Dr Mathieu Barthet

Mathieu Barthet

Senior Lecturer in Digital Media

School of Electronic Engineering and Computer Science
Queen Mary University of London

Research

music information retrieval, human computer interaction, music perception, augmented/virtual reality, internet of musical things

Interests

Dr Mathieu Barthet is a Senior Lecturer in Digital Media at Queen Mary University of London (QMUL). He is the Programme Coordinator of the MSc in Media and Arts Technology by Research and oversees Industry Partnerships for the Centre for Doctoral Training in AI & Music.

He received an MSc degree in Electronics and Computer Science in 2003 (Paris VI University/Ecole Polytechnique de Montréal), and an MSc degree in Acoustics in 2004 (Aix-Marseille II University/Ecole Centrale Marseille). He was awarded a PhD in Acoustics, Signal Processing and Computer Science applied to Music from Aix-Marseille II University and CNRS-LMA in 2008, and joined the Centre for Digital Music at QMUL in 2009.

Mathieu conducts research in the fields of Music Information Research, New Interfaces for Musical Expression and Music Perception, in which he published over 100 peer-reviewed academic papers. His research interests include music and emotions, audio-visual interfaces and extended reality, AI-based musical interfaces, music recommendation, and musical timbre.

Publications

solid heart iconPublications of specific relevance to the Centre for Multimodal AI

2024

bullet iconCui W, Sarmento P and Barthet M (2024). MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features. Artificial Intelligence in Music, Sound, Art and Design  97-113.  
01-01-2024

2023

Relevant PublicationYang S, Barthet M, Reed C and Chew E (2023). Do You Hear What I Hear? Computer, Institute of Electrical and Electronics Engineers (IEEE) vol. 56 (12), 4-6.  
01-12-2023
bullet iconGraf M and Barthet M (2023). Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments. International Symposium on Computer Music Multidisciplinary Research Tokyo 13 Nov 2023 - 17 Nov 2023
12-11-2023
Relevant PublicationMartelloni A, Mcpherson AP and Barthet M (2023). Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. 24th International Society for Music Information Retrieval Conference Milan, Italy 5 Nov 2023 - 9 Nov 2023
05-11-2023
Relevant PublicationFrachi Y, Chanel G and Barthet M (2023). Affective gaming using adaptive speed controlled by biofeedback. International Cconference on Multimodal Interaction
09-10-2023
Relevant PublicationGraf M and Barthet M (2023). Reducing Sensing Errors in a Mixed Reality Musical Instrument. 
08-10-2023
bullet iconWilliams A, Lattner S and Barthet M (2023). Sound-and-Image-informed Music Artwork Generation Using Text-to-Image Models., Editors: Ferraro A, Knees P, Quadrana M, Ye T and Gouyon F. Music Recommender Systems Workshop at the 17th ACM Conference on Recommender Systems Singapore 18 Sep 2023 - 22 Sep 2023
19-09-2023
Relevant PublicationDeacon T and Barthet M (2023). Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching. Proceedings of the 18th International Audio Mostly Conference
30-08-2023
Relevant PublicationMcintosh T, Woscholski O and Barthet M (2023). Affective Conditional Modifiers in Adaptive Video Game Music. Audio Mostly 2023 Edinburgh, UK 29 Aug 2023 - 1 Sep 2023
29-08-2023
bullet iconLoth J, Mamou-Mani A and Barthet M (2023). Playing Style Affects Steel-String Acoustic Guitar Timbre. 3rd International Conference on Timbre Thessaloniki, Greece 12 Jun 2023 - 10 Jul 2023
10-07-2023
Relevant PublicationCeriani M, Viola F, Rudan S, Antoniazzi F, Barthet M and Fazekas G (2023). Semantic integration of audio content providers through the Audio Commons Ontology. Journal of Web Semantics, Elsevier vol. 77 
01-07-2023
Relevant PublicationMontague LE and Barthet M (2023). Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers. Creativity and Cognition
19-06-2023
Relevant PublicationAdkins S, Sarmento P and Barthet M (2023). LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature. Artificial Intelligence in Music, Sound, Art and Design  3-19.  
01-01-2023
Relevant PublicationSarmento P, Kumar A, Chen Y-H, Carr C, Zukowski Z and Barthet M (2023). GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. Artificial Intelligence in Music, Sound, Art and Design  260-275.  
01-01-2023

2022

Relevant PublicationDeacon T, Healey P and Barthet M (2022). “It’s cleaner, definitely”: Collaborative Process in Audio Production. Computer Supported Cooperative Work (CSCW), Springer Nature vol. 32 (3), 475-505.  
14-11-2022
Relevant PublicationDeacon T and Barthet M (2022). Spatial Design Considerations for Interactive Audio in Virtual Reality. Sonic Interactions in Virtual Environments  181-217.  
14-10-2022
bullet iconSarmento P, Holmqvist O and Barthet M (2022). Ubiquitous Music in Smart City: Musification of Air Pollution and User Context. Ubiquitous Music Symposium 2022
12-07-2022
Relevant PublicationGraf M and Barthet M (2022). Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. NIME 2022
28-06-2022
Relevant PublicationTakahashi T and Barthet M (2022). EMOTION-DRIVEN HARMONISATION AND TEMPO ARRANGEMENT OF MELODIES USING TRANSFER LEARNING. 
01-01-2022
Relevant PublicationFrachi Y, Takahashi T, Wang F and Barthet M (2022). Design of Emotion-Driven Game Interaction Using Biosignals. HCI in Games  160-179.  
01-01-2022
Relevant PublicationWei C, Kronland-Martinet T, Frachi Y and Barthet M (2022). Influence of Music on Perceived Emotions in Film. 
01-01-2022

2021

bullet iconSarmento P, Kumar A, Carr CJ, Zukowski Z, Barthet M and Yang Y-H (2021). DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. International Society for Music Information Retrieval Conference Online 7 Nov 2021 - 12 Nov 2021
07-11-2021
bullet iconLöbbers S, Barthet M and Fazekas G (2021). Sketching sounds: an exploratory study on sound-shape associations. International Computer Music Conference Santiago de Chile, Chile 25 Jul 2021 - 31 Jul 2021
25-07-2021
bullet iconYang S, Reed CN, Chew E and Barthet M (2021). Examining Emotion Perception Agreement in Live Music Performance. IEEE Transactions on Affective Computing 
30-06-2021
bullet iconGraf M, Opara HC and Barthet M (2021). An Audio-Driven System for Real-Time Music Visualisation. Audio Engineering Society Convention 150 24 May 2021 - 28 May 2021
24-06-2021
bullet iconMartelloni A, McPherson A and Barthet M (2021). Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. NIME 2021
01-06-2021
bullet iconDannemann T and Barthet M (2021). SonicDraw: a web-based tool for sketching sounds and drawings. 
01-01-2021
bullet iconIrvine L and Barthet M (2021). Immersive Spatial Sound Design Using Creative Commons Audio. 
01-01-2021

2020

bullet iconSarmento P, Holmqvist O and Barthet M (2020). Musical Smart City: Perspectives on Ubiquitous Sonification. Ubiquitous Music Workshop Porto Seguro, BA, Brazil 9 Nov 2020 - 13 Nov 2020
08-11-2020
bullet iconMartelloni A, Mcpherson A and Barthet M (2020). Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. New Interfaces for Musical Expression (NIME) Royal Birmingham Conservatoire 22 Jul 2020 - 25 Jul 2020
20-07-2020

2019

bullet iconYang S, Barthet M and Chew E (2019). Identifying Listener-informed Features for Modeling Time-varying Emotion Perception. Inter- national Symposium on Computer Music Multidisciplinary Research
13-10-2019
bullet iconStolfi AS, Milo A and Barthet M (2019). Playsound.space: Improvising in the browser with semantic sound objects. Journal of New Music Research, Taylor & Francis (Routledge) vol. 48 (4), 366-384.  
18-09-2019
Relevant PublicationBruford F, Barthet M, McDonald S and Sandler M (2019). Modelling Musical Similarity for Drum Patterns. Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
18-09-2019
bullet iconTurchet L and Barthet M (2019). Haptification of performer's control gestures in live electronic music performance. Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
18-09-2019
bullet iconBROMHAM G, Moffat D, Barthet M, Daneilsen A and Fazekas G (2019). The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. Audio Mostly Nottingham, UK 17 Sep 2019 - 20 Sep 2019
17-09-2019
bullet iconTurchet L and Barthet M (2019). An ubiquitous smart guitar system for collaborative musical practice. Journal of New Music Research, Taylor & Francis (Routledge) vol. 48 (4), 352-365.  
05-07-2019
bullet iconTurchet L and Barthet M (2019). Smart Musical Instruments. Foundations in Sound Design for Embedded Media  275-296.  
25-06-2019
bullet iconXambó A, Font F, Fazekas G and Barthet M (2019). Leveraging Online Audio Commons Content for Media Production. Foundations in Sound Design for Linear Media  248-282.  
19-06-2019
bullet iconDeacon T, Bryan-Kinns N, Healey PGT and Barthet M (2019). Shaping Sounds. Proceedings of the 2019 on Creativity and Cognition
13-06-2019
Relevant PublicationBruford F, McDonald ST, Barthet M and Sandler M (2019). Groove explorer: An intelligent visual interface for drum loop library navigation. 
01-01-2019
bullet iconWeaver J, Barthet M and Chew E (2019). Filling the space: The impact of convolution reverberation time on note duration and velocity in duet performance. 
01-01-2019
bullet iconTurchet L and Barthet M (2019). Smart Musical Instruments: Key Concepts and Do-It-Yourself Tutorial. Foundations in Sound Design for Embedded Media: A Multidisciplinary Approach  275-296.  
01-01-2019

2018

bullet iconTURCHET L and BARTHET M (2018). Co-design of Musical Haptic Wearables for Electronic Music Performer's Communication. IEEE Transactions on Human-Machine Systems, Institute of Electrical and Electronics Engineers 
21-12-2018
bullet iconTurchet L, Viola F, Fazekas G and Barthet M (2018). Towards a Semantic Architecture for the Internet of Musical Things. 2018 23rd Conference of Open Innovations Association (FRUCT)
16-11-2018
bullet iconTurchet L and Barthet M (2018). Jamming with a Smart Mandolin and Freesound-based Accompaniment. 2018 23rd Conference of Open Innovations Association (FRUCT)
16-11-2018
bullet iconStolfi A, Sokolovskis J, Gorodscy F, Iazzetta F and Barthet M (2018). Audio semantics: Online chat communication in open band participatory music performances. AES: Journal of the Audio Engineering Society vol. 66 (11), 910-921.  
01-11-2018
bullet iconViola F, Stolfi A, Milo A, Ceriani M, Barthet M and Fazekas G (2018). Playsound.space. Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music
09-10-2018
bullet iconTurchet L, Fischione C, Essl G, Keller D and Barthet M (2018). Internet of Musical Things: Vision and Challenges. IEEE Access vol. 6, 61994-62017.  
28-09-2018
Relevant PublicationPauwels J, Xambo Sedo A, Roma G, Barthet M and Fazekas G (2018). Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection. 4th Web Audio Conference (WAC) Berlin, Germany 19 Sep 2018 - 21 Sep 2018
19-09-2018
bullet iconTurchet L, McPherson A and Barthet M (2018). Real-Time Hit Classification in a Smart Cajón. Frontiers in ICT, Frontiers vol. 5 
10-07-2018
bullet iconGODDARD C, BARTHET M and WIGGINS G (2018). Assessing Musical Similarity for Computational Music Creativity. Journal of the Audio Engineering Society, Audio Engineering Society 
29-04-2018
bullet iconTurchet L, McPherson A and Barthet M (2018). Co-design of a smart Cajón. AES: Journal of the Audio Engineering Society vol. 66 (4), 220-230.  
01-04-2018
bullet iconSKACH S, XAMBO A, TURCHET L, Stolfi A, STEWART RL and BARTHET MHE (2018). Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. ACM Conference on Tangible, Embedded, and Embodied Interactions Stockholm, Sweden 18 Mar 2018 - 21 Mar 2018
18-03-2018
bullet iconXambo A, Roma G, Lerch A, Barthet M and Fazekas G (2018). Live Repurposing of Sounds: MIR Explorations with Personal and Crowd-sourced Databases. 
01-01-2018
bullet iconBromham G, Moffat D, Barthet M and Fazekas G (2018). The impact of compressor ballistics on the perceived style of music. 
01-01-2018
bullet iconWeaver J, Barthet M and Chew E (2018). Analysis of piano duo tempo changes in varying convolution reverberation conditions. 
01-01-2018
Relevant PublicationXambo A, Pauwels J, Roma G, Barthet M and Fazekas G (2018). Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. 
01-01-2018
bullet iconde Souza Stolfi A, Turchet L, Ceriani M and Barthet M (2018). Playsound.space: Inclusive free music improvisations using audio commons. 
01-01-2018
bullet iconWeisling A, Xambó A, Olowe I and Barthet M (2018). Surveying the compositional and performance practices of audiovisual practitioners. 
01-01-2018
bullet iconTurchet L and Barthet M (2018). Demo of interactions between a performer playing a smart mandolin and audience members using musical haptic wearables. 
01-01-2018

2017

bullet iconDeacon T, Stockman T and Barthet M (2017). User experience in an interactive music virtual reality system: An exploratory study. 192-216.  
16-09-2017
bullet iconHerremans D, Yang S, Chuan C-H, Barthet M and Chew E (2017). IMMA-Emo. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconOlowe I, Grierson M and Barthet M (2017). User Requirements for Live Sound Visualization System Using Multitrack Audio. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconOlowe I, Barthet M and Grierson M (2017). FEATUR.UX.AV. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconGoddard C, BARTHET M and Wiggins G (2017). Designing Computationally Creative Musical Performance Systems. Audio Mostly 2017 Queen Mary University of London, London 23 Aug 2017 - 26 Aug 2017
23-08-2017
bullet iconStolfi A, Barthet M, Goródscy F and de Carvalho AD (2017). Open Band. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconFazekas G, Barthet M and Stockman T (2017). Welcome to Audio Mostly 2017! 
23-08-2017
bullet iconSubramaniam A and Barthet M (2017). Mood Visualiser. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconPigrem J and Barthet M (2017). Datascaping. Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences
23-08-2017
bullet iconWu Y, Zhang L, Bryan-Kinns N and Barthet M (2017). Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE Multimedia vol. 24 (1), 48-62.  
09-02-2017
bullet iconTurchet L, Fischione C and Barthet M (2017). Towards the Internet of Musical Things. 
01-01-2017

2016

bullet iconZhang L, Wu Y and BARTHET M (2016). A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. International Conference on New Interfaces for Musical Expression
11-07-2016
bullet iconHayes K, BARTHET M, Wu Y, Zhang L and Bryan-Kinns N (2016). A Participatory Live Music Performance with the Open Symphony System. ACM Conference on Human Factors in Computing Systems (CHI): Interactivity
07-05-2016
bullet iconOlowe I, Moro G and Barthet M (2016). ResidUUm: User mapping and performance strategies for multilayered live audiovisual generation. 
01-01-2016
Relevant PublicationSaari P, Fazekas G, Eerola T, Barthet M, Lartillot , O S and M (2016). Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. IEEE Transactions on Affective Computing (TAC) vol. 7, 122-135.  
01-01-2016
Relevant PublicationAllik A, Fazekas G, Barthet M and Sandler M (2016). myMoodplay: An interactive mood-based music discovery app. 
01-01-2016
Relevant PublicationBarthet M, Fazekas G, Thalmann F, Sandler M and Wiggins GA (2016). Crossroads: Interactive Music Systems Transforming Performance, Production and Listening. 
01-01-2016
Relevant PublicationBarthet M, Fazekas G, Allik A, Thalmann F and Sandler M (2016). From interactive to adaptive mood-based music listening experiences in social or personal context. Journal of the Audio Engineering Society vol. 64, 673-682.  
01-01-2016

2015

Relevant PublicationBarthet M, Fazekas G, Allik A and Sandler M (2015). Moodplay: an interactive mood-based musical experience. 
01-01-2015

2014

Relevant PublicationFazekas G, BARTHET M and Sandler MB (2014). Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. Lecture Notes in Computer Science, Springer-Verlag vol. 8905 (Sound, Music, and Motion), 122-147.  
05-12-2014
bullet iconKachkaev A, Wolff D, BARTHET M, Plumbley MD, Dykes J and Weyde T (2014). Visualising Chord Progressions in Music Collections: A Big Data Approach. 9th Conference on Interdisciplinary Musicology (CIM) Berlin
04-12-2014
Relevant PublicationWeyde T, Cottrell S, Dykes J, Benetos E, Wolff D, Tidhar D, Gold N, Abdallah S, Plumbley M, Dixon S, Barthet M, Mahey M, Tovell A and Alancar-Brayner A (2014). Big Data for Musicology., Editors: Page K and Fields B. 1st International Digital Libraries for Musicology workshop London, UK 12 Sep 2014
12-09-2014
bullet iconBARTHET MHE, Plumbley MD, Kachkaev A, Dykes J, Wolff D and Weyde T (2014). Big Chord Data Extraction and Mining. 9th Conference on Interdisciplinary Musicology (CIM) Berlin
01-01-2014
Relevant PublicationKolozali S, Fazekas G, Barthet M and Sandler M (2014). A framework for automatic ontology generation based on semantic audio analysis. 
01-01-2014
Relevant PublicationFazekas G, Barthet M and Sandler M (2014). Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework., Editors: Aramaki M, Kronland-Martinet R and Ystad S. 
01-01-2014
Relevant PublicationWeyde T, Cottrell S, Benetos E, Wolff D, Tidhar D, Plumbley MD, Dixon S, BARTHET MHE, Gold N, Abdallah S and Mahey M (2014). Digital Music Lab - A Framework for Analysing Big Music Data. European Conference on Data Analysis (ECDA) Bremen
01-01-2014
Relevant PublicationBARTHET M, Benetos E, Cottrell S, Dixon S, Dykes J, Gold N, Mahey M, Plumbley MD, Tidhar D, Weyde T and Wolff D (2014). The DML Research Project: Digital Music Lab - Analysing Big Music Data. 
01-01-2014
Relevant PublicationBaume C, Fazekas G, Barthet M, Martson D and Sandler M (2014). Selection of audio features for music emotion recognition using production music. 
01-01-2014
Relevant PublicationLou T, Barthet M, Fazekas G and Sandler M (2014). Evaluation and Improvement of the Mood Conductor Interactive System. 
01-01-2014

2013

bullet iconAramaki M, Barthet M, Kronland-Martinet R and Ystad S (2013). Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): Preface. 
10-10-2013
Relevant PublicationKolozali S, Barthet M, Fazekas G and Sandler M (2013). Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING vol. 21 (10), 1-14.  
01-01-2013
Relevant PublicationFazekas G, Barthet M and Sandler MB (2013). DEMO PAPER: THE BBC DESKTOP JUKEBOX MUSIC RECOMMENDATION SYSTEM: A LARGE SCALE TRIAL WITH PROFESSIONAL USERS. 
01-01-2013
Relevant PublicationSaari P, Barthet M, Fazekas G, Eerola T and Sandler M (2013). Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. 
01-01-2013
Relevant PublicationSaari P, Eerola T, Fazekas G, Barthet M, Lartillot O and Sandler M (2013). The Role of Audio and Tags in Music Mood Prediction: a Study Using Semantic Layer Projection., Editors: Britto ASJ, Gouyon F and Dixon S. 
01-01-2013
bullet iconBarthet M, Kronland-Martinet R and Ystad S (2013). Consistency of timbre patterns in expressive music performance. 
01-01-2013
Relevant PublicationBarthet M, Marston D, Baume C, Fazekas G and Sandler M (2013). Design and evaluation of semantic mood models for music recommendation. 
01-01-2013

2011

Relevant PublicationBarthet M and Dixon S (2011). Ethnographic observations of musicologists at the british library: Implications for music information retrieval. 
01-12-2011
Relevant PublicationStowell D, Barthet M, Dixon S and Sandler M (2011). Musicology for the masses: Situating new audio technologies for musicology and music education. Digital Engagement 2011 Newcastle 15 Nov 2011 - 17 Nov 2011
01-01-2011
Relevant PublicationBarthet M, Hargreaves S and Sandler M (2011). Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. 
01-01-2011

2008

bullet iconBarthet M, Guillemain P, Kronland‐Martinet R and Ystad S (2008). Exploration of timbre variations in music performance. The Journal of the Acoustical Society of America, Acoustical Society of America (ASA) vol. 123 (5), 3663-3663.  
01-05-2008

2007

bullet iconBarthet M, Depalle P, Kronland-Martinet R and Ystad S (2007). The effect of timbre in clarinet interpretation. 
01-01-2007

2005

bullet iconBarthet M, Guillemain P, Kronland-Martinet R and Ystad S (2005). On the relative influence of even and odd harmonics in clarinet timbre. 
01-01-2005

Grants

solid heart iconGrants of specific relevance to the Centre for Multimodal AI
bullet iconNetz - ICURe Explore
Mathieu Barthet, Jasmina Bolfek-Radovani, Joanne Chamberlain and Huan Wang
£34,523 Innovate UK (23-09-2024 - 11-01-2025)
solid heart iconCo-Creator for songwriters & producers: generative AI Creator tools to boost efficiency of the creative process
Mark Sandler, Haim Dubossarsky and Mathieu Barthet
£320,887 Innovate UK (01-04-2024 - 31-03-2025)
solid heart iconStudioSync: AI productivity tools for record labels in the management of musical recordings and creator metadata
Mark Sandler and Mathieu Barthet
£304,918 Innovate UK (01-04-2024 - 31-03-2025)
solid heart iconEmotion-driven audio-visual game design using AI
Mathieu Barthet
£33,500 OVOMIND (14-09-2020 - 13-09-2025)
solid heart iconUKRI Centre for Doctoral Training in Artificial Intelligence and Music
Simon Dixon, Emmanouil Benetos, Nicholas Bryan-Kinns, Mark Sandler, Andrew McPherson, Mathieu Barthet, Gyorgy Fazekas, Ekaterina Ivanova, Anna Xambo Sedo and Charalampos Saitis
£6,519,934 EPSRC Engineering and Physical Sciences Research Council (01-07-2019 - 31-08-2028)


solid heart iconCDT in Media & Arts
Mathieu Barthet, Patrick Healey and Mark Sandler
£3,782,384 EPSRC Engineering and Physical Sciences Research Council (01-05-2014 - 31-12-2023)