognition in the global workspace. 01-01-2012
McLean A and Wiggins G (2012). Computer Programming in the Creative Arts. Computers and Creativity 235-252. 01-01-2012
Cameron D, Lindsen J, Pearce M, Wiggins G, Potter K and Bhattacharya J (2012). Entrainment of Pre-Motor Cortex Activity by Ambiguity in Musical Metre. 01-01-2012
2011
Gingras B, Goodchild M, Dean RT, Pearce MT, Wiggins GA and McAdams S (2011). Exploring interrelationships between melodic expectations, tempo variations, and perceived tension in performances of an unmeasured prelude for harpsichord. 01-01-2011
Gingras B, Dean R, Pearce MT and Wiggins GA (2011). Information Dynamics and Musical Performance. 01-01-2011
Wiggins GA (2011). Computer Models of (Music) Cognition. Language and Music as Cognitive Systems , Editors: Rebuschat P, Rohrmeier M, Cross I and Hawkins J. 01-01-2011
Müllensiefen D and Wiggins GA (2011). Sloboda and Parker’s recall paradigm for melodic memory: a new, computational perspective. Music and the Mind , Editors: Delièege I and Davidson J. 01-01-2011
2010
Bown O, Wiggins G and Tognetti A (2010). Musique et évolution. Musique et évolution 313-332. 01-11-2010
McLean A and Wiggins GA (2010). Live coding towards computational creativity., Editors: Ventura and others . 01-01-2010
Whorley R, Wiggins GA, Rhodes C and Pearce MT (2010). Development of Techniques for the Computational Modelling of Harmony., Editors: Ventura and others . 01-01-2010
Pearce MT, Herrojo Ruiz M, Kapasi S, Wiggins GA and Bhattacharya J (2010). Unsupervised Statistical Learning Underpins Computational, Behavioural and Neural Manifestations of Musical Expectation. NeuroImage vol. 50, 303-313. 01-01-2010
Forth J, Wiggins G and McLean A (2010). Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds and Machines, Springer Netherlands vol. 20, 503-532-503-532. 01-01-2010
Pearce MT, Müllensiefen D and Wiggins GA (2010). The role of expectation and probabilistic learning in auditory boundary perception: A model comparison. Perception vol. 39 (10), 1367-1391. 01-01-2010
Wiggins GA, Müllensiefen D and Pearce MT (2010). On the non-existence of Music: Why music theory is a figment of the imagination. Musicae Scientiae vol. Discussion Forum 5, 231-255. 01-01-2010
Wiggins GA (2010). Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive Model. Musicae Scientiae vol. Special Issue: Under, 307-331. 01-01-2010
Cardoso A, Veale T and Wiggins GA (2010). Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity. AI Magazine vol. 30, 15-22. 01-01-2010
Pearce MT, Müllensiefen D and Wiggins GA (2010). Melodic Grouping in Music Information Retrieval: New Methods and Applications. Advances in Music Information Retrieval , Editors: Ras Z and Wieczorkowska A. 364-388. 01-01-2010
Wiggins GA (2010). I Let the Music Speak: A Model of Music Perception that Predicts Speech Segmentation. 01-01-2010
Wiggins GA (2010). A cross-domain model? Grouping of phonemes into syllables by a model of melodic segmentation. 01-01-2010
Pearce MT, Müllensiefen D and Wiggins GA (2010). The role of expectation and probabilistic learning in auditory boundary perception: a model comparison. Perception vol. 39 (10), 1365-1389. 01-01-2010
Pearce MT, Müllensiefen D and Wiggins GA (2010). Melodic grouping in music information retrieval: New methods and applications. Studies in Computational Intelligence vol. 274, 365-389. 01-01-2010
2009
Lewis RJ, Lewis D, Crawford T and Wiggins GA (2009). Music and Text: Integrating Scholarly Literature into Music Datasets. 01-09-2009
Bown O and Wiggins GA (2009). From Maladaptation to Competition to Cooperation in the Evolution of Musical Behaviour. Musicæ Scientiæ 01-01-2009
Forth J and Wiggins GA (2009). An approach for identifying salient repetition in multidimensional representations of polyphonic music. London Algorithmics 2008: Theory and Practice , Editors: Chan J, Daykin JW and Rahman MS. 44-58. 01-01-2009
Wiggins GA (2009). Computer-Representation of Music in the Research Environment. Modern Methods for Musicology: Prospects, Proposals and Realities , Editors: Crawford TT and Gibson L. 7-22. 01-01-2009
Wiggins GA, Pearce MT and Müllensiefen D (2009). Computational Modelling of Music Cognition and Musical Creativity. Oxford Handbook of Computer Music , Editors: Dean R. 383-420. 01-01-2009
Wiggins GA (2009). Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of Music. 01-01-2009
Lemström K and Wiggins GA (2009). Formalizing invariances for content-based music retrieval., Editors: Tzanetakis G and Hirata K. 01-01-2009
McLean A and Wiggins G (2009). Words, Movement and Timbre., Editors: Zahler A and Dannenberg R. 01-01-2009
Ewert S, Müller M, Müllensiefen D, Clausen M and Wiggins GA (2009). Case Study “Beatles Songs” – What can be Learned from Unreliable Music Alignments?, Editors: Selfridge-Field E, Wiering F and Wiggins GA. 01-01-2009
CATTERALL PP (2009). Foreword. Draft it in Eskimo@ A Personal Memoir of the War Cabinet Secretariat, NATO and the 'Marshy Common' , Editors: author JP. 3-9. 01-01-2009
2008
Pearce MT, Müllensiefen D and Wiggins GA (2008). An information-dynamic model of melodic segmentation. 01-01-2008
Müllensiefen D, Wiggins GA and Lewis D (2008). High-level Feature Descriptors and Corpus-Based Musicology: Techniques for Modelling Music Cognition. Systematic and Comparative Musicology: Concepts, Methods, Findings , Editors: Schneider A. 01-01-2008
Müllensiefen D and Wiggins GA (2008). Polynomial Contour as a Core Feature for Representing Melodies. 01-01-2008
Pearce MT, Müllensiefen D and Wiggins GA (2008). Melodic Segmentation: A New Method and a Framework for Model Comparison. 01-01-2008
Pearce MT, Müllensiefen D, Wiggins GA and Frieler K (2008). Perceptual Segmentation of Melodies: Ambiguity, Rules and Statistical Learning. 01-01-2008
Halpern A, Müllensiefen D and Wiggins GA (2008). Modelling Memory Responses in a Melody Recognition Task. 01-01-2008
Whorley RP, Pearce MT and Wiggins GA (2008). Computational Modelling of the Cognition of Harmonic Movement. 01-01-2008
Pearce MT, Müllensiefen D and Wiggins GA (2008). A comparison of statistical and rule-based models of melodic segmentation., Editors: Bello JP and Chew E. 01-01-2008
Mauch M, Müllensiefen D, Dixon S and Wiggins G (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. 01-01-2008
Mauch M, Müllensiefen D, Dixon S and Wiggins G (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions? International Conference on Music Perception and Cognition Hokkaido, Japan 25 Aug 2008 - 29 Aug 2008. 01-01-2008
2007
Müllensiefen D, Lewis D, Rhodes C and Wiggins G (2007). Evaluating a chord-labelling algorithm. 01-12-2007
Müllensiefen D, Lewis D and Wiggins GA (2007). Feature description and corpus-based musicology: Tools for modelling music cognition. 01-01-2007
Bown O and Wiggins GA (2007). Biocultural Models of Interaction Between Musical and Non-Musical Forms of Behaviour in Evolution. 01-01-2007
Potter K, Wiggins GA and Pearce MT (2007). Towards greater objectivity in music theory: Information-dynamic analysis of minimalist music. Musicæ Scientiæ vol. 11, 295-322. 01-01-2007
Wiggins GA (2007). Review article: ‘Computer Models of Musical Creativity’ by David Cope. Literary and Linguistic Computing vol. 23, 109-116. 01-01-2007
(2007). Proceedings of the 4th International Joint Workshop on Computational Creativity., Editors: Cardoso A and Wiggins GA. 01-01-2007
Wiggins GA (2007). Models of musical similarity. Musicae Scientiae vol. Discussion Forum 4A, 315-338-315-338. 01-01-2007
Potter K, Wiggins GA and Pearce MT (2007). Information Dynamics of Music: a case study of Philip Glass’ Two Pages. 01-01-2007
McLean A, Leymarie FF and Wiggins G (2007). Apollonius diagrams and the Representation of Sounds and Music. 01-01-2007
Müllensiefen D, Lewis D, Rhodes C and Wiggins GA (2007). Treating Inherent Ambiguity in Ground Truth Data: Evaluating a Chord Labelling Algorithm. 01-01-2007
Allan RH, Wiggins GA and Müllensiefen D (2007). Methodological Considerations in Studies of Musical Similarity. 01-01-2007
Craft A, Wiggins GA and Crawford T (2007). How Many Beans make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation Sysytems. 01-01-2007
Müllensiefen D, Pearce MT and Wiggins GA (2007). Segmenting Pop Melodies: A Model Comparison Approach. 01-01-2007
Whorley RP, Wiggins GA and Pearce MT (2007). Systematic Evaluation and Improvement of Statistical Models of Harmony., Editors: Cardoso A and Wiggins GA. 01-01-2007
Bown O and Wiggins GA (2007). On the Meaning of Life (in Artificial Life Approaches to Music)., Editors: Cardoso A and Wiggins GA. 01-01-2007
Thornton C (2007). How thinking inside the box can become thinking outside the box., Editors: Cardoso A and Wiggins G. 01-01-2007
Pearce MT and Wiggins GA (2007). Evaluating cognitive models of musical composition., Editors: Cardoso A and Wiggins GA. 01-01-2007
Müllensiefen D, Lewis D and Wiggins GA (2007). Where’s the Chorus? A Computational Approach to the Automatic Segmentation of Pop Songs. 01-01-2007
2006
(2006). Musical Creativity, Multidisciplinary Research in Theory and Practice. 16-10-2006
Pearce MT and Wiggins GA (2006). The information dynamics of melodic boundary detection., Editors: Baroni M, Addessi AR, Caterina R and Costa M. 01-01-2006
Wiggins GA (2006). Searching for Computational Creativity. New Generation Computing vol. 24, 209-222. 01-01-2006
(2006). Musical Creativity: Current research in theory and practice., Editors: Deliège I and Wiggins GA. 01-01-2006
Pearce MT and Wiggins GA (2006). Expectation in Melody: The Influence of Context and Learning. Music Perception vol. 23, 377-405. 01-01-2006
Phon-Amnuaisuk S, Smaill A and Wiggins G (2006). Chorale harmonization: A view from a search control perspective. Journal of New Music Research vol. 35, 279-305. 01-01-2006
Wiggins GA (2006). A Preliminary Framework for Description, Analysis and Comparison of Creative Systems. Journal of Knowledge Based Systems vol. 19, 449-458. 01-01-2006
Crawford T, Pickens J and Wiggins G (2006). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. Computer Music Modeling and Retrieval: Third International Symposium, CMMR 2005, Revised Papers 233-248. 01-01-2006
Chan T-ST and Wiggins G (2006). More Evidence for A Computational Memetics Approach to Music Information and New Interpretations of An Aesthetic Fitness Measure., Editors: Colton S and Pease A. 01-01-2006
Clifford R, Christodoulakis M, Crawford T, Meredith D and Wiggins GA (2006). A fast, randomised, maximal subset matching algorithm for document-level music retrieval., Editors: Lemström K and Dannenberg R. 01-01-2006
2005
Bown O and Wiggins GA (2005). Modelling Musical Behaviour in a Cultural-Evolutionary System., Editors: Gervàs P, Veale T and Pease A. 01-01-2005
Melo A, Drever J and Wiggins GA (2005). Electroacoustic Performance Interfaces that Learn from their Users. 01-01-2005
Pearce MT, Conklin D and Wiggins GA (2005). Methods for Combining Statistical Models of Music. Computer Music Modelling and Retrieval , Editors: Wiil UK. 295-312. 01-01-2005
Lewis D, Gale M, Crawford T and Wiggins GA (2005). Questions of Musical Resemblance: ‘families’ of pieces in an electronic corpus. 01-01-2005
Chan T-ST and Wiggins G (2005). A Computational Memetics Approach to Music Information and Aesthetic Fitness., Editors: Colton S, Gervás P and Veale T. 01-01-2005
Meredith D and Wiggins GA (2005). Comparing pitch spelling algorithms., Editors: Reiss J and Wiggins GA. 01-01-2005
Pickens J, Crawford T and Wiggins GA (2005). Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. 01-01-2005
Lewis D, Crawford T, Wiggins GA and Gale M (2005). Abstracting Musical Queries: Towards a Musicologist’s Workbench. 01-01-2005
REISS J and Wiggins GA (2005). Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR). 01-01-2005
2004
Pearce MT and Wiggins GA (2004). Improved Methods for Statistical Modelling of Monophonic Music. Journal of New Music Research vol. 33, 367-385. 01-01-2004
Pearce M, Conklin D and Wiggins G (2004). Methods for combining statistical models of music., Editors: Wiil UK. 01-01-2004
Pearce MT and Wiggins GA (2004). Rethinking Gestalt Influences on Melodic Expectancy., Editors: Lipscomb SD, Ashley R, Gjerdingen RO and Webster P. 01-01-2004
2003
Wiggins GA (2003). Categorising Creative Systems., Editors: Bento C, Cardoso A and Gero J. 01-01-2003
Ferrand M, Nelson P and Wiggins GA (2003). Memory and Melodic Density: A Model for Melody Segmentation. 01-01-2003
Ferrand M, Nelson P and Wiggins G (2003). Unsupervised Learning of Melodic Segmentation: A Memory-Based Approach., Editors: Kopiez R, Lehmann AC, Wolther I and Wolf C. 01-01-2003
Pearce MT and Wiggins GA (2003). An empirical comparison of the performance of PPM variants on a prediction task with monphonic music. 01-01-2003
Melo A and Wiggins GA (2003). A Connectionist Approach to Driving Chord Progressions Using Tension., Editors: Gervás P and Colton S. 01-01-2003
2002
(2002). Proceedings of the AISB’02 Symposium on AI and Creativity in the Arts and Sciences., Editors: Wiggins GA. 01-01-2002
Pearce MT, Meredith D and Wiggins GA (2002). Motivations and methodologies for automation of the compositional process. Musicæ Scientiæ vol. 6, 119-147-119-147. 01-01-2002
Meredith D, Lemström K and Wiggins G (2002). Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music. Journal of New Music Research vol. 31, 321-345. 01-01-2002
Phon-Amnuaisuk S, Smaill A and Wiggins GA (2002). A Computational Model for Chorale Harmonisation in the Style of J. S. Bach. 01-01-2002
Wiggins GA, Lemström K and Meredith D (2002). SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music Retrieval. 01-01-2002
Ferrand M, Nelson P and Wiggins GA (2002). A Probabilistic Model for Melody Segmentation. 01-01-2002
Rutherford J and Wiggins GA (2002). An Experiment in the automatic creation of music which has specific emotional content. 01-01-2002
Pearce MT and Wiggins GA (2002). Aspects of a cognitive theory of creativity in musical composition. 01-01-2002
2001
Wiggins G (2001). Book Review: Representing Musical Time: A Temporal-Logic Approach. Musicae Scientiae, SAGE Publications vol. 5 (2), 265-272. 01-09-2001
Wiggins GA (2001). Preface: The AISB'99 Convention and the Focus Workshop. Language Resources and Evaluation, Springer Nature vol. 35 (1), 1-2. 01-02-2001
Rolland P-Y, Cambouropoulos E and Wiggins GA (2001). Special Issue: Pattern Processing in Music Analysis and Creation. Computers and the Humanities vol. 35 01-01-2001
Wiggins G (2001). “Representing Musical Time: A Temporal-Logic Approach” by Alan Marsden. Musicae Scientiæ vol. 5 01-01-2001
(2001). Proceedings of the ICCBR’01 Workshop on Creative Systems., Editors: Bento C, Cardoso A and Wiggins GA. 01-01-2001
(2001). Proceedings of the AISB’01 Symposium on AI and Creativity in the Arts and Sciences., Editors: Wiggins GA. 01-01-2001
Cambouropoulos E, Crawford T and Iliopoulos CS (2001). Pattern Processing in Melodic Sequences: Challenges, Caveats and Prospects., Editors: Rolland P-Y, Cambouropoulos E and Wiggins GA. Computers and the Humanities vol. 35, 9-21. 01-01-2001
Pearce M, Wiggins GA and Meredith D (2001). Motivations and Methodologies for Automation of the Compositional Process. Musicae Scientiae vol. 6, 119-147. 01-01-2001
Wiggins GA (2001). Towards a more precise characterisation of creativity in AI., Editors: Weber R and von Wangenheim CG. 01-01-2001
Lemström K, Wiggins GA and Meredith D (2001). A Three-Layer Approach for Music Retrieval in Large Databases. 01-01-2001
Meredith D, Wiggins GA and Lemström K (2001). Pattern induction and matching in polyphonic music and other multidimensional datasets., Editors: Callaos N, Zong X, Vergez C and Pelaez JR. 01-01-2001
Pearce MT and Wiggins GA (2001). Towards a framework for the evaluation of machine compositions. 01-01-2001
2000
Wiggins GA and Smaill A (2000). Musical Knowledge: what can Artificial Intelligence bring to the musician? Readings in Music and Artificial Intelligence , Editors: Miranda ER. 29-46. 01-01-2000
Wiggins GA (2000). Special Issue on Artificial Intelligence and Creativity in Arts and Sciences. AISB Quarterly, AISB 01-01-2000
(2000). Proceedings of the AISB’00 Symposium on AI and Creativity in the Arts and Sciences., Editors: Wiggins GA. 01-01-2000
Curry B, Wiggins GA and Hayes J (2000). Representing Trees with Constraints., Editors: Lloyd J. 01-01-2000
Wiggins GA and Trewin S (2000). A system for the concerned teaching of musical aural skills. 01-01-2000
1999
Wiggins GA (1999). Book Review: Melodic Similarity: Concepts, Procedures and Applications. Computing in Musicology. Musicae Scientiae, SAGE Publications vol. 3 (2), 279-283. 01-09-1999
Ponsford D, Wiggins GA and Mellish C (1999). Statistical learning of harmonic movement. Journal of New Music Research vol. 28, 150-177. 01-01-1999
(1999). Proceedings of the AISB’99 Symposium on Musical Creativity., Editors: Wiggins GA. 01-01-1999
Wiggins G (1999). “Melodic Similarity: Concepts, Procedures, and Applications” by Walter Hewlett and Eleanor Selfridge-Field. Musicae Scientiæ vol. 3, 279-283. 01-01-1999
Abbass HA, Wiggins GA, Lakshmanan R and Morton W (1999). Heat Exchanger Network Retrofit by Constraint Logic Programming. Computers in Chemical Engineering 01-01-1999
Wiggins GA, Papadopoulos G, Phon Amnuaisuk S and Tuson A (1999). Evolutionary methods for musical composition. International Journal of Computing Anticipatory Systems 01-01-1999
Papadopoulos G and Wiggins GA (1999). AI Methods for Algorithmic Composition: A survey, a Critical View and Future Prospects. 01-01-1999
Curry B and Wiggins GA (1999). A New Approach to Cooperative Performance: A Preliminary Experiment. International Journal of Computing Anticipatory Systems vol. 4 01-01-1999
Abbass HA, Wiggins GA, Lakshmanan R and Morton B (1999). Integrating optimisation and search: An Intelligent Tool for Chemical Process Synthesis. 01-01-1999
Phon-Amnuaisuk A and Wiggins GA (1999). The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based System. 01-01-1999
Birch N, Plummer J, Wiggins G, Ferran B and Lyons R (1999). Nurturing creativity (panel session). Proceedings of the third conference on Creativity & cognition - C&C '99. 01-01-1999
Brandao M, Pain H and Wiggins G (1999). An intelligent learning environment for musical harmony. 01-01-1999
1998
Papadopoulos G and Wiggins GA (1998). A Genetic Algorithm for the Generation of Jazz Melodies. 01-01-1998
Robertson J, de Quincey A, Stapleford T and Wiggins GA (1998). Real-Time Music Generation for a Virtual Environment., Editors: Nack F. 01-01-1998
Wiggins GA (1998). The Use of Constraint Systems for Musical Composition., Editors: Pachet F and Codognet P. 01-01-1998
1997
Wiggins GA and Smaill A (1997). Musical Knowledge: what can Artificial Intelligence bring to the musician? Contemporary Music Review 01-01-1997
1996
(1996). Proceedings of the International Congress on Music and AI, 1995., Editors: Cambouropoulos E, Nelson P, Smaill A and Wiggins GA. 01-09-1996
Cambouropoulos E, Nelson P, Smaill A and Wiggins G (1996). Introduction. Journal of New Music Research, Taylor & Francis vol. 25 (3), 211-211. 01-09-1996
Cambouropoulos E, Nelson P, Smaill A and Wiggins G (1996). Special Issue on Music and Artificial Intelligence. Journal of New Music Research vol. 25 01-01-1996
1995
Wiggins GA (1995). The Gödel programming language by Patricia Hill and John W. Lloyd, The MIT Press, 1994, pp 337, £40. 50/$60.75, ISBN 0-262-08229-2. The Knowledge Engineering Review, Cambridge University Press (CUP) vol. 10 (1), 102-104. 01-03-1995
Wiggins GA (1995). Understanding music with AI: Perspectives on cognitive musicology: M. Balaban, K. Ebcioglu and O. Laske, eds., (The MIT Press, Cambridge, MA 1993); 512 pages, softback; ISBN 0-262-52170-9. Artificial Intelligence vol. 79, 373 - 385-373 - 385. 01-01-1995
1994
Richards BL, Kraan I, Smaill A and Wiggins GA (1994). Mollusc: a general proof development shell for sequent-based logics., Editors: Bundy A. International Conference on Automated Deduction CADE 1994: Automated Deduction — CADE-12 Nancy France 26 Jun 1994 - 1 Jul 1994. 01-07-1994
(1994). Music Education: An Artificial Intelligence Perspective, Edinburgh 19 93., Editors: Smith M, Smaill A and Wiggins GA. 01-01-1994
LAU KK and WIGGINS G (1994). A TUTORIAL ON SYNTHESIS OF LOGIC PROGRAMS FROM SPECIFICATIONS. 01-01-1994
1993
Wiggins GA, Miranda E, Smaill A and Harris M (1993). Surveying Musical Representation Systems: A Framework for Evaluation. 01-01-1993
Smaill A, Wiggins GA and Harris M (1993). Hierarchical Music Representation for Analysis and Composition. Computers and the Humanities vol. 27, 7-17-7-17. 01-01-1993
Wiggins GA, Miranda E, Smaill A and Harris M (1993). A framework for the evaluation of music representation systems. Computer Music Journal vol. 17, 31-42. 01-01-1993
Smaill A, Wiggins GA and Miranda E (1993). Music Representation – between the musician and the computer. Music Education: An Artificial Intelligence Perspective , Editors: Smith M, Wiggins G and Smaill A. 01-01-1993
Lombart V, Wiggins GA and Deville Y (1993). Guiding Synthesis Proofs., Editors: Deville Y. 01-01-1993
Smaill A, Wiggins G and Harris M (1993). Hierarchical music representation for composition and analysis. Language Resources and Evaluation, Springer Nature vol. 27 (1), 7-17. 01-01-1993
Smaill A, Brett G, Davismoon S, McGrath S, Miranda E, Robinson S and Wiggins G (1993). New Music in Edinburgh. Computer Music Journal, JSTOR vol. 17 (1) 01-01-1993
1992
Bryson J, Smaill A and Wiggins GA (1992). The Reactive Accompanist: Applying Subsumption Architecture to Software Design. 01-01-1992
(1992). 3rd UK Annual Conference on Logic Programming, Edinburgh 1991., Editors: Wiggins GA, Mellish CS and Duncan T. 01-01-1992
Wiggins GA (1992). Synthesis and Transformation of Logic Programs in the Whelk Proof Development System., Editors: Apt KR. 01-01-1992
Wiggins GA (1992). Negation and Control in Automatically Generated Logic Programs., Editors: Pettorossi A. 01-01-1992
1991
Wiggins GA (1991). An Adaptable Formalism for the Computational Analysis of English Noun Phrase Reference. 01-01-1991
Harris M, Smaill A and Wiggins G (1991). Representing Music Symbolically., Editors: Camurri A and Canepa C. 01-01-1991
Wiggins GA, Bundy A, Kraan I and Hesketh J (1991). Synthesis and Transformation of Logic Programs through Constructive, Inductive Proof., Editors: Lau K-K and Clement T. 01-01-1991
Douglas-Scott S, Dine J and Persaud I (1991). Introduction. Procedure and the European Court , Editors: Dine J, Douglas-Scott S and Persaud . 01-01-1991
1990
Wiggins GA (1990). The Improvement of Prolog Program Efficiency by Compiling Control: A Proof-Theoretic View. 01-04-1990
Smaill A, Wiggins GA and Harris M (1990). Hierarchical Music Representation for Analysis and Composition. 01-01-1990
Bundy A, Smaill A and Wiggins GA (1990). The Synthesis of Logic Programs from Inductive Proofs., Editors: Lloyd J. 01-01-1990
1989
Wiggins GA, Harris M and Smaill A (1989). Representing music for analysis and composition., Editors: Balaban M, Ebcio vglu K, Laske O, Lischka C and Soriso L. 01-01-1989
Wiggins GA, Harris M and Smaill A (1989). Representing Music for Analysis and Composition. 01-01-1989
Grants
Grants of specific relevance to the Centre for Human-Centred Computing