Prof Simon Dixon
Professor
Director of The UKRI Centre for Doctoral Training in AI and Music
School of Electronic Engineering and Computer Science
Queen Mary University of London
Queen Mary University of London
Research
Music Informatics, Music Information Retrieval, AI and Music, Audio Signal Processing
Interests
My research interests are in the fields of music informatics (music information retrieval), artificial intelligence, computer music, music signal processing, digital audio and music cognition. In recent years I have mainly worked on high-level music signal analysis, computational modelling of musical knowledge, and the study of musical performance, rhythm, harmony and intonation. For example, I have worked on note and chord transcription, beat tracking, multimodal music alignment, and singing intonation, using signal processing approaches, probabilistic models, and deep learning.Publications
Publications of specific relevance to the Centre for Multimodal AI2024
Chang SK, Benetos E, KIRCHHOFF H and Dixon S (2024). ˜YourMT3+: Multi-instrument Music Transcription with Enhanced Transformer Architectures and Cross-dataset Stem Augmentation. IEEE International Workshop on Machine Learning for Signal Processing (MLSP) London, UK 22 Sep 2024 - 25 Sep 2024. 22-09-2024
Zhang Y, Ikemiya Y, Xia G, Murata N, Martinez M, Liao W, Mitsufuji Y and Dixon S (2024). MusicMagus: Zero-Shot Text-to-Music Editing via Diffusion Models. International Joint Conference on Artificial Intelligence Jeju, Koera 3 Aug 2024 - 8 Aug 2024. 03-08-2024
Zhang H, Chowdhury S, Cancino-Chacón CE, Liang J, Dixon S and Widmer G (2024). DExter: Learning and Controlling Performance Expression with Diffusion Models. Applied Sciences, MDPI vol. 14 (15) 26-07-2024
Morsi A, Zhang H, Maezawa A, Dixon S and Serra X (2024). Simulating Piano Performance Mistakes for Music Learning. Sound and Music Computing Conference 4 Jul 2024 - 6 Jul 2024. 06-07-2024
Riley J and Dixon S (2024). Reconstructing the Charlie Parker Omnibook using an audio-to-score automatic transcription pipeline. Sound and Music Computing Conference Porto 4 Jul 2024 - 6 Jul 2024. 04-07-2024
Müller M, Dixon S, Volk A, Sturm BLT, Rao P and Gotham M (2024). Introducing the TISMIR Education Track: What, Why, How? Transactions of the International Society for Music Information Retrieval, Ubiquity Press vol. 7 (1), 85-98. 09-05-2024
Luo Y-J, Ewert S and Dixon S (2024). Unsupervised Pitch-Timbre Disentanglement of Musical Instruments Using a Jacobian Disentangled Sequential Autoencoder. ICASSP 2024 - 2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 19-04-2024
Riley JX, EDWARDS D and Dixon S (2024). High Resolution Guitar Transcription via Domain Adaptation. International Conference on Acoustics, Speech and Signal Processing Seoul, South Korea 14 Apr 2024 - 19 Apr 2024. 14-04-2024
Luo Y-J and Dixon S (2024). Posterior Variance-Parameterised Gaussian Dropout: Improving Disentangled Sequential Autoencoders for Zero-Shot Voice Conversion. ICASSP 2024 - 2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) 14 Apr 2024 - 19 Apr 2024. 14-04-2024
EDWARDS D, Dixon S, Benetos E, Maezawa A and Kusaka Y (2024). A Data-Driven Analysis of Robust Automatic Piano Transcription. IEEE Signal Processing Letters, Institute of Electrical and Electronics Engineers vol. 31, 681-685. 08-02-2024
2023
Riley X, Dixon S and Riley J (2023). FiloBass: A Dataset and Corpus Based Study of Jazz Basslines. 24th conference of the International Society for Music Information Retrieval (ISMIR) Milan, Italy 5 Nov 2023 - 9 Nov 2023. 05-11-2023
Shanin I and Dixon S (2023). Annotating Jazz Recordings Using Lead Sheet Alignment with Deep Chroma Features. 2023 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). 25-10-2023
Edwards D, Dixon S and Benetos E (2023). PiJAMA: Piano Jazz with Automatic MIDI Annotations. Transactions of the International Society for Music Information Retrieval, Ubiquity Press vol. 6 (1), 89-102. 15-09-2023
Riley X, Dixon S and Riley J (2023). CREPE NOTES: A NEW METHOD FOR SEGMENTING PITCH CONTOURS INTO DISCRETE NOTES. Sound and Music Computing Conference Stockholm, Sweden 13 Jun 2023 - 17 Jun 2023. 17-06-2023
O'Connor B and Dixon S (2023). A Comparative Analysis Of Latent Regressor Losses For Singing Voice Conversion. Sound and Music Computing Stockholm, Sweden 14 Jun 2023 - 17 Jun 2023. 12-06-2023
Zhang H and Dixon S (2023). Disentangling the Horowitz Factor: Learning Content and Style From Expressive Piano Performance. ICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 04-06-2023
2022
Zhang H, Tang J, Rafee S, Dixon S and Fazekas G (2022). ATEPP: A DATASET OF AUTOMATICALLY TRANSCRIBED EXPRESSIVE PIANO PERFORMANCE. 23rd International Society for Music Information Retrieval Conference (ISMIR 2022) 4 Dec 2022 - 8 Dec 2022. 04-12-2022
Luo YJ, Ewert S and Dixon S (2022). Towards Robust Unsupervised Disentanglement of Sequential Data - A Case Study Using Music Audio. International Joint Conference on Artificial Intelligence. 23-07-2022
Proutskova P, Wolff D, Fazekas G, Frieler K, Höger F, Velichkina O, Solis G, Weyde T, Pfleiderer M, Crayencour HC, Peeters G and Dixon S (2022). The Jazz Ontology: A semantic model and large-scale RDF repositories for jazz. Journal of Web Semantics, 100735-100735. 01-07-2022
2021
Agrawal R, Wolff D and Dixon S (2021). A Convolutional-Attentional Neural Framework for Structure-Aware Performance-Score Synchronization. IEEE Signal Processing Letters vol. 29, 344-348. 14-12-2021
O'Connor B, Fazekas G and Dixon S (2021). Zero-shot Singing Technique Conversion. Computer Music Multidisciplinary Research Tokyo 15 Nov 2021 - 19 Nov 2021. 15-11-2021
Vianna Lordelo C, Benetos E, Dixon S and Ahlbäck S (2021). Pitch-informed instrument assignment using a deep convolutional network with multiple kernel shapes. 22nd International Society for Music Information Retrieval Conference (ISMIR) 9 Nov 2021 - 12 Nov 2021. 09-11-2021
Foster D and Dixon S (2021). Filosax: A Dataset of Annotated Jazz Saxophone Recordings. 22nd International Society for Music Information Retrieval Conference Online 8 Nov 2021 - 12 Nov 2021. 08-11-2021
O'Hanlon K, Benetos E and Dixon S (2021). Detecting cover songs with pitch class key-invariant networks. IEEE International Workshop on Machine Learning for Signal Processing (MLSP) Gold Coast, Queensland, Australia 25 Oct 2021 - 28 Oct 2021. 25-10-2021
Demirel E, Ahlbäck S and Dixon S (2021). Computational Pronunciation Analysis in Sung Utterances. European Signal Processing Conference. 27-08-2021
Demirel E, Ahlbäck S and Dixon S (2021). Low resource audio-to-lyrics alignment from polyphonic music recordings. IEEE International Conference on Acoustics, Speech and Signal Processing 6 Jun 2021 - 11 Jun 2021. 06-06-2021
Agrawal R, Wolff D and Dixon S (2021). Structure-Aware Audio-to-Score Alignment Using Progressively Dilated Convolutional Neural Networks. ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) 6 Jun 2021 - 11 Jun 2021. 06-06-2021
Zhang Y, Xia G, Levy M and Dixon S (2021). COSMIC: A Conversational Interface for Human-AI Music Co-Creation. New Interfaces for Musical Expression 18 Jun 2021 - 14 Jul 2021. 29-04-2021
Lordelo C, Benetos E, Dixon S and Ahlbäck S (2021). PITCH-INFORMED INSTRUMENT ASSIGNMENT USING A DEEP CONVOLUTIONAL NETWORK WITH MULTIPLE KERNEL SHAPES. 01-01-2021
Demirel E, Ahlbäck S and Dixon S (2021). MSTRE-NET: MULTISTREAMING ACOUSTIC MODELING FOR AUTOMATIC LYRICS TRANSCRIPTION. 01-01-2021
2020
Vianna Lordelo C, Benetos E, Dixon S, Ahlbäck S and Ohlsson P (2020). Adversarial Unsupervised Domain Adaptation for Harmonic-Percussive Source Separation. IEEE Signal Processing Letters, Institute of Electrical and Electronics Engineers vol. 28, 81-85. 18-12-2020
O'Connor B, Dixon S and Fazekas G (2020). An Exploratory Study on Perceptual Spaces of
the Singing Voice. The 2020 Joint Conference on AI Music Creativity Proceedings of the 2020 Joint Conference on AI Creativity 19 Oct 2020 - 23 Oct 2020. 19-10-2020
Agrawal R and Dixon S (2020). Learning Frame Similarity using Siamese networks
for Audio-to-Score Alignment. 2020 28th European Signal Processing Conference Amsterdam, The Netherlands. 15-09-2020
Demirel E, Ahlbäck S and Dixon S (2020). Automatic Lyrics Transcription using Dilated Convolutional Neural Networks with Self-Attention. 2020 International Joint Conference on Neural Networks (IJCNN). 24-07-2020
MISHRA S, Benetos E, Sturm B and Dixon S (2020). Reliable Local Explanations for Machine Listening. International Joint Conference on Neural Networks (IJCNN) Glasgow, UK 19 Jul 2020 - 24 Jul 2020. 19-07-2020
Stoller D, Tian M, Ewert S and Dixon S (2020). Seq-U-Net: A One-Dimensional Causal U-Net for Efficient Sequence Modelling. Proceedings of the Twenty-Ninth International Joint Conference on Artificial Intelligence. 01-07-2020
Stoller D, Ewert S and Dixon S (2020). TRAINING GENERATIVE ADVERSARIAL NETWORKS FROM INCOMPLETE OBSERVATIONS USING FACTORISED DISCRIMINATORS. 01-01-2020
2019
KUDUMAKIS P and Dixon S (2019). DMRN+14: Digital Music Research Network Workshop Proceedings 2019., Editors: KUDUMAKIS P and Dixon S. DMRN+14: Digital Music Research Network Workshop 2019 Centre for Digital Music, Queen Mary University of London 1 Jan 1970 - 17 Dec 2019. 17-12-2019
Frieler K, Basaran D, Höger F, Crayencour H-C, Peeters G and Dixon S (2019). Don’t hide in the frames: Note- and pattern-based evaluation of automated melody extraction algorithms. 6th International Conference on Digital Libraries for Musicology. 09-11-2019
Vianna Lordelo C, Benetos E, Dixon S and Ahlbäck S (2019). Investigating kernel shapes and skip connections for deep learning-based harmonic-percussive separation. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics New Paltz, NY, USA 20 Oct 2019 - 23 Oct 2019. 20-10-2019
Mehrabi A, Dixon S and Sandler M (2019). Erratum: Vocal imitation of percussion sounds: On the perceptual similarity between imitations and imitated sounds (PLOS ONE (2019)14:8 (e0221722) DOI:10.1371/journal.pone.0219955). PLoS One, Public Library of Science (PLoS) vol. 14 (8) 22-08-2019
Rodríguez-Algarra F, Sturm BL and Dixon S (2019). Characterising Confounding Effects in Music Classification Experiments through Interventions. Transactions of the International Society for Music Information Retrieval, Ubiquity Press, Ltd. vol. 2 (1), 52-66. 21-08-2019
Dai J and Dixon S (2019). Intonation trajectories within tones in unaccompanied soprano, alto, tenor, bass quartet singing. J Acoust Soc Am vol. 146 (2), 1005-1005. 08-08-2019
Mehrabi A, Dixon S and Sandler M (2019). Vocal imitation of percussion sounds: On the perceptual similarity between imitations and imitated sounds. PLoS One vol. 14 (7), e0219955-e0219955. 25-07-2019
Agrawal R and Dixon S (2019). A Hybrid Approach to Audio-to-Score Alignment. Machine Learning for Music Discovery Workshop at International Conference on Machine Learning (ICML). 30-05-2019
MISHRA S, STOLLER D, BENETOS E, STURM B and DIXON S (2019). GAN-based Generation and Automatic Selection of Explanations for Neural Networks. SafeML ICLR 2019 Workshop New Orleans, USA 6 May 2019. 06-05-2019
Nakamura E, Nishikimi R, Dixon S and Yoshii K (2019). Probabilistic Sequential Patterns for Singing Transcription. 2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference. 07-03-2019
Dai J and Dixon S (2019). Singing together: Pitch accuracy and interaction in unaccompanied unison and duet singing. J Acoust Soc Am vol. 145 (2), 663-663. 04-02-2019
BENETOS E, DIXON S, Duan Z and EWERT S (2019). Automatic Music Transcription: An Overview. IEEE Signal Processing Magazine, Institute of Electrical and Electronics Engineers vol. 36 (1), 20-30. 01-01-2019
2018
KUDUMAKIS P and DIXON S (2018). DMRN+13: Digital Music Research Network Workshop Proceedings 2018., Editors: KUDUMAKIS P and DIXON S. DMRN+13: Digital Music Research Network Workshop 2018 Centre for Digital Music, Queen Mary University of London 1 Jan 1970 - 18 Dec 2018. 18-12-2018
Dai J and Dixon S (2018). Understanding Intonation Trajectories and Patterns of Vocal Notes. 11-12-2018
Stoller D, Akkermans V and Dixon S (2018). Detection of cut-points for automatic music rearrangement. IEEE International Workshop on Machine Learning for Signal Processing, MLSP. 31-10-2018
Mehrabi A, Choi K, Dixon S and Sandler M (2018). Similarity Measures for Vocal-Based Drum Sample Retrieval Using Deep Convolutional Auto-Encoders. ICASSP 2018. 10-09-2018
Stoller D, Ewert S and Dixon S (2018). Adversarial Semi-Supervised Audio Source Separation Applied to Singing Voice Extraction. IEEE International Conference on Acoustics, Speech and Signal Processing. 10-09-2018
Li S, Dixon S and Plumbley MD (2018). A Demonstration of Hierarchical Structure Usage in Expressive Timing Analysis by Model Selection Tests. 2018 37th Chinese Control Conference (CCC). 25-07-2018
STOLLER D, Ewert S and DIXON S (2018). Jointly detecting and separating singing voice: a multi-task approach. 14th International Conference on Latent Variable Analysis and Signal Separation. 06-06-2018
Nakamura E, BENETOS E, Yoshii K and DIXON S (2018). Towards Complete Polyphonic Music Transcription: Integrating Multi-Pitch Detection and Rhythm Quantization. IEEE International Conference on Acoustics, Speech and Signal Processing Calgary, Canada 15 Apr 2018 - 20 Apr 2018. 15-04-2018
Weiß C, Mauch M, Dixon S and Müller M (2018). Investigating style evolution of Western classical music: A computational approach. Musicae Scientiae vol. 23 (4), 486-507. 07-03-2018
PANTELI M, BENETOS E and DIXON S (2018). A review of manual and computational approaches for the study of world music corpora. Journal of New Music Research, Taylor & Francis (Routledge) vol. 47 (2), 176-189. 08-01-2018
Mishra S, Sturm BL and Dixon S (2018). “What are You Listening to?” Explaining Predictions of Deep Machine Listening Systems. 2018 26th European Signal Processing Conference (EUSIPCO). 03-01-2018
Stoller D, Ewert S and Dixon S (2018). Wave-U-Net: A multi-scale neural network for end-to-end audio source separation. 01-01-2018
Mishra S, Sturm BL and Dixon S (2018). Understanding a deep machine listening model through feature inversion. 01-01-2018
Frieler K, Höger F, Pfleiderer M and Dixon S (2018). Two web applications for exploring melodic patterns in jazz solos. 01-01-2018
Dixon S, Gómez E and Volk A (2018). Editorial: Introducing the Transactions of the International Society for Music Information Retrieval. Transactions of the International Society for Music Information Retrieval, Ubiquity Press vol. 1 (1), 1-3. 01-01-2018
2017
PANTELI M, BENETOS E and DIXON S (2017). A computational study on outliers in world music. PLoS ONE, Public Library of Science (PLoS) vol. 12 (12), 1-28. 18-12-2017
Mohamad Z, Dixon S and Harte C (2017). Pickup position and plucking point estimation on an electric guitar via autocorrelation. J Acoust Soc Am vol. 142 (6), 3530-3540. 01-12-2017
Di Giorgi B, Dixon S, Zanoni M and Sarti A (2017). A data-driven model of tonal chord sequence complexity. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 1-1. 28-09-2017
WANG S, Ewert SEBASTIAN and Dixon SIMON (2017). Identifying Missing and Extra Notes in Piano Recordings Using Score-Informed Dictionary Learning. IEEE/ACM Transactions on Audio, Speech and Language Processing 07-07-2017
NAKAMURA E, Yoshii K and Dixon S (2017). Note Value Recognition for Piano Transcription Using Markov Random Fields. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 1-1. 30-06-2017
Quinton E, Dixon S, Sandler M and O'Hanlon KO (2017). TRACKING METRICAL STRUCTURE CHANGES WITH SPARSE-NMF. 2017 IEEE International Conference on Acoustics, Speech and Signal Processing. 19-06-2017
Panteli M, Bittner R, Bello JP and Dixon S (2017). Towards the characterization of singing styles in world music. IEEE International Conference on Acoustics, Speech and Signal Processing. 16-06-2017
Mohamad Z, Dixon S and Harte C (2017). Pickup position and plucking point estimation on an electric guitar. 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 16-06-2017
Mehrabi A, Harte C, Baume C and Dixon S (2017). Music thumbnailing for radio podcasts: A listener evaluation. AES: Journal of the Audio Engineering Society vol. 65 (6), 474-481. 01-06-2017
MEHRABI A, Dixon S and Sandler (2017). Vocal imitation of synthesised sounds varying in pitch, loudness and spectral centroid. Journal of the Acoustical Society of America, Acoustical Society of America vol. 141 (2), 783-796. 13-02-2017
Li S, Dixon S and Plumbley MD (2017). Clustering expressive timing with regressed polynomial coefficients demonstrated by a model selection test. 01-01-2017
Mishra S, Sturm BL and Dixon S (2017). Local interpretable model-agnostic explanations for music content analysis. 01-01-2017
Dai J and Dixon S (2017). Analysis of interactive intonation in unaccompanied SATB ensembles. 01-01-2017
Kedyte V, Panteli M, Weyde T and Dixon S (2017). Geographical origin prediction of folk music recordings from the United Kingdom. 01-01-2017
Mohamad Z, Dixon S and Harte C (2017). Estimating pickup and plucking positions of guitar tones and chords with audio effects. 01-01-2017
2016
SANDLER MB, quinton E, o'hanlon K and dixon S (2016). Automatic Detection of Metrical Structure Changes. DMRN+11: Digital Music Research Network One-day Workshop 2016 Centre for Digital Music, Queen Mary University of London 20 Dec 2016. 20-12-2016
MISHRA S, Sturm B and Dixon S (2016). Explaining Predictions of Machine Listening Systems. DMRN+11: Digital Music Research Network One-day Workshop 2016 Centre for Digital Music, Queen Mary University of London 20 Dec 2016. 20-12-2016
Wang S, Ewert S and Dixon S (2016). Robust and efficient joint alignment of multiple musical performances. IEEE/ACM Transactions on Audio Speech and Language Processing vol. 24 (11), 2132-2145. 01-11-2016
MEHRABI A, Dixon S and Sandler M (2016). Towards a comprehensive dataset of vocal imitations of drum sounds. 2nd AES Workshop on Intelligent Music Production. 12-09-2016
Panteli M, Benetos E and Dixon S (2016). Learning a feature space for similarity in world music. 17th International Society for Music Information Retrieval Conference New York, USA 7 Aug 2016 - 11 Aug 2016. 07-08-2016
Cheng T, Mauch M, Benetos E and Dixon S (2016). An attack/decay model for piano transcription. 17th International Society for Music Information Retrieval Conference New York, USA 7 Aug 2016 - 11 Aug 2016. 07-08-2016
Panteli M, Benetos E and Dixon S (2016). Automatic detection of outliers in world music collections. Fourth International Conference on Analytical Approaches to World Music (AAWM 2016) New York, USA 8 Jun 2016 - 11 Jun 2016. 08-06-2016
QUINTON E, Sandler M and Dixon S (2016). ESTIMATION OF THE RELIABILITY OF MULTIPLE RHYTHM FEATURES EXTRACTION FROM A SINGLE DESCRIPTOR. 01-04-2016
Sigtia S, Benetos E and Dixon S (2016). An End-to-End Neural Network for Polyphonic Piano Music Transcription. IEEE/ACM Transactions on Audio, Speech, and Language Processing, IEEE vol. 24 (5), 927-939. 23-02-2016
Song Y, Dixon S, Pearce MT and Halpern AR (2016). Perceived and Induced Emotion Responses to Popular Music: Categorical and Dimensional Models. Music Perception vol. 33 (4), 472-492. 01-01-2016
Panteli M and Dixon S (2016). On the evaluation of rhythmic and melodic descriptors for music similarity. 01-01-2016
Li S, Dixon S, Black DAA and Plumbley MD (2016). A model selection test for factors affecting the choice of expressive timing clusters for a phrase. 01-01-2016
2015
MOHAMAD Z, Dixon S and Harte C (2015). Digitally Moving an Electric Guitar Pickup. International Conference on Digital Audio Effects (DAFx-15) Trondheim, Norway 30 Nov 2015 - 3 Dec 2015. 30-11-2015
MEHRABI A, Dixon S and Sandler M (2015). VOCAL IMITATION OF PITCH, SPECTRAL SHAPE AND LOUDNESS
ENVELOPES. International Society for Music Information Retrieval Conference Malaga, Spain 25 Oct 2015 - 30 Oct 2015. 25-10-2015
Cheng T, Dixon S and Mauch M (2015). Improving Piano Note Tracking by HMM Smoothing. 2015 23rd European Signal Processing Conference (EUSIPCO). 01-08-2015
Foster P, Dixon S and Klapuri A (2015). Identifying Cover Songs Using Information-Theoretic Measures of Similarity. IEEE Transactions on Audio, Speech and Language Processing vol. 23 (6), 993-1005. 01-06-2015
Sigtia S, Benetos E, Boulanger-Lewandowski N, Weyde T, Garcez ASDA and Dixon S (2015). A Hybrid Recurrent Neural Network for Music Transcription. 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) Brisbane, Australia 19 Apr 2015 - 24 Apr 2015. 19-04-2015
Cheng T, Dixon S and Mauch M (2015). Modelling the Decay of Piano Sounds. IEEE International Conference on Acoustics Speech and Signal Processing. 01-01-2015
Mauch M, Cannam C, Bittner R, Fazekas G, Salamon J, Dai J, Bello J and Dixon S (2015). Computer-aided Melody Note Transcription Using the Tony Software: Accuracy and Efficiency. 01-01-2015
Wang S, Ewert S and Dixon S (2015). Compensating for Asynchronies between Musical Voices in Score-Performance Alignment. 01-01-2015
Tubb R and Dixon S (2015). An Evaluation of Multidimensional Controllers for Sound Design Tasks. 01-01-2015
Wilmering T, Fazekas G, Dixon S, Bechhofer S and Page K (2015). Automating Annotation of Media with Linked Data Workflows. 01-01-2015
Sigtia S, Boulanger-Lewandowski N and Dixon S (2015). Audio Chord Recognition with a Hybrid Recurrent Neural Network. 01-01-2015
Osmalskyj J, Foster P, Dixon S and Embrechts J-J (2015). Combining Features for Cover Song Identification. 01-01-2015
Sigtia S, Benetos E, Boulanger-Lewandowski N, Weyde T, Garcez ASD and Dixon S (2015). A HYBRID RECURRENT NEURAL NETWORK FOR MUSIC TRANSCRIPTION. 01-01-2015
Song Y and Dixon S (2015). How Well Can a Music Emotion Recognition System Predict the Emotional Responses of Participants? 01-01-2015
Wang S, Ewert S and Dixon S (2015). COMPENSATING FOR ASYNCHRONIES BETWEEN MUSICAL VOICES IN SCORE-PERFORMANCE ALIGNMENT. 01-01-2015
2014
Tidhar D, Dixon S, Benetos E and Weyde T (2014). The temperament police. Early Music, Oxford University Press vol. 42 (4), 579-590. 11-10-2014
Weyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S, Plumbley M, Dixon S, Barthet M, Mahey M, Tovell A and Alancar-Brayner A (2014). Big Data for Musicology., Editors: Page K and Fields B. 1st International Digital Libraries for Musicology workshop London, UK 12 Sep 2014. 12-09-2014
Mauch M, Frieler K and Dixon S (2014). Intonation in unaccompanied singing: accuracy, drift, and a model of reference pitch memory. J Acoust Soc Am vol. 136 (1), 401-411. 01-07-2014
Sigtia S and Dixon S (2014). Improved Music Feature Learning with Deep Neural Networks. 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 01-05-2014
Kirchhoff H, Badeau R and Dixon S (2014). Towards Complex Matrix Decomposition of Spectrograms Based on the Relative Phase Offsets of Harmonic Sounds. 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). 01-05-2014
Stowell D and Dixon S (2014). Integration of informal music technologies in secondary school music lessons. British Journal of Music Education vol. 31 (1), 19-39. 01-01-2014
Thompson L, Mauch M and Dixon S (2014). Drum Transcription via Classification of Bar-level Rhythmic Patterns. 15th International Society for Music Information Retrieval Conference Taipei, Taiwan. 01-01-2014
Mauch M and Dixon S (2014). pYIN: a Fundamental Frequency Estimator Using Probabilistic Threshold Distributions. 01-01-2014
Tubb R and Dixon S (2014). A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves. COMPUTER MUSIC JOURNAL vol. 38 (3), 23-33. 01-01-2014
Cheng T, Dixon S and Mauch M (2014). A Comparison of Extended Source-Filter Models for Musical Signal Reconstruction. 01-01-2014
Weiss C, Mauch M and Dixon S (2014). Timbre-invariant Audio Features for Style Analysis of Classical Music. 01-01-2014
Foster P, Mauch M and Dixon S (2014). Sequential Complexity as a Descriptor for Musical Similarity. IEEE Transactions on Audio, Speech, and Language Processing vol. 22 (12), 1965-1977. 01-01-2014
Sigtia S, Benetos E, Cherla S, Weyde T, Garcez A and Dixon S (2014). RNN-based Music Language Models for Improving Automatic Music Transcription. 01-01-2014
Tubb R and Dixon S (2014). The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. 01-01-2014
Wang S, Ewert S and Dixon S (2014). Robust Joint Alignment of Multiple Versions of a Piece of Music. 01-01-2014
Tubb R and Dixon S (2014). A Four Strategy Model of Creative Parameter Space Interaction. 01-01-2014
Weyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE, Gold N, Abdallah S and Mahey M (2014). Digital Music Lab - A Framework for Analysing Big Music Data. European Conference on Data Analysis (ECDA) Bremen. 01-01-2014
BARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD, Tidhar D, Weyde T and Wolff D (2014). The DML Research Project: Digital Music Lab - Analysing Big Music Data. 01-01-2014
Tubb R and Dixon S (2014). A four strategy model of creative parameter space interaction. 01-01-2014
Cheng T, Dixon S and Mauch M (2014). A comparison of extended source-filter models for musical signal reconstruction. 01-01-2014
2013
Benetos E, Dixon S, Giannoulis D, Kirchhoff H and Klapuri A (2013). Automatic music transcription: Challenges and future directions. Journal of Intelligent Information Systems vol. 41 (3), 407-434. 01-12-2013
Kirchhoff H, Dixon S and Klapuri A (2013). Missing template estimation for user-assisted music transcription. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings, 26-30. 18-10-2013
Foster P, Dixon S and Klapuri A (2013). Identification of cover songs using information theoretic measures of similarity. 18-10-2013
Chudy M, Carrillo AP and Dixon S (2013). On the relation between gesture, tone production and perception in classical cello performance. 02-06-2013
Serra X, Magas M, Benetos E, Chudy M, Dixon S, Flexer A, Gomez E, Gouyon F, Herrera P, Jorda S, Paytuvi O, Peeters G, Schlüter J, Vinet H and Widmer G (2013). Roadmap for Music Information ReSearch., Editors: Peeters G. 02-05-2013
Chudy M, Pérez Carrillo A and Dixon S (2013). On the relation between gesture, tone production, and perception in classical cello performance. J Acoust Soc Am vol. 133 (5) 01-05-2013
Benetos E and Dixon S (2013). Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model. Journal of the Acoustical Society of America vol. 133 (3), 1727-1741. 01-03-2013
Cheng T, Dixon S and Mauch M (2013). A DETERMINISTIC ANNEALING EM ALGORITHM FOR AUTOMATIC MUSIC TRANSCRIPTION. 01-01-2013
Allik A, Fazekas G, Dixon S and Sandler M (2013). Facilitating Music Information Research with Shared Open Vocabularies. 01-01-2013
Allik A, Fazekas G, Dixon S and Sandler M (2013). A Shared Vocabulary for Audio Features. 01-01-2013
Song Y, Dixon S, Pearce M and Halpern A (2013). Do online social tags predict perceived or induced emotional responses to music? 01-01-2013
Chudy M and Dixon S (2013). Recognising Cello Performers Using Timbre Models. Algorithms from and for Nature and Life 511-518. 01-01-2013
2012
Tubb R, Klapuri A and Dixon S (2012). Thewablet: Scanned synthesis on a multi-touch interface. 01-12-2012
Kirchhoff H, Dixon S and Klapuri A (2012). Multi-template shift-variant non-negative matrix deconvolution for semi-automatic music transcription. 01-12-2012
Ganseman J, Scheunders P and Dixon S (2012). Improving PLCA-based score-informed source separation with invertible Constant-Q Transforms. 27-11-2012
BENETOS E, Dixon S, Giannoulis D, Kirchhoff H and Klapuri A (2012). Automatic Music Transcription: Breaking the Glass Ceiling., Editors: Gouyon F, Herrera P, Martins LG and Müller M. 13th International Society for Music Information Retrieval Conference (ISMIR 2012) Porto, Portugal 8 Oct 2012 - 12 Oct 2012. 12-10-2012
Benetos E and Dixon S (2012). Temporally-constrained convolutive probabilistic latent component analysis for multi-pitch detection. 01-03-2012
Dixon S, Mauch M and Tidhar D (2012). Estimation of harpsichord inharmonicity and temperament from musical recordings. J Acoust Soc Am vol. 131 (1), 878-887. 01-01-2012
Kirchhoff H, Dixon S and Klapuri A (2012). Shift-variant non-negative matrix deconvolution for music transcription. IEEE International Conference on Acoustics, Speech, and Signal Processing Kyoto, Japan 25 Mar 2012 - 30 Mar 2012. 01-01-2012
Foster P, Klapuri A and Dixon S (2012). A Method for Identifying Repetition Structure in Musical Audio Based on Time Series Prediction. 20th European Signal Processing Conference Bucharest 27 Aug 2012 - 31 Aug 2012. 01-01-2012
Arzt A, Widmer G and Dixon S (2012). ADAPTIVE DISTANCE NORMALIZATION FOR REAL-TIME MUSIC TRACKING. 01-01-2012
Benetos E, Klapuri A and Dixon S (2012). SCORE-INFORMED TRANSCRIPTION FOR AUTOMATIC PIANO TUTORING. 01-01-2012
Benetos E and Dixon S (2012). A Shift-Invariant Latent Variable Model for Automatic Music Transcription. COMPUTER MUSIC JOURNAL vol. 36 (4), 81-94. 01-01-2012
Song Y, Dixon S and Pearce M (2012). Evaluation of musical features for emotion classification. 01-01-2012
Terrell MJ, Fazekas G, Simpson AJR, Smith JBL and Dixon S (2012). Listening level changes music similarity. 01-01-2012
Benetos E, Lagrange M and Dixon S (2012). Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. 01-01-2012
Tubb R, Klapuri A and Dixon S (2012). Thewablet: Scanned synthesis on a multi-touch interface. 01-01-2012
2011
Barthet M and Dixon S (2011). Ethnographic observations of musicologists at the british library: Implications for music information retrieval. 01-12-2011
Mesnage CS, Rafiq A, Dixon S and Brixtel RP (2011). Music discovery with social networks. 01-12-2011
Benetos E and Dixon S (2011). Joint multi-pitch detection using harmonic envelope estimation for polyphonic music transcription. IEEE Journal on Selected Topics in Signal Processing vol. 5 (6), 1111-1123. 01-10-2011
Benetos E and Dixon S (2011). Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. 8th Sound and Music Computing Conference Padova, Italy 6 Jul 2011 - 9 Jul 2011. 01-07-2011
Mearns L, Benetos E and Dixon S (2011). Automatically detecting key modulations in J.S. Bach chorale recordings. 01-07-2011
Benetos E and Dixon S (2011). Polyphonic music transcription using note onset and offset detection. 01-01-2011
Dixon S, Mauch M and Anglade A (2011). Probabilistic and Logic-Based Modelling of Harmony. CMMR 2010 Post Symposium Proceedings , Editors: Kronland-Martinet R, Ystad S, Jensen K and Aramaki M. 1-19. 01-01-2011
Macrae R, Neumann J, Anguera X, Oliver N and Dixon S (2011). Real-Time Synchronisation of Multimedia Streams in a Mobile Device. 01-01-2011
Benetos E and Dixon S (2011). A TEMPORALLY-CONSTRAINED CONVOLUTIVE PROBABILISTIC MODEL FOR PITCH DETECTION. 01-01-2011
Stowell D, Barthet M, Dixon S and Sandler M (2011). Musicology for the masses: Situating new audio technologies for musicology and music education. Digital Engagement 2011 Newcastle 15 Nov 2011 - 17 Nov 2011. 01-01-2011
Stowell D and Dixon S (2011). MIR in school? Lessons from ethnographic observation of secondary school music classes. ISMIR 2011 Miami, Florida, USA 24 Oct 2011 - 28 Oct 2011. 01-01-2011
Dixon S, Tidhar D and Benetos E (2011). The temperament police: The truth, the ground truth, and nothing but the truth. 12th International Society for Music Information Retrieval Conference Miami, Florida, USA 24 Oct 2011 - 28 Oct 2011. 01-01-2011
Tidhar D, Fazekas G, Mauch M and Dixon S (2011). Tempest - harpsichord temperament estimation in a Semantic Web environment. Journal of New Music Research special issue on Music Informatics and the OMRAS2 Project vol. 39, 327-336. 01-01-2011
2010
Benetos E and Dixon S (2010). Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. 01-09-2010
Dixon S, Sandler M, d'Inverno M and Rhodes C (2010). Towards a Distributed Research Environment for Music Informatics and Computational Musicology. J NEW MUSIC RES vol. 39 (4), 291-294. 01-01-2010
Mauch M and Dixon S (2010). Simultaneous Estimation of Chords and Musical Context from Audio. IEEE Transactions on Audio, Speech and Language Processing, IEEE Explore vol. 18 (6), 1280-1289. 01-01-2010
Anglade A, Benetos E, Mauch M and Dixon S (2010). Improving music genre classification using automatically induced harmony rules. Journal of New Music Research vol. 39 (4), 349-361. 01-01-2010
Benetos E and Dixon S (2010). Multiple-F0 Estimation of Piano Sounds Using a Constant-Q Filterbank. ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition Makuhari, Japan 25 Sep 2010. 01-01-2010
Dixon S (2010). Computational Modelling of Harmony. International Symposium on Computer Music Modeling and Retrieval Malaga, Spain 21 Jun 2010 - 24 Jun 2010. 01-01-2010
Jacobson K, Dixon S and Sandler M (2010). LinkedBrainz: Providing the MusicBrainz Next Generation Schema as Linked Data. 01-01-2010
Macrae R and Dixon S (2010). A Guitar Tablature Score Follower. IEEE International Conference on Multimedia & Expo Spain 21 Jun 2010 - 24 Jun 2010. 01-01-2010
Macrae R and Dixon S (2010). Accurate Real-Time Windowed Time Warping. International Society for Music Information Retrieval conference Utrecht 9 Aug 2010 - 13 Aug 2010. 01-01-2010
Mauch M and Dixon S (2010). Approximate Note Transcription for the Improved Identification of Difficult Chords. 11th International Society for Music Information Retrieval Conference Utrecht 9 Aug 2010 - 13 Aug 2010. 01-01-2010
Mearns L and Dixon S (2010). Characterisation of Composer Style Using High Level Musical Features. 3rd ACM Workshop on Machine Learning and Music 01-01-2010
Mearns L and Dixon S (2010). Characterisation of Composer Style using High-Level Musical Features. 11th International Society for Music Information Retrieval Utrecht 9 Aug 2010 - 13 Aug 2010. 01-01-2010
Tidhar D, Mauch M and Dixon S (2010). High Precision Frequency Estimation for Harpsichord Tuning Classification. Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference on Dallas, Texas 14 Mar 2010 - 19 Mar 2010. 01-01-2010
2009
Anglade A, Ramirez R and Dixon S (2009). Genre Classification Using Harmony Rules Induced from Automatic Chord Transcriptions. International Conference on Music Information Retrieval Kobe, japan 26 Oct 2009 - 30 Oct 2009. 01-01-2009
Mauch M, Cannam C, Davies M, Dixon S, Harte C, Kolozali S and Tidhar D (2009). OMRAS-2 Metadata Project 2009. 10th International Society for Music Information Retrieval Conference (ISMIR2009), Late-breaking session. 01-01-2009
Mauch M, Noland K and Dixon S (2009). Using Musical Structure to Enhance Automatic Chord Transcription. International Society for Music Information Retrieval Kobe, Japan 26 Oct 2009 - 30 Oct 2009. 01-01-2009
Anglade A and Dixon S (2009). First-Order Logic Classification Models of Musical Genres Based on Harmony. 01-01-2009
Khosrow-Pour M and Dixon S (2009). Audio Analysis Applications for Music. Encyclopedia of Information Science and Technology, Second Edition 279-287. 01-01-2009
2008
Goebl W, DIXON SE, DePoli G, Friberg A, Bresin R and Widmer G (2008). 'Sense' in Expressive Music Performance: Data Acquisition, Computational Studies and Models. Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing , Editors: Polotti P and Rocchesso D. 195-242. 01-01-2008
Mauch M and Dixon S (2008). A Discrete Mixture Model for Chord Labelling. International Conference on Music Information Retrieval Philadelphia, Pennsylvania 14 Sep 2008 - 18 Sep 2008. 01-01-2008
Mauch M, Müllensiefen D, Dixon S and Wiggins G (2008). Applying Tools from Natural Language Processing Analysis to Harmony: A Bottom Up Approach. 01-01-2008
Anglade A and Dixon S (2008). Characterisation of Harmony with Inductive Logic Programming. International Conference on Music Information Retrieval Philadelphia, Pennsylvania 14 Sep 2008 - 18 Sep 2008. 01-01-2008
Mauch M, Müllensiefen D, Dixon S and Wiggins G (2008). Can Statistical Language Models be used for the Analysis of Harmonic Progressions? International Conference on Music Perception and Cognition Hokkaido, Japan 25 Aug 2008 - 29 Aug 2008. 01-01-2008
Arzt A, Widmer G and Dixon S (2008). Automatic Page Turning for Musicians via Real-Time Machine Listening. European Conference on Artificial Intelligence Patras, Greece 21 Jul 2008 - 25 Jul 2008. 01-01-2008
Anglade A and Dixon S (2008). Towards Logic-based Representations of Musical Harmony for Classification, Retrieval and Knowledge Discovery. International Workshop on Machine Learning and Music Helsinki, Finland 5 Jul 2008 - 9 Jul 2008. 01-01-2008
Widmer G, DIXON SE, Knees P, Pampalk E and Pohle T (2008). From Sound to 'Sense' via Feature Extraction and Machine Learning: Deriving High-Level Descriptors for Characterising Music. Sound to Sense - Sense to Sound: A State of the Art in Sound and Music Computing , Editors: Polotti P and Rocchesso D. 161-194. 01-01-2008
2007
Mauch M, Dixon S, Harte C, Fields B and Casey M (2007). Discovering chord idioms through Beatles and Real Book songs. 01-01-2007
DIXON SE (2007). Extraction of Musical Timing from Audio Recordings. CHARM 4 Symposium on Methods for Analysing Recordings 2007 [Invited]. 01-01-2007
Mauch M, Dixon S, Harte C, Casey M and Fields B (2007). Discovering Chord Idioms Through Beatles and Real Book Songs. 01-01-2007
DIXON SE, Bainbridge D and Typke R (2007). Proceedings of the 8th International Conference on Music Information Retrieval (ISMIR07). 01-01-2007
DIXON SE (2007). Tools for Analysis of Musical Expression. 19th International Congress on Acoustics, 2007 [Invited]. 01-01-2007
DIXON SE (2007). Evaluation of the Audio Beat Tracking System BeatRoot., Editors: Marsden A. Journal of New Music Research, Taylor and Francis vol. 36 (1), 39-50. 01-01-2007
Gouyon F, Dixon S and Widmer G (2007). Evaluating low-level features for beat classification and tracking. 01-01-2007
2006
Gouyon F, Klapuri A, Dixon S, Alonso M, Tzanetakis G, Uhle C and Cano P (2006). An experimental comparison of audio tempo induction algorithms. IEEE T AUDIO SPEECH vol. 14 (5), 1832-1844. 01-09-2006
Dixon S, Goebl W and Cambouropoulos E (2006). Perceptual smoothness of tempo in expressively performed music. MUSIC PERCEPT vol. 23 (3), 195-214. 01-02-2006
DIXON SE (2006). Onset Detection Revisited. Proceedings of the 9th International Conference on Digital Audio Effects, Montreal, Canada. 01-01-2006
Flexer A, Gouyon F, DIXON SE and Widmer G (2006). Probabilistic Combination of Features for Music Classification. Proceedings of the 7th International Conference on Music Information Retrieval (ISMIR 2006), Victoria, BC. 01-01-2006
2005
DIXON SE and Widmer G (2005). MATCH: A Music Alignment Tool Chest. Proceedings of the 6th International Conference on Music Information Retrieval (ISMIR 2005), London [Best Poster Award]. 01-09-2005
DIXON SE (2005). An On-Line Time Warping Algorithm for Tracking Musical Performances., Editors: Kaelbling LP and Saffiotti A. Proceedings of the Nineteenth International Joint Conference on Artificial Intelligence (IJCAI-05) Edinburgh, Scotland 30 Jul 2005 - 5 Aug 2005. 30-07-2005
DIXON SE, Goebl W and Widmer G (2005). The 'Air Worm': An Interface for Real-Time Manipulation of Expressive Music Performance. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain. 01-01-2005
Widmer G, DIXON SE, Flexer A, Goebl W, Knees P, Madsen ST, Pampalk E, Pohle T, Schedl M and Tobudic A (2005). The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (OFAI), Vienna. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain. 01-01-2005
DIXON SE (2005). Audio Analysis Applications for Music. Encyclopedia of Information Science and Technology , Editors: Khosrow-Pour M. 188-196. 01-01-2005
DIXON SE (2005). Live Tracking of Musical Performanes using On-Line Time Warping. Proceedings of the 8th Internaitonal Conference on Digital Audio Effects (DAFx05), Madrid, Spain. 01-01-2005
Gouyon F and Dixon S (2005). A review of automatic rhythm description systems. COMPUT MUSIC J vol. 29 (1), 34-54. 01-01-2005
2004
Gouyon F and DIXON SE (2004). Rhythm Classification: A Tempo-Based Approach. Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain. 10-10-2004
DIXON SE, Gouyon F and Widmer G (2004). Towards Characterisation of Music via Rythmic Patterns. Proceedings of the 5th International Conference on Music Information Retrieval (ISMIR'04), Barcelona, Spain. 10-10-2004
Gouyon F, Wack N and DIXON SE (2004). An Open Source Tool for Semi-Automatic Rhythmic Annotation. Proceedings of the 7th International Conference on Digital Audio Effects (DAFx'04), Naples, Italy. 05-10-2004
Pampalk E, Dixon S and Widmer G (2004). Exploring music collections by browsing different views. COMPUT MUSIC J vol. 28 (2), 49-62. 01-01-2004
Gouyon F, DIXON SE, Pampalk E and Widmer G (2004). Evaluating Rhythmic Descriptors for Musical Genre Classifcation. Proceedings of the AES 25th International Conference, Audio Engineering Scoiety, London. 01-01-2004
DIXON SE (2004). Analysis of Musical Content in Digital Audio. Computer Graphics and Multimedia: Applications, Problems and Solutions , Editors: DiMarco J. 214-235. 01-01-2004
2003
DIXON SE (2003). Tempo Induction, Beat Tracking and Rhythm-Based Music Classification. Institute for Operations Research and Management Science (INFORMS) Conference 19-22 October 2003, Atlanta, Georgia, USA [Invited]. 19-10-2003
Dixon S (2003). On the analysis of musical expression in audio signals., Editors: Yeung MM, Lienhart RW and Li CS. 01-01-2003
DIXON SE, Pampalk E and Widmer G (2003). Classification of Dance Music by Periodicity Patterns. Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA. 01-01-2003
Pampalk E, DIXON SE and Widmer G (2003). Exploring Music Collections by Browsing Different Views. Proceedings of the Fourth International Conference on Music Information Retrieval (ISMIR 2003), Baltimore, MD, USA. 01-01-2003
Widmer G, Dixon S, Goebl W, Pampalk E and Tobudic A (2003). In search of the Horowitz factor. AI MAG vol. 24 (3), 111-130. 01-01-2003
Pampalk E, Dixon S and Widmer G (2003). On the evaluation of perceptual similarity measures for music., Editors: Davies M. 01-01-2003
DIXON SE (2003). Towards Automatic Analysis of Expressive Performance. Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM5), Hanover, Germany. 01-01-2003
2002
DIXON SE and Goebl W (2002). Pinpointing the Beat: Tapping to Expressive Preformances. Proceedings of the 7th International Conference on Music Perception and Cognition (ICMPC7), Sydney, Causal Production, Adelaide. 01-01-2002
DIXON SE, Goebl W and Widmer G (2002). The Performance Worm: Real Time Visualisation of Expression Based on Langer's Tempo-Loudness Animation. Proceedings of the 2002 International Computer Music Conference (ICMC'2002), Gothenburg, Sweden, edited by M Nordahl (International Computer Music Association, San Fransisco). 01-01-2002
DIXON SE, Goebl W and Widmer G (2002). Real-time Tracking and Visualisation of Musical Expression. Proceedings of the 2nd International Conference on Music and Artifical Intelligence (ICMAI'02), Edinburgh, Scotland, Springer, Berlin. 01-01-2002
2001
Goebl W and DIXON SE (2001). Analysis of Tempo Classes in Performances of Mozart Sonatas. Proceedings of the 7th International Syymposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology, Jyvaeskylae, Finland, 16-19 August 2001. 16-08-2001
Cambouropoulos E, DIXON SE, Goebl W and Widmer G (2001). Human Preferences for Tempo Smoothness. Proceedings of the 7th International Symposium on Systematic and Comparative Musicology and the 3rd International Conference on Cognitive Musicology Jyvaeskylae, Finland 16 Aug 2001 - 19 Aug 2001. 16-08-2001
Dixon S (2001). Automatic extraction of tempo and beat from expressive performances. J NEW MUSIC RES vol. 30 (1), 39-58. 01-03-2001
DIXON SE (2001). An Empirical Comparison of Tempo Trackers. 8th Brazilian Symposium on Computer Music, 21st Congress of the Brazilian Computer Society, 2001. 01-01-2001
Widmer G, DIXON SE, Goebl W, Stamatatos E and Tobudic A (2001). Empirical Music Performance Research: OeFAI's Position. MOSART Workshop on Current Research Directions in Computer Music, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain. 01-01-2001
DIXON SE, Goebl W and Cambouropoulos E (2001). Beat Extraction from Expressive Musical Performances. 2001 Meeting of the Society for Music Perception and Cognition (SMPC2001), Kingston, Ontario, Canada. 01-01-2001
DIXON SE (2001). An Interactive Beat Tracking and Visualisation System. Proceedings of the International Computer Music Conference (ICMC'2001), La Habana, Cuba, edited by A. Schloss and R. Dannenberg, (International Computer Music Association, San Fransisco), 2001. 01-01-2001
DIXON SE (2001). Learning to Detect Onsets of Acoustic Piano Tones. MOSART Workshop on Current Research Directions in Computer Music, edited by C L Buyoli and R Loureiro, Audiovisual Institute, Pompeu Fabra University, Barcelona, Spain. 01-01-2001
2000
Dixon S and Cambouropoulos E (2000). Beat tracking with musical knowledge., Editors: Horn W. 01-01-2000
Dixon S (2000). A Lightweight Multi-agent Musical Beat Tracking System. PRICAI 2000 Topics in Artificial Intelligence 778-788. 01-01-2000
1997
1996
Powers DMW, Clark CR, Dixon SE and Weber DL (1996). Cocktails and brainwaves experiments with complex and subliminal auditory stimuli. 01-12-1996
1993
Grants
Grants of specific relevance to the Centre for Multimodal AIUKRI Centre for Doctoral Training in Artificial Intelligence and MusicSimon Dixon, Emmanouil Benetos, Nicholas Bryan-Kinns, Mark Sandler, Andrew McPherson, Mathieu Barthet, Gyorgy Fazekas, Ekaterina Ivanova, Anna Xambo Sedo and Charalampos Saitis
£6,519,934 EPSRC Engineering and Physical Sciences Research Council (01-07-2019 - 31-08-2028)
Project Maestro - Ai Musical Analysis PlatformEmmanouil Benetos and Simon Dixon
£166,349 Innovate UK (01-07-2024 - 30-06-2026)
AIM CDT Yamaha Studentship: Modeling Jazz PianoSimon Dixon
£60,000 Yamaha Corporation (01-04-2023 - 31-12-2025)
Music Performance Assessment and Feedback (MPAF)Simon Dixon and Emmanouil Benetos
£250,000 Associated Board of the Royal Schools of Music (01-03-2024 - 31-08-2025)
Industry-scale machine listening for music and audio data”Simon Dixon and Emmanouil Benetos
£108,000 Spotify Ltd (14-09-2020 - 31-01-2025)
New Directions in Digital Jazz Studies: Music Information Retrieval and AI Support for Jazz Scholarship in Digital ArchivesSimon Dixon
£50,845 AHRC Arts and Humanities Research Council (14-02-2021 - 13-02-2024)
Deep learning technologies for multi-instrument automatic music transcriptionEmmanouil Benetos and Simon Dixon
£252,000 Huawei Technologies (15-02-2022 - 14-11-2023)