Prof Geraint Wiggins

Professor of Computational Creativity
School of Electronic Engineering and Computer Science
Queen Mary University of London
Queen Mary University of London
Research
Computational Creativity, Music Cognition, Cognitive Science, Artificial Intelligence
Publications
Publications of specific relevance to the Centre for Human-Centred Computing2025
A Dynamic Systems Approach to Modeling Human–Machine Rhythm InteractionYuan Z Van Ransbeeck W Wiggins GA Botteldooren D
IEEE Transactions on Cybernetics, Institute of Electrical and Electronics Engineers (IEEE) vol. 55 (5), 2052-2064.
23-04-2025
Classical Data in Quantum Machine Learning Algorithms: Amplitude Encoding and the Relation Between Entropy and Linguistic AmbiguityEisinger J Gauderis W de Huybrecht L Wiggins GA
Entropy, Mdpi vol. 27 (4)
16-04-2025
Popularity Bias in Recommender Systems: The Search for Fairness in the Long TailCarnovalini F Rodà A Wiggins GA
Information, Mdpi vol. 16 (2)
19-02-2025
Yin-Yang: Developing Motifs with Long-Term Structure and ControllabilityBhandari K Wiggins GA Colton S
Lecture Notes in Computer Science. vol. 15611, 1-17.
01-01-2025
2024
Tidal MerzA: Combining affective modelling and autonomous code generation through Reinforcement LearningWilson E Fazekas G
AIMC 2024 Oxford, UK 9 Sep 2024 - 11 Sep 2024.
26-08-2024
Contrast Information Dynamics: A Novel Information Measure for Cognitive ModellingHomer ST Harley N Wiggins GA
Entropy, Mdpi vol. 26 (8)
27-07-2024
A novel Reservoir Architecture for Periodic Time Series PredictionYuan Z Wiggins G Botteldooren D
2024 International Joint Conference on Neural Networks (IJCNN). vol. 00, 1-8.
05-07-2024
Contrast Information Dynamics: A Novel Information Measure for Cognitive ModellingHomer ST Harley N Wiggins GA
, Mdpi
23-04-2024
Modelling of Musical Perception using Spectral Knowledge RepresentationHomer ST Harley N Wiggins G
Journal of Cognition, Ubiquity Press vol. 7 (1)
08-04-2024
The Mismeasure of Music “On Computerized Music Listening and Analysis via Machine Learning”Sturm BLT Wiggins GA
In The Oxford Handbook of Music and Corpus Studies, Oxford University Press (OUP)
21-03-2024
2023
Three Open Questions for the Design of AI for Music CompositionFord C Cardinale S Wiggins G
CHIME ONE DAY WORKSHOP 2023 The Open University, Milton Keynes 4 Dec 2023.
04-12-2023
Reconstructing Human Expressiveness in Piano Performances with a Transformer NetworkTang J Wiggins G Fazekas G
CMMR2023, the 16th International Symposium on Computer Music Multidisciplinary 13 Nov 2023 - 17 Nov 2023.
13-11-2023
Pianist Identification Using Convolutional Neural NetworksTang J Wiggins G Fazekas G
2023 4th International Symposium on the Internet of Sounds. vol. 00, 1-6.
27-10-2023
On the Integration of Machine Agents into Live CodingWilson E Fazekas G
Organised Sound, Cambridge University Press (Cup) vol. 28 (2), 305-314.
01-08-2023
HIPI: A Hierarchical Performer Identification Model Based on Symbolic Representation of MusicRafee SRM Fazekas G
ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). vol. 00, 1-5.
10-06-2023
A Computational Approach to the Detection and Prediction of (Ir)Regularity in Children's Folk SongsMihelac L Povh J Wiggins GA
Empirical Musicology Review, The Ohio State University vol. 16 (2), 205-230.
07-03-2023
Interactive Generation of Musical Corpora for Piano Education: Opportunities and Open ChallengesCarnovalini F Rodà A Wiggins G
Proceedings of the 15th International Conference on Computer Supported Education., 407-412.
01-01-2023
Musical Structure Analysis and Generation Through Abstraction TreesCarnovalini F Harley N Homer ST Rodà A Wiggins GA
In Music in The AI Era, Springer Nature 282-300.
01-01-2023
2022
ATEPP: A DATASET OF AUTOMATICALLY TRANSCRIBED EXPRESSIVE PIANO PERFORMANCEZhang H Tang J Rafee S Dixon S Fazekas G
23rd International Society for Music Information Retrieval Conference (ISMIR 2022) 4 Dec 2022 - 8 Dec 2022.
04-12-2022
2021
Multilevel rhythms in multimodal communicationPouw W Proksch S Drijvers L Gamba M Holler J Kello C Schaefer RS Wiggins GA
Philosophical Transactions of The Royal Society B: Biological Sciences vol. 376 (1835)
11-10-2021
A New Corpus for Computational Music Research andA Novel Method for Musical Structure AnalysisCarnovalini F Rodà A Harley N Homer ST Wiggins GA
Audio Mostly 2021., 264-267.
01-09-2021
Statistical Properties of Musical Creativity: Roles of Hierarchy and Uncertainty in Statistical LearningDaikoku T Wiggins GA Nagai Y
Frontiers in Neuroscience, Frontiers vol. 15
20-04-2021
Assessing creativity of MEXICA: An application of Ritchie’s criteriaAlvarado J Wiggins GA
AISB Convention 2021: Communication and Conversations.
01-01-2021
Performer Identification From Symbolic Representation of Music Using Statistical ModelsRafee SRM Fazekas G Wiggins GA
ICMC 2021 - Proceedings of the International Computer Music Conference 2021., 178-184.
01-01-2021
Artificial Musical Intelligence: Computational Creativity in a Closed Cognitive WorldWiggins GA
In Artificial Intelligence and The Arts, Springer Nature 85-107.
01-01-2021
Structure, Abstraction and Reference in Artificial Musical IntelligenceWiggins GA
In Handbook of Artificial Intelligence For Music, Springer Nature 409-422.
01-01-2021
Computational Creativity and Consciousness: Framing, Fiction and Fraud Paper type: Study PaperWiggins GA
Proceedings of the 12th International Conference on Computational Creativity, ICCC 2021., 182-191.
01-01-2021
Meta-Evaluating Quantitative Internal Evaluation: a Practical Approach for DevelopersCarnovalini F Harley N Homer ST Rodà A Wiggins GA
Proceedings of the 12th International Conference on Computational Creativity, ICCC 2021., 213-217.
01-01-2021
2020
Metaphor generation through context sensitive distributional semanticsMcGregor S Purver M Wiggins G
In Producing Figurative Expression, John Benjamins Publishing Company 421-448.
26-11-2020
Response to commentaries on “Creativity, information, consciousness: The information dynamics of thinking”Wiggins GA
Physics of Life Reviews, Elsevier vol. 34, 57-61.
10-11-2020
Poster: Programming Practices Among Interactive Audio Software DevelopersThompson A Fazekas G
2020 IEEE Symposium on Visual Languages and Human-Centric Computing (VL/HCC). vol. 00, 1-2.
14-08-2020
A METHOD FOR ANALYSIS OF SHARED STRUCTURE IN LARGE MUSIC COLLECTIONS USING TECHNIQUES FROM GENETIC SEQUENCING AND GRAPH THEORYThalmann F Yoshii K Wilmering T Wiggins GA Sandler MB
Proceedings of the 21st International Society for Music Information Retrieval Conference Ismir 2020., 343-350.
01-01-2020
2019
Representing Modifiable and Reusable Musical Content on the Web with Constrained Multi-Hierarchical StructuresThalmann F Wiggins G Sandler M
IEEE Transactions on Multimedia, Institute of Electrical and Electronics Engineers
20-12-2019
Clues to Human CreativityStagg C Wiggins GA
In Secrets of Creativity, Oxford University Press (OUP) 86-104.
19-09-2019
Neural entrainment is associated with subjective groove and complexity for performed but not mechanical musical rhythmsCameron DJ Zioga I Lindsen JP Wiggins GA Potter K
Experimental Brain Research, Springer Nature vol. 237 (8), 1981-1991.
31-05-2019
Learning and Consolidation as Re-representation: Revising the Meaning of MemoryWiggins GA Sanjekdar A
Frontiers in Psychology, Frontiers Media Sa vol. 10
30-04-2019
Re-Representing Metaphor: Modelling metaphor perception using dynamically contextual distributional semanticsMCGREGOR SE AGRES K Rataj K PURVER MRJ WIGGINS GA
Frontiers in Psychology, Frontiers Media
15-04-2019
Conceptual representations for computational concept creationXiao P Toivonen H Gross O Cardoso A Correia J Machado P Martins P Oliveira HG et al.
Acm Computing Surveys vol. 52 (1)
01-02-2019
Detecting Summary-worthy Sentences: the Effect of Discourse FeaturesDROOG-HAYES M WIGGINS GA PURVER MRJ
13th IEEE International Conference on Semantic Computing Newport Beach, CA 30 Jan 2019 - 2 Feb 2019.
01-02-2019
Detecting Summary-Worthy Sentences: The Effect of Discourse FeaturesDroog-Hayes M Wiggins GA Purver M
2019 IEEE 13th International Conference on Semantic Computing (ICSC). vol. 00, 381-384.
30-01-2019
To play with feeling? the opportunity of aesthetics in computational musical creativityWiggins GA
AAAI Spring Symposium "Towards Conscious AI Systems". vol. 2287
01-01-2019
The influence of cost on the emergence of a common language among cooperating agentsMcGinity MM Purver M Wiggins G
2019 Aisb Convention., 21-27.
01-01-2019
A Framework for Description, Analysis and Comparison of Creative SystemsWiggins GA
In Computational Creativity, Springer Nature 21-47.
01-01-2019
Engagement-reflection in software constructionRosseel Q Wiggins GA
Proceedings of the 10th International Conference on Computational Creativity, ICCC 2019., 321-325.
01-01-2019
2018
Computational creativity in SloveniaPollak S Wiggins GA Žnidaršič M Lavrač N
Informatica (Slovenia) vol. 42 (1), 69-76.
07-05-2018
Creativity, Information, and Consciousness: the information dynamics of thinkingWIGGINS GA
Physics of Life Reviews, Elsevier
07-05-2018
Assessing Musical Similarity for Computational Music CreativityGODDARD C BARTHET M WIGGINS G
Journal of The Audio Engineering Society, Audio Engineering Society
29-04-2018
The Evolutionary Roots of Creativity: Mechanisms and MotivationsWiggins GA Tyack P Scharff C Rohrmeier M
In The Origins of Musicality, MIT Press 287-308.
20-04-2018
Formal Models of Structure Building in Music, Language, and Animal SongZuidema W Hupkes D Wiggins GA Scharff C Rohrmeirer M
In The Origins of Musicality, MIT Press 253-286.
20-04-2018
A Parallel Fusion Approach to Piano Music Transcription Based on Convolutional Neural NetworkCong F Liu S Guo L Wiggins GA
2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). vol. 00, 391-395.
15-04-2018
Look! It's moving! Is it alive? How movement affects humans' affinity to living and non-living entitiesWolf OO Wiggins G
IEEE Transactions on Affective Computing
09-04-2018
A Concise Taxonomy for Describing Data as an Art MaterialFreeman J Wiggins G Starks G Sandler M
Leonardo. vol. 51 (1), 75-79.
01-02-2018
Computational creativity and live algorithmsWiggins G Forth J
In The Oxford Handbook of Algorithmic Music 267-292.
01-01-2018
Automatic detection of narrative structure for high-level story representationDroog-Hayes M Wiggins G Purver M
Proceedings of Aisb Annual Convention 2018.
01-01-2018
Understanding Mexica: An analysis of an engagement-reflection systemAlvarado J Wiggins GA
Proceedings of AISB Annual Convention 2018.
01-01-2018
Exploring the engagement and reflection model with the creative systems frameworkAlvarado J Wiggins GA
Proceedings of the 9th International Conference on Computational Creativity, ICCC 2018., 200-207.
01-01-2018
Conceptualising computational creativity: Towards automated historiography of the research fieldPodpean V Lavra N Wiggins G Pollak S
Proceedings of the 9th International Conference on Computational Creativity, ICCC 2018., 288-295.
01-01-2018
2017
Designing Computationally Creative Musical Performance SystemsGoddard C BARTHET M
Audio Mostly 2017 Queen Mary University of London, London 23 Aug 2017 - 26 Aug 2017. vol. Proceedings of AM ’17
23-08-2017
Linking Neural and Symbolic Representation and Processing of Conceptual Structuresvan der Velde F Forth J Nazareth D WIGGINS GA
Frontiers in Psychology, Frontiers Media vol. 8, 1297-1297.
10-08-2017
Perception of Rhythmic Similarity is Asymmetrical, and Is Influenced by Musical Training, Expressive Performance, and Musical ContextCameron D Potter K Wiggins G
Timing and Time Perception
01-06-2017
A geometric method for detecting semantic coercionMcGregor S Jezek E Purver M Wiggins G
12th International Conference on Computational Semantics Iwcs 2017 Long Papers.
01-01-2017
2016
Evaluation of musical creativity and musical metacreation systemsAgres K Forth J Wiggins GA
Computers in Entertainment vol. 14 (3)
01-12-2016
Entraining IDyOT: timing in the information dynamics of thinkingFORTH J AGRES K PURVER MRJ WIGGINS GA
Frontiers in Psychology, Frontiers Media vol. 7, 1575-1575.
18-10-2016
Rapid Phenotypic Landscape Exploration through Hierarchical Spatial PartitioningSmith D TOKARCHUK LN
14th International Conference on Parallel Problem Solving from Nature Edinburgh, UK 17 Sep 2016 - 21 Sep 2016. vol. 9921, 911-920.
31-08-2016
Words, concepts, and the geometry of analogyMcGregor S Purver M Wiggins G
Workshop on Semantic Spaces at the Intersection of NLP, Physics and Cognitive Science. vol. 221, 39-48.
02-08-2016
Harnessing Phenotypic Diversity towards Multiple Independent ObjectivesSmith D Tokarchuk L Wiggins G
Proceedings of the 2016 on Genetic and Evolutionary Computation Conference Companion., 961-968.
20-07-2016
Exploring Conflicting Objectives with MADNSSmith D Tokarchuk L
Proceedings of the 2016 on Genetic and Evolutionary Computation Conference Companion., 23-24.
20-07-2016
The prediction of merged attributes with multiple viewpoint systemsHEDGES TW Wiggins GA
Journal of New Music Research, Taylor &Amp; Francis (Routledge): Ssh Titles
18-07-2016
Computer representation of music in the research environmentWiggins GA
In Modern Methods For Musicology: Prospects, Proposals, and Realities 7-22.
15-04-2016
Defining inspiration? Modelling the non-conscious creative processWiggins GA
In The Act of Musical Composition: Studies in The Creative Process 233-254.
01-04-2016
Linking Melodic Expectation to Expressive Performance Timing and Perceived Musical TensionGingras B Pearce MT Goodchild M Dean RT Wiggins G McAdams S
Journal of Experimental Psychology Human Perception & Performance, American Psychological Association (Apa) vol. 42 (4), 594-609.
01-01-2016
Improving predictions of derived viewpoints in multiple viewpoint systemsHedges T Wiggins G
Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016., 420-426.
01-01-2016
The Semantic Music Player: A Smart Mobile Player Based on Ontological Structures and Analytical Feature MetadataThalmann F Perez Carillo A Fazekas G Sandler M
Proc. Web Audio Conference WAC-2016, April 4–6, Atlanta, USA.
01-01-2016
The Mobile Audio Ontology: Experiencing Dynamic Music Objects on Mobile DevicesThalmann F Carrillo G Wiggins GA Sandler M
IEEE International Conference on Semantic Computing (ICSC), Feb. 4-6, Laguna Hills, CA, USA., 47-54.
01-01-2016
Crossroads: Interactive Music Systems Transforming Performance, Production and ListeningBarthet M Fazekas G Thalmann F Sandler M Wiggins GA
Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA..
01-01-2016
Modeling metaphor perception with distributional semantics vector space modelsAgres KR McGregor S Rataj K Purver M Wiggins GA
Ceur Workshop Proceedings. vol. 1767
01-01-2016
Creating, Visualizing, and Analyzing Dynamic Music Objects in the Browser with the Dymo DesignerThalmann F Fazekas G Wiggins GA Sandler M
Proc. ACM Audio Mostly Conference, Oct. 4-6, Norrköping, Sweden., 39-46.
01-01-2016
Process Based Evaluation of Computer Generated PoetryMcGregor S Purver M Wiggins G
Proceedings of the INLG 2016 Workshop on Computational Creativity in Natural Language Generation., 51-60.
01-01-2016
Computational creativity conceptualisation grounded on ICCC papersPollak S Boshkoska BM Miljkovic D Wiggins GA Lavrač N
Proceedings of the 7th International Conference on Computational Creativity, ICCC 2016., 123-130.
01-01-2016
2015
A concise taxonomy for describing data as an art material.FREEMAN J SANDLER M WIGGINS G STARKS G
IEEE VIS Chicago, Illinois 25 Oct 2015 - 30 Oct 2015., 22-29.
26-10-2015
Conceptualizing Creativity: From Distributional Semantics to Conceptual SpacesAgres K McGregor S Purver M Wiggins G
Proceedings of the 6th International Conference on Computational Creativity (ICCC)., 118-125.
01-06-2015
Academics' responses to encountered information: Context mattersPontis S Kefalidou G Blandford A Forth J Makri S Sharples S Wiggins G Woods M
Journal of The Association For Information Science and Technology, Wiley vol. 67 (8), 1883-1903.
13-05-2015
Metaphor, Meaning, Computers and ConsciousnessMcGregor S Purver M Wiggins G
Proceedings of the 8th AISB Symposium on Computing and Philosophy: The Significance of Metaphor and Other Figurative Modes of Expression and Thought.
01-04-2015
Segmentation and grouping structures in jazz chord sequences: An information-theoretic approachHEDGES TW Wiggins GA
27-03-2015
The evolutionary roots of creativity: mechanisms and motivationsWiggins GA Tyack P Scharff C Rohrmeier M
Philosophical Transactions of The Royal Society B Biological Sciences, The Royal Society vol. 370 (1664)
19-03-2015
Principles of structure building in music, language and animal songRohrmeier M Zuidema W Wiggins GA Scharff C
Philosophical Transactions of The Royal Society B Biological Sciences, The Royal Society vol. 370 (1664)
19-03-2015
From Distributional Semantics to Conceptual Spaces: A Novel Computational Method for Concept CreationMcGregor S Agres K Purver M Wiggins G
Journal of Artificial General Intelligence, De Gruyter Open vol. 6 (1), 55-86.
01-01-2015
IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned InformationWIGGINS GA Forth JC
In Computational Creativity Research: Towards Creative Machines, Atlantis Press 127-148.
01-01-2015
Information-theoretic segmentation of natural languageGriffiths SS McGinity MM Forth J Purver M Wiggins GA
Ceur Workshop Proceedings. vol. 1510, 54-67.
01-01-2015
Schematic processing as a framework for learning and creativity in CBR and CCAgres K Wiggins GA
CEUR Workshop Proceedings. vol. 1520, 151-155.
01-01-2015
Spatially Rendering Decomposed Recordings - Integrating Score-Informed Source Separation and Semantic Playback TechnologiesThalmann F Ewert S Sandler M Wiggins GA
International Society for Music Information Retrieval Conference (ISMIR) - Late-Breaking Session., 2-2.
01-01-2015
Navigating Ontological Structures based on Feature Metadata Using the Semantic Music PlayerThalmann F Carrillo A Fazekas G Wiggins GA Sandler M
Proc. of the 16th International Society for Music Information Retrieval (ISMIR-15) conference, Late-breaking session, Oct. 26-30, Malaga, Spain.
01-01-2015
2014
IDyOT: A Computational Theory of Creativity as Everyday Reasoning from Learned InformationWiggins GA Forth J
In Computational Creativity Research: Towards Creative Machines, Atlantis Press 127-148.
05-12-2014
Spontaneous creativity: Its theoretical and neurocognitive frameworkBhattacharya J Wiggins G
International Journal of Psychophysiology. vol. 94 (2)
01-11-2014
Mind the gap: an attempt to bridge computational and neuroscientific approaches to study creativityWiggins GA Bhattacharya J
Frontiers in Human Neuroscience, Frontiers vol. 8
24-07-2014
Computational Creativity: A Philosophical Approach, and an Approach to PhilosophyMcGregor S Wiggins G Purver M
Proceedings of the 5th International Conference on Computational Creativity (ICCC).
01-06-2014
A Semantic Web approach to pattern discovery in data and musicHargreaves S Wiggins G Sandler M
Proceedings of The Aes International Conference, 97-106.
01-01-2014
Computational creativity: A philosophical approach, and an approach to philosophyMcGregor S Wiggins G Purver M
Proceedings of the 5th International Conference on Computational Creativity Iccc 2014.
01-01-2014
2013
Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical ViewpointsWhorley R Rhodes CS
Journal of New Musical Research
31-12-2013
Breathy, Resonant, Pressed – Automatic Detection of Phonation Mode from Audio Recordings of SingingProutskova P Rhodes C Crawford T Wiggins G
Journal of New Music Research, Taylor & Francis vol. 42 (2), 171-186.
01-06-2013
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music.Egermann H Pearce MT Wiggins GA
Cognitive, Affective and Behavioral Neuroscience, Springer Link vol. 13 (3), 533-553.
01-01-2013
Demonstrating serena: Chance encounters in the space of ideasForth J Giannimaras A Wiggins GA Stewart R Bental D Aylett R Maxwell D Mehrpouya H et al.
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 7879 LNAI, 275-278.
01-01-2013
SerenA: A multi-site pervasive agent environment that supports serendipitous discovery in researchForth J Giannimaras T Wiggins GA Stewart R Bental D Aylett R Maxwell D Mehrpouya H et al.
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). vol. 7879 LNAI, 85-96.
01-01-2013
Harmonising melodies: Why do we add the bass line first?Whorley R Rhodes C Pearce M
Proceedings of the 4th International Conference on Computational Creativity Iccc 2013., 79-86.
01-01-2013
SerenA: A Multi-site Pervasive Agent Environment That Supports Serendipitous Discovery in ResearchForth J Giannimaras T Wiggins GA Stewart R Bental D Aylett R Maxwell D Mehrpouya H et al.
In Advances on Practical Applications of Agents and Multi-Agent Systems, Springer Nature 85-96.
01-01-2013
Demonstrating SerenA: Chance Encounters in the Space of IdeasForth J Giannimaras A Wiggins GA Stewart R Bental D Aylett R Maxwell D Mehrpouya H et al.
In Advances on Practical Applications of Agents and Multi-Agent Systems, Springer Nature 275-278.
01-01-2013
Learning and Creativity in the Global WorkspaceWiggins GA
Advances in Intelligent Systems and Computing. vol. 196, 57-57.
01-01-2013
2012
Breathy or resonant - A controlled and curated dataset for phonation mode detection in singingProutskva P Rhodes C Wiggins G Crawford T
Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012., 589-594.
01-12-2012
On the correctness of imprecision and the existential fallacy of absolute musicWiggins GA
Journal of Mathematics and Music, Taylor & Francis vol. 6 (2), 93-101.
01-07-2012
The future of (mathematical) music theoryWiggins GA
Journal of Mathematics and Music, Taylor & Francis vol. 6 (2), 135-144.
01-07-2012
Towards Cross-Version Harmonic Analysis of MusicEwert S Muller M Konz V Müllensiefen D Wiggins G
IEEE Transactions on Multimedia vol. 14, 770-782.
01-01-2012
“I let the music speak”: cross-domain application of a cognitive model of musical learningWiggins GA
In Statistical Learning and Language Acquisition, Mouton De Gruyter 463-495.
01-01-2012
Defining Inspiration? Modelling non-conscious creative processWiggins GA
The Act of Musical Composition – Studies in the Creative Process.
01-01-2012
The Mind’s Chorus: Creativity before ConsciousnessWiggins GA
Cognitive Computation vol. 4 (3), 306-319.
01-01-2012
Music, Mind and Mathematics: Theory, Reality and FormalityWiggins GA
Journal of Mathematics and Music vol. 6 (2), 111-123.
01-01-2012
Auditory Expectation: The Information Dynamics of Music Perception and CognitionPearce MT
Topics in Cognitive Science vol. 4 (4), 625-652.
01-01-2012
Crossing the theshold paradox: Modelling creative cognition in the global workspaceWiggins GA
Proceedings of the 3rd International Conference on Computational Creativity, ICCC 2012., 180-187.
01-01-2012
Computer Programming in the Creative ArtsMcLean A Wiggins G
In Computers and Creativity, Springer Nature 235-252.
01-01-2012
Computational Creativity: The Final Frontier?Colton Simon Wiggins Geraint A.
Frontiers in Artificial Intelligence and Applications.
01-01-2012
Entrainment of Pre-Motor Cortex Activity by Ambiguity in Musical MetreCameron D Lindsen J Pearce M Wiggins G Potter K Bhattacharya J
CANADIAN JOURNAL OF EXPERIMENTAL PSYCHOLOGY-REVUE CANADIENNE DE PSYCHOLOGIE EXPERIMENTALE. vol. 66 (4), 297-297.
01-01-2012
2011
Exploring interrelationships between melodic expectations, tempo variations, and perceived tension in performances of an unmeasured prelude for harpsichordGingras B Goodchild M Dean RT Pearce MT Wiggins GA McAdams S
Proceedings of the International Symposium on Performance Science., 45-45.
01-01-2011
Information Dynamics and Musical PerformanceGingras B Dean R Pearce MT Wiggins GA
01-01-2011
Computer Models of (Music) CognitionWiggins GA
In Language and Music as Cognitive Systems, Oxford University Press
01-01-2011
Sloboda and Parker’s recall paradigm for melodic memory: a new, computational perspectiveMüllensiefen D Wiggins GA
In Music and The Mind, OUP
01-01-2011
TEXTURE: VISUAL NOTATION FOR LIVE CODING OF PATTERNMcLean A Wiggins G
International Computer Music Conference, ICMC Proceedings., 621-628.
01-01-2011
2010
Musique et évolutionBown O Wiggins G Tognetti A
In Musique Et éVolution, Cairn 313-332.
01-11-2010
Live coding towards computational creativityMcLean A Wiggins GA
Proceedings of the First International Conference on Computational Creativity.
01-01-2010
Development of Techniques for the Computational Modelling of HarmonyWhorley R Rhodes C Pearce MT Ventura others
Proceedings of the First International Conference on Computational Creativity.
01-01-2010
Unsupervised Statistical Learning Underpins Computational, Behavioural and Neural Manifestations of Musical ExpectationPearce MT Herrojo Ruiz M Wiggins GA
Neuroimage vol. 50, 303-313.
01-01-2010
Unifying Conceptual Spaces: Concept Formation in Musical Creative SystemsForth J Wiggins G McLean A
Minds and Machines, Springer Netherlands vol. 20, 503-532-503-532.
01-01-2010
The role of expectation and probabilistic learning in auditory boundary perception: A model comparisonPearce MT Müllensiefen D
Perception vol. 39 (10), 1367-1391.
01-01-2010
On the non-existence of Music: Why music theory is a figment of the imaginationWiggins GA Müllensiefen D
Musicae Scientiae vol. Discussion Forum 5, 231-255.
01-01-2010
Cue Abstraction, Paradigmatic Analysis and Information Dynamics: Towards Music Analysis by Cognitive ModelWiggins GA
Musicae Scientiae vol. Special Issue: Under, 307-331.
01-01-2010
Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational CreativityCardoso A Veale T Wiggins GA
AI Magazine vol. 30, 15-22.
01-01-2010
Melodic Grouping in Music Information Retrieval: New Methods and ApplicationsPearce MT Müllensiefen D Ras Z Wieczorkowska A
In Advances in Music Information Retrieval, Springer 364-388.
01-01-2010
I Let the Music Speak: A Model of Music Perception that Predicts Speech SegmentationWiggins GA
Proceedings of Cognitive Science.
01-01-2010
A cross-domain model? Grouping of phonemes into syllables by a model of melodic segmentationWiggins GA
Proceedings of ICMPC-11.
01-01-2010
Bricolage Programming in the Creative ArtsMcLean A Wiggins G
Proceedings of the 22nd Psychology of Programming Interest Group.
01-01-2010
Tidal - Pattern Language for the Live Coding of MusicMcLean A Wiggins G
Proceedings of the 7th Sound and Music Computing conference.
01-01-2010
Visualisation of Live CodeMcLean A Griffiths D Collins N Wiggins G
Proceedings of the Electronic Visualisation and the Arts conference 2010.
01-01-2010
The role of expectation and probabilistic learning in auditory boundary perception: a model comparison.Pearce MT Müllensiefen D Wiggins GA
Perception vol. 39 (10), 1365-1389.
01-01-2010
Petrol: Reactive pattern language for improvised musicMcLean A Wiggins G
International Computer Music Conference, ICMC 2010., 331-334.
01-01-2010
Melodic grouping in music information retrieval: New methods and applicationsPearce MT Müllensiefen D Wiggins GA
Studies in Computational Intelligence vol. 274, 365-389.
01-01-2010
2009
Music and Text: Integrating Scholarly Literature into Music DatasetsLewis RJ Lewis D Crawford T Wiggins GA
Digital Resources for the Humanities and Arts.
01-09-2009
From Maladaptation to Competition to Cooperation in the Evolution of Musical BehaviourBown O Wiggins GA
Musicæ Scientiæ
01-01-2009
An approach for identifying salient repetition in multidimensional representations of polyphonic musicForth J Wiggins GA
In London Algorithmics 2008: Theory and Practice, College Publications 44-58.
01-01-2009
Computer-Representation of Music in the Research EnvironmentWiggins GA
In Modern Methods For Musicology: Prospects, Proposals and Realities, Ashgate 7-22.
01-01-2009
Computational Modelling of Music Cognition and Musical CreativityWiggins GA Pearce MT Dean R
In Oxford Handbook of Computer Music, Oxford University Press 383-420.
01-01-2009
Semantic Gap?? Schemantic Schmap!! Methodological Considerations in the Scientific Study of MusicWiggins GA
Proceedings of 11th IEEE International Symposium on Multimedia., 477-482.
01-01-2009
Formalizing invariances for content-based music retrievalLemström K Wiggins GA
Proceedings of ISMIR 2009.
01-01-2009
Words, Movement and TimbreMcLean A Wiggins G
Proceedings of NIME’09.
01-01-2009
Case Study “Beatles Songs” – What can be Learned from Unreliable Music Alignments?Ewert S Müller M Müllensiefen D Clausen M Wiggins GA
Knowledge representation for intelligent music processing.
01-01-2009
ForewordCATTERALL PP
In Draft It in Eskimo@ a Personal Memoir of The War Cabinet Secretariat, Nato and The 'Marshy Common', Clio Publishing 3-9.
01-01-2009
2008
Vocable SynthesisMcLean A Wiggins GA
Proceedings of the International Computer Music Conference.
01-01-2008
Musical Creativity on the Conceptual LevelForth J McLean A Wiggins GA
Proceedings of the International Joint Workshop on Computational Creativity.
01-01-2008
An information-dynamic model of melodic segmentationPearce MT Müllensiefen D Wiggins GA
Proceedings of the International Workshop on Music and Machine Learning.
01-01-2008
High-level Feature Descriptors and Corpus-Based Musicology: Techniques for Modelling Music CognitionMüllensiefen D Wiggins GA Lewis D
In Systematic and Comparative Musicology: Concepts, Methods, Findings, Peter Lang
01-01-2008
Polynomial Contour as a Core Feature for Representing MelodiesMüllensiefen D Wiggins GA
10th International Conference on Music Perception and Cognition.
01-01-2008
Melodic Segmentation: A New Method and a Framework for Model ComparisonPearce MT Müllensiefen D Wiggins GA
Proceedings of ISMIR 2008.
01-01-2008
Meta-models of music cognitionPearce MT Wiggins GA
Proceedings of Music, Language and the Mind.
01-01-2008
Perceptual Segmentation of Melodies: Ambiguity, Rules and Statistical LearningPearce MT Müllensiefen D Wiggins GA Frieler K
Proceedings of the 10th International Conference on Music Perception and Cognition.
01-01-2008
Modelling Memory Responses in a Melody Recognition TaskHalpern A Müllensiefen D Wiggins GA
Proceedings of the 10th International Conference on Music Perception and Cognition.
01-01-2008
Computational Modelling of the Cognition of Harmonic MovementWhorley RP Pearce MT Wiggins GA
Proceedings of the 10th International Conference on Music Perception and Cognition.
01-01-2008
Schenkerian Reduction as SearchMarsden A Wiggins GA
Proceedings of the Conference on Interdisciplinary Musicology.
01-01-2008
A comparison of statistical and rule-based models of melodic segmentationPearce MT Müllensiefen D Bello JP Chew E
Proceedings of the Ninth International Conference on Music Information Retrieval., 89-94.
01-01-2008
Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up ApproachMauch M Müllensiefen D Dixon S Wiggins G
Conference on Music, Language and the Mind.
01-01-2008
Can Statistical Language Models be used for the Analysis of Harmonic Progressions?Mauch M Müllensiefen D Dixon S Wiggins G
International Conference on Music Perception and Cognition Hokkaido, Japan 25 Aug 2008 - 29 Aug 2008.
01-01-2008
2007
Evaluating a chord-labelling algorithmMüllensiefen D Lewis D Rhodes C Wiggins G
Proceedings of the 8th International Conference on Music Information Retrieval, ISMIR 2007., 317-318.
01-12-2007
Feature description and corpus-based musicology: Tools for modelling music cognitionMüllensiefen D Lewis D Wiggins GA
Proceedings of the International Musical Society.
01-01-2007
Biocultural Models of Interaction Between Musical and Non-Musical Forms of Behaviour in EvolutionBown O Wiggins GA
Proceedings of the Society for Music Perception and Cognition.
01-01-2007
Towards greater objectivity in music theory: Information-dynamic analysis of minimalist musicPotter K Wiggins GA
Musicæ Scientiæ vol. 11, 295-322.
01-01-2007
Review article: ‘Computer Models of Musical Creativity’ by David Cope.Wiggins GA
Literary and Linguistic Computing vol. 23, 109-116.
01-01-2007
Proceedings of the 4th International Joint Workshop on Computational Creativity01-01-2007
Models of musical similarityWiggins GA
Musicae Scientiae vol. Discussion Forum 4A, 315-338-315-338.
01-01-2007
A Portfolio of Musical CompositionsWiggins GA
01-01-2007
Information Dynamics of Music: a case study of Philip Glass’ Two PagesPotter K Wiggins GA Pearce MT
14th Biennial International Conference on Music Since 1900.
01-01-2007
Apollonius diagrams and the Representation of Sounds and MusicMcLean A Leymarie FF Wiggins G
ISVD ’07: Proceedings of the 4th International Symposium on Voronoi Diagrams in Science and Engineering., 276-281.
01-01-2007
Treating Inherent Ambiguity in Ground Truth Data: Evaluating a Chord Labelling AlgorithmMüllensiefen D Lewis D Rhodes C Wiggins GA
Proceedings of 8th ISMIR.
01-01-2007
Music: Evolution Without AdaptationBown O Wiggins GA
Proceedings of Conference on Music and Evolutionary Thought.
01-01-2007
Methodological Considerations in Studies of Musical SimilarityAllan RH Wiggins GA Müllensiefen D
Proceedings of ISMIR.
01-01-2007
How Many Beans make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation SysytemsCraft A Wiggins GA Crawford T
Proceedings of ISMIR.
01-01-2007
Information Dynamics in Music Perception and CognitionPearce MT Wiggins GA
Proceedings of Music and Language as Cognitive Processes.
01-01-2007
Segmenting Pop Melodies: A Model Comparison ApproachMüllensiefen D Pearce MT Wiggins GA
Proceedings of SMPC’07, Montreal, Canada.
01-01-2007
Systematic Evaluation and Improvement of Statistical Models of HarmonyWhorley RP Pearce MT Cardoso A Wiggins GA
Proceedings of the 4th International Joint Workshop on Computational Creativity., 81-88.
01-01-2007
On the Meaning of Life (in Artificial Life Approaches to Music)Bown O Wiggins GA
Proceedings of the 4th International Joint Workshop on Computational Creativity.
01-01-2007
How thinking inside the box can become thinking outside the boxThornton C
Proceedings of the 4th International Joint Workshop on Computational Creativity.
01-01-2007
Evaluating cognitive models of musical compositionPearce MT Cardoso A Wiggins GA
Proceedings of the 4th International Joint Workshop on Computational Creativity., 73-80.
01-01-2007
Where’s the Chorus? A Computational Approach to the Automatic Segmentation of Pop SongsMüllensiefen D Lewis D Wiggins GA
Proceedings of the 5th Biennial International Association for the Study of Popular Music Conference.
01-01-2007
2006
Musical Creativity, Multidisciplinary Research in Theory and Practice16-10-2006
The information dynamics of melodic boundary detectionPearce MT Wiggins GA Baroni M Addessi AR Caterina R Costa M
Proceedings of the Ninth International Conference of Music Perception and Cognition., 860-867.
01-01-2006
Searching for Computational CreativityWiggins GA
New Generation Computing vol. 24, 209-222.
01-01-2006
Musical Creativity: Current research in theory and practice01-01-2006
Four QuartetsWiggins GA
01-01-2006
Expectation in Melody: The Influence of Context and LearningPearce MT Wiggins GA
Music Perception vol. 23, 377-405.
01-01-2006
Chorale harmonization: A view from a search control perspectivePhon-Amnuaisuk S Smaill A Wiggins G
Journal of New Music Research vol. 35, 279-305.
01-01-2006
A Preliminary Framework for Description, Analysis and Comparison of Creative SystemsWiggins GA
Journal of Knowledge Based Systems vol. 19, 449-458.
01-01-2006
Dimensionality Reduction in Harmonic Modeling for Music Information RetrievalCrawford T Pickens J Wiggins G
In Computer Music Modeling and Retrieval: Third International Symposium, Cmmr 2005, Revised Papers, Springer 233-248.
01-01-2006
More Evidence for A Computational Memetics Approach to Music Information and New Interpretations of An Aesthetic Fitness MeasureChan T-ST Wiggins G
Proceedings of the 3rd International Joint Workshop on Computational Creativity.
01-01-2006
A fast, randomised, maximal subset matching algorithm for document-level music retrievalClifford R Christodoulakis M Crawford T Meredith D Wiggins GA
Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006).
01-01-2006
2005
Modelling Musical Behaviour in a Cultural-Evolutionary SystemBown O Wiggins GA
Proceedings of the IJCAI’05 Workshop on Computational Creativity.
01-01-2005
Electroacoustic Performance Interfaces that Learn from their UsersMelo A Drever J Wiggins GA
Proceedings of the International Computer Music Conference.
01-01-2005
not even the rainWiggins GA
01-01-2005
Methods for Combining Statistical Models of MusicPearce MT Conklin D Wiggins GA Wiil UK
In Computer Music Modelling and Retrieval, Springer Verlag 295-312.
01-01-2005
Questions of Musical Resemblance: ‘families’ of pieces in an electronic corpusLewis D Gale M Crawford T Wiggins GA
Proceedings of the 10th Conference on Digital Resources for the Humanities.
01-01-2005
A Computational Memetics Approach to Music Information and Aesthetic FitnessChan T-ST Wiggins G
Proceedings of the 2nd International Joint Workshop on Computational Creativity.
01-01-2005
Comparing pitch spelling algorithmsMeredith D Wiggins GA
Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005).
01-01-2005
Dimensionality Reduction in Harmonic Modeling for Music Information RetrievalPickens J Crawford T Wiggins GA
Proceedings of the Conference on Computer Modelling and Music Retrieval.
01-01-2005
Abstracting Musical Queries: Towards a Musicologist’s WorkbenchLewis D Crawford T Wiggins GA Gale M
Proceedings of the Conference on Computer Modelling and Music Retrieval.
01-01-2005
Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR)REISS J Wiggins GA
01-01-2005
2004
Improved Methods for Statistical Modelling of Monophonic MusicPearce MT Wiggins GA
Journal of New Music Research vol. 33, 367-385.
01-01-2004
Methods for combining statistical models of musicPearce M Conklin D Wiggins G
Proceedings of the Conference on Music Modelling and Retrieval., 295-312.
01-01-2004
Rethinking Gestalt Influences on Melodic ExpectancyPearce MT Wiggins GA Lipscomb SD Ashley R Gjerdingen RO Webster P
Proceedings of the Eighth International Conference of Music Perception and Cognition., 367-371.
01-01-2004
2003
Categorising Creative SystemsWiggins GA
Proceedings of the IJCAI’03 workshop on Creative Systems.
01-01-2003
Memory and Melodic Density: A Model for Melody SegmentationFerrand M Nelson P Wiggins GA
Proceedings of the XIV Colloquium on Musical Informatics (XIV CIM 2003)., 95-98.
01-01-2003
Unsupervised Learning of Melodic Segmentation: A Memory-Based ApproachFerrand M Nelson P Wiggins G
Proceedings of the 5th Triennial ESCOM Conference., 141-144.
01-01-2003
An empirical comparison of the performance of PPM variants on a prediction task with monphonic musicPearce MT
Proceedings of the AISB’03 Symposium on Artificial Intelligence and Creativity in Arts and Science., 74-83.
01-01-2003
A Connectionist Approach to Driving Chord Progressions Using TensionMelo A Wiggins GA
Proceedings of the AISB’03 Symposium on Creativity in Arts and Science.
01-01-2003
2002
Proceedings of the AISB’02 Symposium on AI and Creativity in the Arts and Sciences01-01-2002
Motivations and methodologies for automation of the compositional processPearce MT Meredith D Wiggins GA
Musicæ Scientiæ vol. 6, 119-147-119-147.
01-01-2002
Algorithms for discovering repeated patterns in multidimensional representations of polyphonic musicMeredith D Lemström K Wiggins G
Journal of New Music Research vol. 31, 321-345.
01-01-2002
A Computational Model for Chorale Harmonisation in the Style of J. S. BachPhon-Amnuaisuk S Smaill A Wiggins GA
7th International Conference on Music Perception and Cognition.
01-01-2002
SIA(M)ESE: An Algorithm for Transposition Invariant, Polyphonic Content-Based Music RetrievalWiggins GA Lemström K Meredith D
International Symposium on Music Information Retrieval.
01-01-2002
A Probabilistic Model for Melody SegmentationFerrand M Nelson P Wiggins GA
Proceedings of ICMAI’02.
01-01-2002
An Experiment in the automatic creation of music which has specific emotional contentRutherford J Wiggins GA
Proceedings of the 2002 International Conference on Music Perception and Cognition.
01-01-2002
Aspects of a cognitive theory of creativity in musical compositionPearce MT
Proceedings of the ECAI’02 Workshop on Creative Systems., 17-24.
01-01-2002
Computational Memetics of MusicChan T-ST Wiggins G
Proceedings of the ESOM 10th Anniversary Conference on Musical Creativity.
01-01-2002
2001
Book Review: Representing Musical Time: A Temporal-Logic ApproachWiggins G
Musicae Scientiae, Sage Publications vol. 5 (2), 265-272.
01-09-2001
Preface: The AISB'99 Convention and the Focus WorkshopWiggins GA
Language Resources and Evaluation, Springer Nature vol. 35 (1), 1-2.
01-02-2001
Special Issue: Pattern Processing in Music Analysis and CreationRolland P-Y Cambouropoulos E Wiggins GA
Computers and The Humanities vol. 35
01-01-2001
“Representing Musical Time: A Temporal-Logic Approach” by Alan MarsdenWiggins G
Musicae Scientiæ vol. 5
01-01-2001
Proceedings of the ICCBR’01 Workshop on Creative Systems01-01-2001
Proceedings of the AISB’01 Symposium on AI and Creativity in the Arts and Sciences01-01-2001
Pattern Processing in Melodic Sequences: Challenges, Caveats and ProspectsCambouropoulos E Crawford T Iliopoulos CS
Computers and The Humanities vol. 35, 9-21.
01-01-2001
Motivations and Methodologies for Automation of the Compositional Process.Pearce M Wiggins GA
Musicae Scientiae vol. 6, 119-147.
01-01-2001
Towards a more precise characterisation of creativity in AIWiggins GA
Case–Based Reasoning: Papers from the Workshop Programme at ICCBR’01., 113-120.
01-01-2001
A Three-Layer Approach for Music Retrieval in Large DatabasesLemström K Wiggins GA Meredith D
Proceedings of the 2001 International Symposium on Music Information Retrieval.
01-01-2001
Pattern induction and matching in polyphonic music and other multidimensional datasetsMeredith D Wiggins GA Lemström K
Proceedings of the 5th World Multiconference on Systemics, Cybernetics and Informatics (SCI2001), July 22-25. vol. X, 61-66.
01-01-2001
Towards a framework for the evaluation of machine compositionsPearce MT
Proceedings of the AISB’01 Symposium on Artificial Intelligence and Creativity in the Arts and Sciences., 22-32.
01-01-2001
2000
Musical Knowledge: what can Artificial Intelligence bring to the musician?Wiggins GA Smaill A
In Readings in Music and Artificial Intelligence, Harwood Academic Press 29-46.
01-01-2000
Special Issue on Artificial Intelligence and Creativity in Arts and SciencesWiggins GA
Aisb Quarterly, Aisb
01-01-2000
Proceedings of the AISB’00 Symposium on AI and Creativity in the Arts and Sciences01-01-2000
Representing Trees with ConstraintsCurry B Wiggins GA Hayes J
Procceedings of Computational Logic 2000.
01-01-2000
A system for the concerned teaching of musical aural skillsWiggins GA Trewin S
Proceedings of ITS2000.
01-01-2000
1999
Panel: Nurturing creativityBirch N Plummer J Wiggins G Ferran B Lyons R
Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999., 30-35.
01-10-1999
Book Review: Melodic Similarity: Concepts, Procedures and Applications. Computing in MusicologyWiggins GA
Musicae Scientiae, Sage Publications vol. 3 (2), 279-283.
01-09-1999
Statistical learning of harmonic movementPonsford D Wiggins GA Mellish C
Journal of New Music Research vol. 28, 150-177.
01-01-1999
Proceedings of the AISB’99 Symposium on Musical Creativity01-01-1999
“Melodic Similarity: Concepts, Procedures, and Applications” by Walter Hewlett and Eleanor Selfridge-FieldWiggins G
Musicae Scientiæ vol. 3, 279-283.
01-01-1999
Heat Exchanger Network Retrofit by Constraint Logic ProgrammingAbbass HA Wiggins GA Lakshmanan R Morton W
Computers in Chemical Engineering
01-01-1999
Evolutionary methods for musical compositionWiggins GA Papadopoulos G Phon Amnuaisuk S Tuson A
International Journal of Computing Anticipatory Systems
01-01-1999
AI Methods for Algorithmic Composition: A survey, a Critical View and Future ProspectsPapadopoulos G Wiggins GA
01-01-1999
A New Approach to Cooperative Performance: A Preliminary ExperimentCurry B Wiggins GA
International Journal of Computing Anticipatory Systems vol. 4
01-01-1999
Evolving Musical HarmonisationPhon-Amnuaisuk S Tuson A Wiggins GA
Proceedings of ICANNGA’99.
01-01-1999
Integrating optimisation and search: An Intelligent Tool for Chemical Process SynthesisAbbass HA Wiggins GA Lakshmanan R Morton B
Proceedings of Practical Applications of Logic Programming.
01-01-1999
The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based SystemPhon-Amnuaisuk A Wiggins GA
Proceedings of the AISB’99 Symposium on Musical Creativity.
01-01-1999
Computers in Music EducationBrand ao M Pain H Wiggins GA
Proceedings of the AISB’99 Symposium on Musical Creativity.
01-01-1999
Nurturing creativity (panel session)Birch N Plummer J Wiggins G Ferran B Lyons R
Proceedings of the third conference on Creativity & cognition - C&C '99., 30-35.
01-01-1999
An intelligent learning environment for musical harmonyBrandao M Pain H Wiggins G
ARTIFICIAL INTELLIGENCE IN EDUCATION. vol. 50, 626-628.
01-01-1999
1998
Music, Syntax, and the Meaning of “Meaning”Wiggins GA
Proceedings of the First Symposium on Music and Computers., 18-23.
01-01-1998
A Genetic Algorithm for the Generation of Jazz MelodiesPapadopoulos G Wiggins GA
Proceedings of STeP’98.
01-01-1998
Real-Time Music Generation for a Virtual EnvironmentRobertson J de Quincey A Stapleford T Wiggins GA
Proceedings of the ECAI’98 Workshop on AI/Alife and Entertainment.
01-01-1998
The Use of Constraint Systems for Musical CompositionWiggins GA
Proceedings of the ECAI’98 Workshop on Constraints and Artistic Applications.
01-01-1998
1997
Musical Knowledge: what can Artificial Intelligence bring to the musician?Wiggins GA Smaill A
Contemporary Music Review
01-01-1997
1996
Proceedings of the International Congress on Music and AI, 1995Journal of New Music Research.
01-09-1996
IntroductionCambouropoulos E Nelson P Smaill A Wiggins G
Journal of New Music Research, Taylor & Francis vol. 25 (3), 211-211.
01-09-1996
Special Issue on Music and Artificial IntelligenceCambouropoulos E Nelson P Smaill A Wiggins G
Journal of New Music Research vol. 25
01-01-1996
Logic program synthesis by induction over Horn ClausesParkes AJ Wiggins GA
Lecture Notes in Computer Science. vol. 1048, 170-170.
01-01-1996
1995
The Gödel programming language by Patricia Hill and John W. Lloyd, The MIT Press, 1994, pp 337, £40. 50/$60.75, ISBN 0-262-08229-2.Wiggins GA
The Knowledge Engineering Review, Cambridge University Press (Cup) vol. 10 (1), 102-104.
01-03-1995
Understanding music with AI: Perspectives on cognitive musicology: M. Balaban, K. Ebcioglu and O. Laske, eds., (The MIT Press, Cambridge, MA 1993); 512 pages, softback; ISBN 0-262-52170-9Wiggins GA
Artificial Intelligence vol. 79, 373 - 385-373 - 385.
01-01-1995
1994
Mollusc: a general proof development shell for sequent-based logicsRichards BL Kraan I Smaill A Wiggins GA
International Conference on Automated Deduction CADE 1994: Automated Deduction — CADE-12 Nancy France 26 Jun 1994 - 1 Jul 1994. vol. 814, 826-30-826-30.
01-07-1994
Whelk Type TheoryWiggins GA
Proceedings of the Fourth International Workshop on Meta-Programming in Logic and Logic Program Synthesis and Transformation, Pisa, Italy.
01-01-1994
Music Education: An Artificial Intelligence Perspective, Edinburgh 19 9301-01-1994
Improving the Whelk system: A type-theoretic reconstructionWiggins GA
Lecture Notes in Computer Science. vol. 883, 231-247.
01-01-1994
A TUTORIAL ON SYNTHESIS OF LOGIC PROGRAMS FROM SPECIFICATIONSLAU KK WIGGINS G
LOGIC PROGRAMMING., 11-14.
01-01-1994
1993
Surveying Musical Representation Systems: A Framework for EvaluationWiggins GA Miranda E Smaill A Harris M
01-01-1993
RetrospectiveWiggins GA
01-01-1993
Party GamesAdamson J Wiggins GA
01-01-1993
Hierarchical Music Representation for Analysis and CompositionSmaill A Wiggins GA Harris M
Computers and The Humanities vol. 27, 7-17-7-17.
01-01-1993
A framework for the evaluation of music representation systemsWiggins GA Miranda E Smaill A Harris M
Computer Music Journal vol. 17, 31-42.
01-01-1993
Music Representation – between the musician and the computerSmaill A Wiggins GA Miranda E
In Music Education: An Artificial Intelligence Perspective, Springer
01-01-1993
Guiding Synthesis ProofsLombart V Wiggins GA Deville Y
Proceedings of LoPSTr’93.
01-01-1993
Hierarchical music representation for composition and analysisSmaill A Wiggins G Harris M
Language Resources and Evaluation, Springer Nature vol. 27 (1), 7-17.
01-01-1993
New Music in EdinburghSmaill A Brett G Davismoon S McGrath S Miranda E Robinson S Wiggins G
Computer Music Journal, Jstor vol. 17 (1)
01-01-1993
1992
The Reactive Accompanist: Applying Subsumption Architecture to Software DesignBryson J Smaill A Wiggins GA
01-01-1992
ElementsWiggins GA
01-01-1992
Creation’s HymnAdamson J Jones M Wiggins GA
01-01-1992
better nowWiggins GA
01-01-1992
3rd UK Annual Conference on Logic Programming, Edinburgh 199101-01-1992
Synthesis and Transformation of Logic Programs in the Whelk Proof Development SystemWiggins GA
Proceedings of JICSLP-92., 351-368-351-368.
01-01-1992
Negation and Control in Automatically Generated Logic ProgramsWiggins GA
Proceedings of META-92.
01-01-1992
1991
Preces and ResponsesWiggins GA
01-01-1991
An Adaptable Formalism for the Computational Analysis of English Noun Phrase ReferenceWiggins GA
01-01-1991
Representing Music SymbolicallyHarris M Smaill A Wiggins G
IX Colloquio di Informatica Musicale.
01-01-1991
Synthesis and Transformation of Logic Programs through Constructive, Inductive ProofWiggins GA Bundy A Kraan I Hesketh J
Proceedings of LoPSTr-91., 27-45-27-45.
01-01-1991
IntroductionDouglas-Scott S Dine J Persaud I Dine J Douglas-Scott S Persaud
In Procedure and The European Court, Law Chancery
01-01-1991
1990
The Improvement of Prolog Program Efficiency by Compiling Control: A Proof-Theoretic ViewWiggins GA
Proceedings of the Second International Workshop on Meta-programming in Logic.
01-04-1990
Hierarchical Music Representation for Analysis and CompositionSmaill A Wiggins GA Harris M
Proceedings of the Second International Conference on Music and Information Technology.
01-01-1990
The Synthesis of Logic Programs from Inductive ProofsBundy A Smaill A Wiggins GA
Computational Logic., 135-149-135-149.
01-01-1990
1989
Representing music for analysis and compositionWiggins GA Harris M Smaill A
Proceedings of the Second Workshop on AI and Music., 63-71.
01-01-1989
Representing Music for Analysis and CompositionWiggins GA Harris M Smaill A
01-01-1989
Grants
Grants of specific relevance to the Centre for Human-Centred Computing
Internship: M Droog HayesGeraint Wiggins
£4,500 BBC British Broadcasting Corporation
04-06-2018 - 31-08-2018
Research Group
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