Prof Andrew Mcpherson

Professor of Musical Interaction
School of Electronic Engineering and Computer Science
Queen Mary University of London
Queen Mary University of London
Research
Augmented Instruments, Sound and Music Computing, New Interfaces for Musical Expression
Interests
I am an electrical engineer and a composer by training, and my research interests lie at the boundaries between music composition and performance, analog and digital hardware design, digital signal processing and human-computer interaction. I am particularly interested in creating new expressive tools for musicians, including electronically-augmented acoustic instruments, novel hardware/software interfaces for live performance, and intuitive mapping strategies between gesture and sound. I'm also interested in quantitative modelling of expressive performance, focusing especially on the link between expressive intent and physical gesture.As a classically-trained musician, I believe that computing can have a place in even the most traditional arts venues, and I emphasise the importance of getting research products into the hands of musicians and artists, and indeed involving artists throughout the research process.
Publications
Publications of specific relevance to the Centre for Multimodal AI2024
Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian ApparatusReed CN Benito AL Caspe F McPherson AP
Acm Transactions on Computer-Human Interaction, Association For Computing Machinery (Acm) vol. 31 (6), 1-41.
06-12-2024
Real-time Timbre Remapping with Differentiable DSPShier J Saitis C Robertson A McPherson A
New Interfaces for Musical Expression.
04-09-2024
Entangling Entanglement: A Diffractive Dialogue on HCI and Musical InteractionsMorrison L McPherson A
Proceedings of the CHI Conference on Human Factors in Computing Systems., 1-17.
11-05-2024
Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art InstallationRobson N McPherson A Bryan-Kinns N
Proceedings of the CHI Conference on Human Factors in Computing Systems., 1-14.
11-05-2024
Auditory imagery ability influences accuracy when singing with altered auditory feedbackReed CN Pearce M McPherson A
Musicae Scientiae, Sage Publications
15-02-2024
A review of differentiable digital signal processing for music and speech synthesisHayes B Shier J Fazekas G McPherson A Saitis C
Frontiers in Signal Processing, Frontiers vol. 3
11-01-2024
2023
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarMartelloni A Mcpherson AP Barthet M
24th International Society for Music Information Retrieval Conference Milan, Italy 5 Nov 2023 - 9 Nov 2023.
05-11-2023
FM Tone Transfer with Envelope LearningCaspe F McPherson A Sandler M
In Arxiv
07-10-2023
Differentiable Modelling of Percussive Audio with Transient and Spectral SynthesisShier J Caspe F Robertson A Sandler M Saitis C McPherson A
In Arxiv
12-09-2023
Differentiable Modelling of Percussive Audio with Transient and Spectral SynthesisShier J Caspe F Robertson A Sandler M Mcpherson A Saitis C
10th Convention of the European Acoustics Association (Forum Acusticum) 11 Sep 2023 - 15 Sep 2023.
11-09-2023
Towards Orchestrating Physically Modelled 2D Percussion InstrumentsWolstanholme L Mcpherson A
10th Convention of the European Acoustics Association (Forum Acusticum) Turin, Italy 11 Sep 2023 - 15 Sep 2023.
11-09-2023
A Review of Differentiable Digital Signal Processing for Music & Speech SynthesisHayes B Shier J Fazekas G McPherson A Saitis C
In Arxiv
29-08-2023
Hearing from Within a Sound: A Series of Techniques for Deconstructing and Spatialising TimbreWolstanholme L Vahidi C Mcpherson A
International Conference on Spatial and Immersive Audio (AES) University of Huddersfield 23 Aug 2023 - 25 Aug 2023.
23-08-2023
FM Tone Transfer with Envelope LearningCaspe F Mcpherson A Sandler M
AudioMostly 2023 Edinburgh 30 Aug 2023 - 1 Sep 2023.
10-08-2023
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarMartelloni A McPherson AP Barthet M
In Arxiv
13-07-2023
What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood CarvingNordmoen C McPherson AP
Proceedings of the 2023 ACM Designing Interactive Systems Conference., 779-789.
10-07-2023
When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical InteractionZheng J Mcpherson A Bryan-Kinns N
Proceedings of the 2023 ACM Designing Interactive Systems Conference., 312-325.
10-07-2023
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platformPelinski Ramos T Diaz Fernandez R Benito Temprano AL Mcpherson A
NIME 2023 Mexico City, Mexico 31 May 2023 - 2 Jun 2023.
31-05-2023
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI DesignersZayas-Garin E Nordmoen C Mcpherson A
New Interfaces for Musical Expression 2023 Mexico City 31 May 2023 - 3 Jun 2023.
31-05-2023
An embedded multichannel sound acquisition system for drone auditionClayton M Wang L Mcpherson A Cavallaro A
IEEE Sensors Journal, Institute of Electrical and Electronics Engineers
10-05-2023
Chaos Bells: Instrument Size and Entangled Music PerformanceMice L McPherson AP
Contemporary Music Review, Taylor & Francis vol. 42 (3), 363-375.
04-05-2023
Computing ecosystems: neural networks and embedded hardware platformsPelinski Ramos T Caspe F Mcpherson A Sandler M
CHI 2023 Hamburg, Germany 23 May 2023 - 28 May 2023.
22-04-2023
Negotiating Experience and Communicating Information Through Abstract MetaphorReed CN Strohmeier P McPherson AP
Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems., 1-16.
19-04-2023
The Body as Sound: Unpacking Vocal Embodiment through Auditory BiofeedbackReed CN McPherson AP
Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction., 1-15.
26-02-2023
2022
DDX7: Differentiable FM Synthesis of Musical Instrument SoundsCaspe F Mcpherson A Sandler M
23rd International Society for Music Information Retrieval Conference (ISMIR 2022) Bengaluru, India 4 Dec 2022 - 8 Dec 2022.
04-12-2022
Sound -> Object -> Gesture: Physical Affordances of Virtual MaterialsPigrem J Mcpherson A Bryan-Kinns N Jack R
AudioMostly 2022., 59-66.
06-09-2022
DDX7: Differentiable FM Synthesis of Musical Instrument SoundsCaspe F McPherson A Sandler M
In Arxiv
12-08-2022
Useless, not Worthless: Absurd Making as Critical PracticeLepri G Mcpherson A Bowers J
ACM conference on Designing Interactive Systems.
01-07-2022
The M in NIME: Motivic analysis and the case for a musicology of NIME performancesMice L Mcpherson A
International Conference on New Interfaces for Musical Expression Auckland, New Zealand 28 Jun 2022 - 1 Jul 2022.
28-06-2022
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without SensorsRobson N McPherson A Bryan-Kinns N
NIME 2022.
28-06-2022
The 10,000 Instruments Workshop - (Im)practical Research for Critical SpeculationLepri G Bowers J Topley S Stapleton P Bennett P Andersen K McPherson A
NIME 2022.
28-06-2022
Quantitative evaluation of aspects of embodiment in new digital musical instrumentsGuidi A McPherson A
NIME 2022.
28-06-2022
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer ExperienceZayas-Garin E McPherson A
NIME 2022.
28-06-2022
Embedded AI for NIME: Challenges and OpportunitiesPelinski T Shepardson V Symons S Caspe FS Benito Temprano AL Armitage J Kiefer C Fiebrink R et al.
NIME 2022.
28-06-2022
Exploring Experiences with New Musical Instruments through MicrophenomenologyReed CN Nordmoen C Martelloni A Lepri G Robson N Zayas-Garin E Cotton K Mice L et al.
International Conference on New Interfaces for Musical Expression.
16-06-2022
Material Matters: Exploring Materiality in Digital Musical Instruments DesignZheng J Bryan-Kinns N McPherson AP
Designing Interactive Systems Conference., 976-986.
13-06-2022
Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive systemNordmoen C McPherson AP
Designing Interactive Systems Conference., 415-423.
13-06-2022
Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument DesignMice L McPherson AP
CHI Conference on Human Factors in Computing Systems., 1-15.
29-04-2022
Singing Knit: Soft Knit Biosensing for Augmenting Vocal PerformancesReed CN Skach S Strohmeier P McPherson AP
Augmented Humans 2022., 170-183.
13-03-2022
On mediating space, sound and experience: interviews with situated sound art practitionersRobson N Bryan-Kinns N Mcpherson A
Organised Sound: An International Journal of Music and Technology, Cambridge University Press (Cup) vol. 28 (1)
09-02-2022
2021
A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric GuitarBenito Temprano A Mcpherson AP
Audio Mostly 2021 (AM'21). Sonic experiences in the era of the Internet of Sounds University of Trento (Italy) [Online] 1 Sep 2021 - 3 Sep 2021.
01-09-2021
Embrace the Weirdness: Negotiating Values Inscribed into Music TechnologyLepri G McPherson A
Computer Music Journal, MIT Press vol. 45 (3), 39-57.
01-09-2021
DMI Apprenticeship: Sharing and Replicating Musical ArtefactsZayas-Garin L Harrison J Jack R McPherson A
NIME 2021.
01-07-2021
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred designMartelloni A McPherson A Barthet M
NIME 2021.
01-06-2021
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical InstrumentsMice L Mcpherson A
In Perception, Representations, Image, Sound, Music 14th International Symposium, Cmmr 2019, Marseille, France, October 14–18, 2019, Revised Selected Papers, Springer 577-590.
10-03-2021
Surface Electromyography for Sensing Performance Intention and Musical Imagery in VocalistsReed CN McPherson AP
Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction., 1-11.
14-02-2021
An embedded multichannel sound acquisition system for drone auditionClayton M Wang L McPherson A Cavallaro A
17-01-2021
2020
Performer Experience on a Continuous Keyboard InstrumentMoro G McPherson AP
Computer Music Journal, MIT Press vol. 44 (2-3), 69-91.
27-07-2020
From miming to NIMEing: the development of idiomatic gestural language on large scale DMIsMice L Mcpherson A
International Conference on New Interfaces for Musical Expression Birmingham UK 21 Jul 2020 - 25 Jul 2020.
21-07-2020
A platform for low-latency continuous keyboard sensing and sound generationMoro G Mcpherson A
International Conference on New Interfaces for Musical Expression Royal Birmingham Conservatoire 21 Jul 2020 - 25 Jul 2020.
20-07-2020
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview StudyMartelloni A Mcpherson A Barthet M
New Interfaces for Musical Expression (NIME) Royal Birmingham Conservatoire 22 Jul 2020 - 25 Jul 2020.
20-07-2020
Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIMELepri G Mcpherson A Nonnis A Stapleton P Andersen K Mudd T Bowers J Bennett P et al.
New Interfaces for Musical Expression Workshop (NIME '20), Royal Birmingham Conservatoire, Birmingham, UK..
15-07-2020
Useless, not WorthlessLepri G McPherson A Bowers J
Proceedings of the 2020 ACM Designing Interactive Systems Conference., 1887-1899.
03-07-2020
Beholden to Our Tools: Negotiating with Technology while Sketching Digital InstrumentsMcpherson A Lepri G
New Interfaces For Musical Expression.
03-06-2020
A nime of the times: Developing an outward-looking political agenda for this communityMorreale F Bin SMA McPherson AP Stapleton P Wanderley MM
Proceedings of the International Conference on New Interfaces for Musical Expression., 160-165.
01-01-2020
Soma design for nimeAvila JM Tsaknaki V Karpashevich P Windlin C Valenti N Höök K McPherson A Benford S
Proceedings of the International Conference on New Interfaces for Musical Expression., 489-494.
01-01-2020
Digital musical instruments as research productsJack RH Harrison J McPherson AP
Proceedings of the International Conference on New Interfaces for Musical Expression., 446-451.
01-01-2020
2019
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical InstrumentsMice L Mcpherson AP
Computer Music Multidisciplinary Research Marseille, France 14 Oct 2019 - 18 Oct 2019.
14-10-2019
Bricolage in a hybrid digital lutherie contextArmitage J McPherson A
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 82-89.
18-09-2019
Bricolage in a hybrid digital lutherie context: a workshop studyArmitage J Mcpherson A
Audio Mostly University of Nottingham 17 Sep 2019 - 20 Sep 2019.
17-09-2019
Augmenting Musical PerformanceMcPherson A
In The Cambridge Companion to Music in Digital Culture, Cambridge University Press (Cup) 193-196.
30-08-2019
Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional PrototypesLEPRI G MCPHERSON A
New Interfaces for Musical Expression.
03-06-2019
Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical PracticeLEPRI G MCPHERSON A
Designing Interactive Systems San Diego California USA.
01-06-2019
Failing with StyleHazzard A Greenhalgh C Kallionpaa M Benford S Veinberg A Kanga Z McPherson A
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems., 1-14.
02-05-2019
Accessible Instruments in the WildHarrison J Chamberlain A McPherson AP
Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems., 1-6.
02-05-2019
Real-Time Aural and Visual Feedback for Improving Violin Intonation.Pardue LS McPherson A
Front Psychol vol. 10, 627-627.
02-04-2019
Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding ApproachesMCPHERSON A MORREALE F HARRISON J
In New Directions in Music and Human-Computer Interaction, Springer
01-01-2019
The Poetry of Strange Connections: An Interview with Bill VerplankMcPherson A Verplank B
In New Directions in Music and Human-Computer Interaction, Springer Nature 61-70.
01-01-2019
Music, Design and Ethnography: An Interview with Steve BenfordMcPherson A Benford S
In New Directions in Music and Human-Computer Interaction, Springer Nature 213-220.
01-01-2019
Understanding Music Interaction, and Why It MattersHolland S Mudd T Wilkie-McKenna K McPherson A Wanderley MM
In New Directions in Music and Human-Computer Interaction, Springer Nature 1-20.
01-01-2019
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiencesTurchet L McPherson A Fischione C
Smc 2016 13th Sound and Music Computing Conference Proceedings., 498-505.
01-01-2019
2018
Effect of Instrument Structure Alterations on Violin PerformanceMORREALE F ARMITAGE J MCPHERSON A
Frontiers in Psychology, Frontiers Media
06-12-2018
Hackable Instruments: Supporting Appropriation and Modification in Digital Musical InteractionZAPPI V MCPHERSON A
Frontiers in ICT vol. 5 (26)
04-10-2018
Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur MusiciansJACK RH MEHRABI A Stockman T MCPHERSON A
Music Perception, University of California Press
21-08-2018
Real-Time Hit Classification in a Smart CajónTurchet L McPherson A Barthet M
Frontiers in ICT, Frontiers vol. 5
10-07-2018
Real-time bowed string feature extraction for performance applicationsBUYS K MCPHERSON A
Sound and Music Computing Cyprus 4 Mar 2018 - 7 Mar 2018.
04-07-2018
Crafting Digital Musical Instruments: An Exploratory Workshop StudyARMITAGE JDK MCPHERSON A
New Interfaces for Musical Expression.
03-06-2018
Risky business: Disfluency as a design strategyBIN SMA BRYAN-KINNS N MCPHERSON AP
New Interfaces for Musical Expression Blacksburg, VA, USA 3 Jun 2018 - 7 Jun 2018.
02-06-2018
Co-design of a smart CajónTurchet L McPherson A Barthet M
Aes: Journal of The Audio Engineering Society vol. 66 (4), 220-230.
01-04-2018
Improving the instrumental learning experience through complexity managementPardue LS McPherson A Overholt D
Proceedings of the 15th Sound and Music Computing Conference Sonic Crossings Smc 2018., 150-157.
01-01-2018
Do we speak sensor? Cultural constraints of embodied interactionPigrem J McPherson A
Proceedings of the International Conference on New Interfaces for Musical Expression., 382-385.
01-01-2018
When is a guitar not a guitar? Cultural form, input modality and expertiseHarrison J Jack RH Morreale F McPherson A
Proceedings of the International Conference on New Interfaces for Musical Expression., 299-304.
01-01-2018
Democratising DMIs: The relationship of expertise and control intimacyJack RH Harrison J Morreale F McPherson A
Proceedings of the International Conference on New Interfaces for Musical Expression., 134-139.
01-01-2018
2017
Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significanceMORO G MCPHERSON A SANDLER M
Journal of The Acoustical Society of America, Acoustical Society of America
10-11-2017
Hands where we can see them! Investigating the impact of gesture size on audience perceptionBin SMA Bryan-Kinns N McPherson A
International Computer Music Conference Shanghai, China 16 Oct 2017 - 20 Oct 2017.
16-10-2017
In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performanceBIN SMA MORREALE F BRYAN-KINNS N MCPHERSON A
ACM Interact 2017 Mumbai, India 25 Sep 2017 - 29 Sep 2017.
25-09-2017
Adapting the Bass Guitar for One-Handed PlayingHARRISON JTF McPherson AP
Journal of New Music Research, Taylor & Francis (Routledge) vol. 46 (3), 270-285.
28-06-2017
Rich gesture, reduced controlJack RH Stockman T McPherson A
Proceedings of the 4th International Conference on Movement Computing., 1-8.
28-06-2017
NIMEcraft Workshop: Exploring the Subtleties of Digital LutherieMCPHERSON A ARMITAGE JDK BIN SMA MORREALE F JACK R
New Interfaces for Musical Expression.
01-06-2017
The finer the musician, the smaller the details: NIMEcraft under the microscopeArmitage J Morreale F McPherson A
New Instruments for Musical Expression 2017 Copenhagen, Denmark 14 May 2017 - 19 May 2017.
14-05-2017
Building a Maker Community Around an Open Hardware PlatformMorreale F Moro G Chamberlain A Benford S MCPHERSON A
ACM SIGCHI Conference on Human Factors in Computing Systems (CHI) Denver, CO, USA 6 May 2017 - 11 May 2017.
06-05-2017
Constraining Control in Mixed-Initiative Musical InterfacesMORREALE F Masu R MCPHERSON
MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces.
06-05-2017
Bela: An embedded platform for low-latency feedback control of soundMcPherson A
The Journal of The Acoustical Society of America, Acoustical Society of America (ASA) vol. 141 (5), 3618-3618.
01-05-2017
Traveling wave control of stringed musical instrumentsDonovan L McPherson A
The Journal of The Acoustical Society of America, Acoustical Society of America (ASA) vol. 141 (5), 3619-3619.
01-05-2017
Maintaining and Constraining Performer Touch in the Design of Digital Musical InstrumentsJack RH Stockman T McPherson A
Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction., 717-720.
20-03-2017
Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling TechniquesLiang B Fazekas G McPherson A Sandler M
Proc. of the International Conference on New Interfaces for Musical Expression (NIME), May 15-18, Copenhagen, Denmark., 325-329.
01-01-2017
2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical KeyboardMcPherson A
In A Nime Reader, Springer Nature 419-432.
01-01-2017
An adapted bass guitar for one-handed playingHarrison J McPherson A
Proceedings of the International Conference on New Interfaces for Musical Expression., 507-508.
01-01-2017
2016
Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement SystemLIANG B fazekas G mcpherson A sandler M
DMRN+11: Digital Music Research Network One-day Workshop 2016 Centre for Digital Music, Queen Mary University of London 20 Dec 2016.
20-12-2016
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrumentJack RH Stockman T McPherson A
Proceedings of the Audio Mostly 2016., 116-123.
04-10-2016
Action-Sound Latency: Are Our Tools Fast Enough?McPherson AP Jack RH Moro G
Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016 Griffith University, South Bank, Brisbane, Queensland, Australia 11 Jul 2016 - 15 Jul 2016.
11-07-2016
Making High-Performance Embedded Instruments with Bela and Pure DataMORO G Bin A Jack RH Heinrichs C McPherson AP
International Conference on Live Interfaces University of Sussex 29 Jun 2016 - 3 Jul 2016.
29-06-2016
Designing for Exploratory Play with a Hackable Digital Musical InstrumentMCPHERSON A Chamberlain A Hazzard A McGrath S Benford S
ACM Conference on Designing Interactive Systems Brisbane, Australia.
04-06-2016
Evolving the process of a virtual composerSulyok C MCPHERSON A Harte C
Natural Computing, Springer
03-06-2016
Music and HCIHolland S McPherson AP Mackay WE Wanderley MM Gurevich MD Mudd TW O'Modhrain S Wilkie KL et al.
Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems., 3339-3346.
07-05-2016
Performance-Led Design of Computationally Generated Audio for Interactive ApplicationsHeinrichs C McPherson A
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction., 697-700.
14-02-2016
Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile FeedbackJack R Stockman T McPherson A
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction., 3-11.
14-02-2016
2015
A Low-Cost Real-Time Tracking System for ViolinPardue LS Harte C MCPHERSON A
Journal of New Music Research, Taylor &Amp; Francis (Routledge): Ssh Titles, 1-19.
08-10-2015
Corpus-taught Evolutionary Music CompositionSulyok C McPherson A Harte C
07/20/2015-07/24/2015., 587-594.
20-07-2015
Integrating optical finger motion tracking with surface touch eventsMacRitchie J MCPHERSON A
Frontiers in Psychology, Frontiers vol. 6 (702)
02-06-2015
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard InstrumentsMcPherson A
Computer Music Journal, MIT Press vol. 39 (2), 28-46.
01-06-2015
The design of tactile musical devices for the deafJack RH MCPHERSON A Stockman T
International Conference on the Multimodal Experience of Music Sheffield, UK.
01-01-2015
Exposing the scaffolding of digital instruments with hardware-software feedback loopsZappi V MCPHERSON A
New Interfaces for Musical Expression Baton Rouge, USA.
01-01-2015
Highland piping ornament recognition using Dynamic Time WarpingMenzies DWH MCPHERSON A
New Interfaces for Musical Expression Baton Rouge, USA.
01-01-2015
Active control of a string instrument bridge using the Posicast techniqueDonovan L MCPHERSON A
138th Audio Engineering Society Convention Warsaw, Poland.
01-01-2015
An environment for submillisecond-latency audio and sensor processing on BeagleBone BlackMCPHERSON A Zappi V
138th Audio Engineering Society Convention Warsaw, Poland.
01-01-2015
2014
Audio Effects: Theory, Implementation and ApplicationReiss JD McPherson A
01-01-2014
Human Performance of Computational Sound Models for Immersive EnvironmentsHeinrichs C MCPHERSON A Farnell A
The New Soundtrack vol. 4 (2), 139-155.
01-01-2014
Mapping and interaction strategies for performing environmental soundHeinrichs C MCPHERSON A
IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE)., 25-30.
01-01-2014
Design and use of a hackable digital instrumentZappi V MCPHERSON A
International Conference on Live Interfaces Lisbon, Portugal.
01-01-2014
Latency Performance for Real-Time Audio on BeagleBone BlackTopliss JW Zappi V MCPHERSON A
Linux Audio Conference Karlsruhe, Germany.
01-01-2014
Dimensionality and appropriation in digital musical instrument designZappi V MCPHERSON A
New Interfaces for Musical Expression London, UK.
01-01-2014
Low-latency audio pitch tracking: a multi-modal sensor-assisted approachPardue L Nian D Harte C MCPHERSON A
New Interfaces for Musical Expression.
01-01-2014
Optical measurement of acoustic drum strike locationsSokolovskis J MCPHERSON A
New Interfaces for Musical Expression London, UK.
01-01-2014
The talking guitar: headstock tracking and mapping strategiesMCPHERSON A Donovan L
New Interfaces for Musical Expression London, UK.
01-01-2014
Radear: a tangible spinning music sequencerGábana Arellano D MCPHERSON A
New Interfaces for Musical Expression London, UK.
01-01-2014
2013
Estimation of overdrive in music signalsVetter L Terrell MJ Simpson AJR McPherson A
134th Audio Engineering Society Convention 2013., 846-851.
09-09-2013
A Digital Bagpipe Chanter System to Assist in One-to-One Piping TuitionMENZIES DWH MCPHERSON A
Proceedings of the Stockholm Music Acoustics Conference Stockholm., 440-445.
01-01-2013
3D Gestural Interaction with Harmonic Pitch SpaceHEDGES TW MCPHERSON A
Proceedings of the 10th Sound and Music Computing Conference (SMC) Stockholm., 103-108.
01-01-2013
Portable measurement and mapping of continuous piano gestureMCPHERSON A
New Interfaces for Musical Expression Seoul, South Korea.
01-01-2013
Near-field optical reflectance sensing for violin bow trackingMCPHERSON A Pardue L
New Interfaces for Musical Expression Seoul, South Korea.
01-01-2013
The space between the notes: adding expressive pitch control to the piano keyboardMCPHERSON A Gierakowski A Stark A
ACM Conference on Human Factors in Computing Systems (CHI) Paris, France.
01-01-2013
2012
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic cameraHeinrichs C McPherson A
Ismar 2012 11th IEEE International Symposium on Mixed and Augmented Reality 2012 Science and Technology Papers., 283-284.
01-12-2012
The problem of the second performer: building a community around an augmented pianoMCPHERSON A Kim YE
Computer Music Journal, MIT Press vol. 36 (4), 10-27.
01-01-2012
2011
Multidimensional gesture sensing at the piano keyboardMCPHERSON A Kim Y
ACM CHI Conference on Human Factors in Computing Systems Vancouver, Canada 7 May 2011 - 12 May 2011., 2789-2798.
01-01-2011
Design and applications of a multi-touch musical keyboardMCPHERSON A Kim Y
8th Sound and Music Computing Conference Padova, Italy 6 Jul 2011 - 9 Jul 2011.
01-01-2011
Designing an expressive virtual percussion instrumentDolhansky B MCPHERSON A Kim Y
8th Sound and Music Computing Conference Padova, Italy 6 Jul 2011 - 9 Jul 2011.
01-01-2011
2010
The magnetic resonator piano: electronic augmentation of an acoustic grand pianoMCPHERSON A
Journal of New Music Research vol. 39 (3), 189-202.
01-01-2010
Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensingMCPHERSON A Kim Y
International Conference on New Interfaces for Musical Expression Sydney, Australia 15 Jun 2010 - 18 Jun 2010., 217-222.
01-01-2010
Toward a computationally-enhanced acoustic grand pianoMCPHERSON A Kim Y
ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts) Atlanta, USA 10 Apr 2010 - 15 Apr 2010., 4141-4146.
01-01-2010
The EMvibe: an electromagnetically actuated vibraphoneBritt NC Snyder J MCPHERSON A
New Interfaces for Musical Expression Ann Arbor, MI, USA 21 May 2012 - 23 May 2012.
An electronic bagpipe chanter for automatic recognition of Highland piping ornamentationMenzies DWH MCPHERSON A
New Interfaces for Musical Expression Ann Arbor, MI, USA 21 May 2012 - 23 May 2012.
Techniques and circuits for electromagnetic instrument actuationMCPHERSON A
New Interfaces for Musical Expression Ann Arbor, MI, USA 21 May 2012 - 23 May 2012.
TouchKeys: capacitive multi-touch sensing on a physical keyboardMCPHERSON A
New Interfaces for Musical Expression Ann Arbor, MI, USA 21 May 2012 - 23 May 2012.
The JD-1: an implementation of a hybrid keyboard/sequencer controller for analog synthesizersSnyder J MCPHERSON A
12th International Conference on New Interfaces for Musical Expression Ann Arbor, MI, USA 21 May 2012 - 23 May 2012.
Real-time implementation of Glasberg & Moore’s loudness model for time-varying soundsBurdiel E Vetter L Simpson A Terrell M MCPHERSON A Sandler M
133rd Audio Engineering Society Convention San Francisco, CA, USA 26 Oct 2012 - 29 Oct 2012.
Piano technique as a case study in expressive gestural interactionMCPHERSON A Kim YE Holland S Wilkie K Mulholland P Seago A
In Music and Human-Computer Interaction, Springer 123-138.
A hybrid keyboard-guitar interface using capacitive touch sensing and physical modelingHEINRICHS C McPherson A
9th Sound and Music Computing Conference Copenhagen 11 Jul 2012 - 14 Jul 2012., 277-283.
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic cameraHEINRICHS C McPherson A
International Symposium on Mixed and Augmented Reality Atlanta 5 Nov 2012 - 8 Nov 2012., 283-284.
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience ResponseBin SA Bryan-Kinns N MCPHERSON A
New Interfaces for Musical Expression Brisbane, Australia 11 Jul 2016 - 15 Jul 2016.
APPROXIMATING NON-LINEAR INDUCTORS USING TIME-VARIANT LINEAR FILTERSmoro G mcpherson A
18th International Conference on Digital Audio Effects.
NIME Identity from the Performer’s PerspectiveMORREALE F MCPHERSON A WANDERLEY M
New Interfaces for Musical Expreesion.
Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technologyLEPRI G MCPHERSON A
New Interfaces for Musical Expression Blacksburg, VA 3 Jun 2018 - 6 Jun 2018.
Building an IDE for an embedded system using web technologiesDONOVAN L BIN SMA ARMITAGE JDK MCPHERSON A
Web Audio Conference.
The Stenophone: Live coding on a chorded keyboard with continuous controlARMITAGE JDK MCPHERSON A
International Conference on Live Coding.
Magpick: an Augmented Guitar Pick for Nuanced ControlMORREALE F GUIDI A MCPHERSON ANDREW
New Interfaces for Musical Expression.
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuationPARDUE L BUYS K Edinger M Overholt D MCPHERSON ANDREW
New Interfaces for Musical Expression.
Making Sense of Sensors: Discovery Through Craft
Practice With an Open-Ended Sensor MaterialNORDMOEN C ARMITAGE J MORREALE F STEWART R MCPHERSON A
Designing Interactive Systems Conference 2019 San Deigo, California, USA 23 Jun 2019 - 28 Jun 2019.
Idiomatic Patterns and Aesthetic Influence in Computer Music LanguagesMcpherson A Tahiroglu K
Organised Sound: An International Journal of Music and Technology, Cambridge University Press (Cup)
Surface Electromyography for Direct Vocal ControlReed C Mcpherson A
International Conference on New Interfaces for Musical Expression (NIME) Royal Birmingham Conservatoire, Birmingham, United Kingdom 21 Jul 2020 - 25 Jul 2020.
Design for auditory imagery: altering instruments to explore performer fluencyGuidi A Morreale F Mcpherson A
NIME 21 Jul 2020 - 25 Jul 2020.
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practiceDannemann T Bryan-Kinns N Mcpherson A
New Interfaces for Musical Expression, 2023 Mexico City, Mexico 31 May 2023 - 3 Jun 2023.
Real-time Timbre Remapping with Differentiable DSPShier J Saitis C Robertson A Mcpherson A
New Interfaces for Musical Expression 2 Sep 2024 - 6 Sep 2024.
Grants
Grants of specific relevance to the Centre for Multimodal AI
Bela/RAEng Senior Research Fellowship in Embedded Music Computing: PhD studentship and consumablesAndrew Mcpherson
£68,000 Augmented Instruments Ltd
01-03-2021 - 28-02-2026
RAEng Senior Research Fellowship : Embedded music computingAndrew Mcpherson
£208,774 Royal Academy of Engineering
01-03-2021 - 28-02-2026
UKRI Centre for Doctoral Training in Artificial Intelligence and MusicSimon Dixon, Emmanouil Benetos, Nicholas Bryan-Kinns, Mark Sandler, Andrew Mcpherson, Mathieu Barthet, George Fazekas, Ekaterina Ivanova, Anna Xambo Sedo and Charalampos Saitis
£6,519,934 Engineering and Physical Sciences Research Council
01-07-2019 - 31-08-2028
Investigating mental models of DAW software use by visually-impaired musiciansAndrew Mcpherson
£97,000 ABLETON AG
15-04-2022 - 14-10-2023
Bridging the Gap - visually impaired and sighted music industry professionals working side by sideAndrew Mcpherson
£174,449 AHRC Arts and Humanities Research Council
01-10-2021 - 30-09-2024
Designing new musical technologies for older adultsAndrew Mcpherson
£24,879 MRC Medical Research Council
01-02-2021 - 31-01-2025
UK-Canada doctoral exchange scheme: Adan BenitoAndrew Mcpherson
£10,997 NERC Natural Environment Research Council
01-04-2020 - 31-12-2021
Musical instruments for upper limb rehabilitationAndrew Mcpherson
£25,495 CW+ (The Official Charity of Chelsea and Westminster Hospital NHS Foundation Trust)
01-10-2019 - 31-10-2021
CDT Postgraduate StudentshipGeorge Fazekas, Mathieu Barthet and Andrew Mcpherson
£27,000 MUSIC Tribe Brands UK Limited
23-09-2019 - 22-09-2023
Research FellowshipAndrew Mcpherson
£908,485 EPSRC Engineering and Physical Sciences Research Council
01-01-2016 - 31-08-2021
Research Group
PhD Students
- Adan Benito Temprano
Behind The Fret: Gesture Analysis on Fretted Instruments and Its Applications in Instrument Augmentation - Franco Caspe
Critical Design of Neural Audio Synthesizers For Live Musical Performance - Max Graf
When Xr Meets AI: Machine Learning For Gesture Control Mechanisms in Xr Musical Instruments - Ilias Ibnyahya
Intelligent Audio Effects - Xiaojing Liu
Automatic Mixing For Teleconferencing, Livestream, and Gaming - Jackson Loth
Musical and Performer Style Synthesis and Generation For Guitar - Teresa Pelinski Ramos
Embedding Neural Networks in Digital Musical Instruments as Technical Practice Research - Jonathan Pigrem
The Role of Materials in Digitally Mediated Musical Interactions - Jordie Shier
Real-Time Timbral Mapping For Synthesized Percussive Performance - Lewis Wolstanholme
Real-Time Instrument Transformation and Augmentation With Deep Learning
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