Research
music information retrieval, human computer interaction, music perception, augmented/virtual reality, internet of musical things
Interests
Dr Mathieu Barthet is a Senior Lecturer in Digital Media at Queen Mary University of London (QMUL). He is the Programme Coordinator of the MSc in Media and Arts Technology by Research and oversees Industry Partnerships for the Centre for Doctoral Training in AI & Music.
He received an MSc degree in Electronics and Computer Science in 2003 (Paris VI University/Ecole Polytechnique de Montréal), and an MSc degree in Acoustics in 2004 (Aix-Marseille II University/Ecole Centrale Marseille). He was awarded a PhD in Acoustics, Signal Processing and Computer Science applied to Music from Aix-Marseille II University and CNRS-LMA in 2008, and joined the Centre for Digital Music at QMUL in 2009.
Mathieu conducts research in the fields of Music Information Research, New Interfaces for Musical Expression and Music Perception, in which he published over 100 peer-reviewed academic papers. His research interests include music and emotions, audio-visual interfaces and extended reality, AI-based musical interfaces, music recommendation, and musical timbre.
Publications
Publications of specific relevance to the Centre for Multimodal AI
2025
Temporal Considerations in DJ Mix Information Retrieval and GenerationWilliams A Meehan G Lattner S Pauwels J Barthet M
32nd International Symposium on Temporal Representation and Reasoning London, United Kingdom 27 Aug 2025 - 29 Aug 2025.
13-10-2025 
Multimodal Hand Tracking for XR Musical Instruments Using ElectromyographyGraf M Barthet M
In
Music and Sound Generation in The AI Era,
Springer Nature 15-39.
10-10-2025GOAT: A Large Dataset of Paired Guitar Audio Recordings and TablaturesLoth J Sarmento P Sarkar S Guo Z Barthet M Sandler M
In
Arxiv 22-07-2025 The Drum Machine of TaoYi X Barthet M
25th International Conference on New Interfaces for Musical Expression.
24-06-2025 The GigaMIDI Dataset with Features for Expressive Music Performance DetectionLee KJM Ens J Adkins S Sarmento P
24-02-2025 AI and the Music Industry: Now and NextWilliams A Barthet M
18-02-2025 Towards Music Industry 5.0: Perspectives on Artificial IntelligenceWilliams A Barthet M
Artificial Intelligence for Music Workshop at the 39th Annual AAAI Conference on Artificial Intelligence Phildalphia, PA, United States 4 Feb 2025 - 25 Feb 2025.
09-01-2025 Graph Neural Network vs Feature-Based Folk Music Evolution AnalysisDeedman A Barthet M
In
Artificial Intelligence in Music, Sound, Art and Design,
Springer Nature 308-323.
01-01-2025 GOAT: A LARGE DATASET OF PAIRED GUITAR AUDIO RECORDINGS AND TABLATURESLoth J Sarmento P Sarkar S Guo Z Barthet M Sandler M
In
Proceedings of The International Society For Music Information Retrieval Conference 669-676.
01-01-2025 2024
Between the AI and Me: Analysing Listeners' Perspectives on AI- and Human-Composed Progressive Metal MusicSarmento P Loth J Barthet M
In
Arxiv 31-07-2024 Deep Learning-based Audio Representations for the Analysis and Visualisation of Electronic Dance Music DJ MixesWilliams A Tian H Lattner S Barthet M Saitis C
AES International Symposium on AI and the Musician Boston, MA, USA 6 Jun 2024 - 8 Jun 2024.
06-06-2024 When XR Meets AI: Integrating Interactive Machine Learning with an XR Musical InstrumentGraf M Barthet M
AES International Symposium on AI and the Musician Boston, MA 6 Jun 2024 - 8 Jun 2024.
06-06-2024 When XR Meets AI: Integrating Interactive Machine Learning with an XR Musical InstrumentGraf M Barthet M
AES International Symposium on AI and the Musician Boston, MA, USA 6 Jun 2024 - 8 Jun 2024.
06-06-2024 MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-Granular FeaturesCui W Sarmento P Barthet M
In
Arxiv 25-01-2024 BETWEEN THE AI AND ME: ANALYSING LISTENERS’ PERSPECTIVES ON AI-AND HUMAN-COMPOSED PROGRESSIVE METAL MUSICSarmento P Loth J Barthet M
In
Proceedings of The International Society For Music Information Retrieval Conference 713-720.
01-01-2024 MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular FeaturesCui W Sarmento P Barthet M
In
Artificial Intelligence in Music, Sound, Art and Design,
Springer Nature 97-113.
01-01-2024 2023
Do You Hear What I Hear?Yang S Barthet M Reed C
Computer,
Institute of Electrical and Electronics Engineers (IEEE) vol. 56 (12), 4-6.
01-12-2023 Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical InstrumentsGraf M Barthet M
International Symposium on Computer Music Multidisciplinary Research Tokyo 13 Nov 2023 - 17 Nov 2023.
12-11-2023 Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarMartelloni A Mcpherson AP Barthet M
24th International Society for Music Information Retrieval Conference Milan, Italy 5 Nov 2023 - 9 Nov 2023.
05-11-2023 Reducing Sensing Errors in a Mixed Reality Musical InstrumentGraf M Barthet M
09-10-2023 Affective gaming using adaptive speed controlled by biofeedbackFrachi Y Chanel G Barthet M
International Cconference on Multimodal Interaction., 238-246.
09-10-2023 AI (r)evolution -- where are we heading? Thoughts about the future of music and sound technologies in the era of deep learningBindi G Demerlé N Diaz R Genova D Golvet A Hayes B Huang J Liu L et al.
In
Arxiv 20-09-2023 Sound-and-Image-informed Music Artwork Generation Using Text-to-Image ModelsWilliams A Lattner S Barthet M
Music Recommender Systems Workshop at the 17th ACM Conference on Recommender Systems Singapore 18 Sep 2023 - 22 Sep 2023.
19-09-2023 Affective Conditional Modifiers in Adaptive Video Game MusicMcintosh TH Woscholski O
Proceedings of the 18th International Audio Mostly Conference., 17-23.
30-08-2023 Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory SketchingDeacon T
Proceedings of the 18th International Audio Mostly Conference., 161-168.
30-08-2023 Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic GuitarMartelloni A McPherson AP Barthet M
In
Arxiv 13-07-2023 Combining Vision and EMG-Based Hand Tracking for Extended Reality
Musical InstrumentsGraf M Barthet M
13-07-2023 ProgGP: From GuitarPro Tablature Neural Generation To Progressive Metal ProductionLoth J Sarmento P Carr C Zukowski Z Barthet M
In
Arxiv 11-07-2023 ShredGP: Guitarist Style-Conditioned Tablature GenerationSarmento P Kumar A Xie D Carr C Zukowski Z Barthet M
In
Arxiv 11-07-2023 Playing Style Affects Steel-String Acoustic Guitar TimbreLoth J Mamou-Mani A
3rd International Conference on Timbre Thessaloniki, Greece 12 Jun 2023 - 10 Jul 2023.
10-07-2023 Semantic integration of audio content providers through the Audio Commons OntologyCeriani M Viola F Rudan S Barthet M
Journal of Web Semantics,
Elsevier vol. 77
01-07-2023 Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and PerformersMontague LE
Creativity and Cognition., 391-392.
19-06-2023 LooperGP: A Loopable Sequence Model for Live Coding Performance using GuitarPro TablatureAdkins S Sarmento P Barthet M
In
Arxiv 03-03-2023 AI as mediator between composers, sound designers, and creative media producersLöbbers S Barthet M Fazekas G
In
Arxiv 02-03-2023 GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with TransformersSarmento P Kumar A Chen Y-H Zukowski Z
In
Arxiv 10-02-2023 REAL-TIME PERCUSSIVE TECHNIQUE RECOGNITION AND EMBEDDING LEARNING FOR THE ACOUSTIC GUITARMartelloni A McPherson AP
In
Proceedings of The International Society For Music Information Retrieval Conference 121-128.
01-01-2023 GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with TransformersSarmento P Kumar A Chen Y-H Carr C Zukowski Z
In
Artificial Intelligence in Music, Sound, Art and Design,
Springer Nature 260-275.
01-01-2023 LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro TablatureAdkins S Sarmento P
In
Artificial Intelligence in Music, Sound, Art and Design,
Springer Nature 3-19.
01-01-2023 2022
“It’s cleaner, definitely”: Collaborative Process in Audio ProductionDeacon T Healey P
,
Springer Nature vol. 32 (3), 475-505.
14-11-2022 Spatial Design Considerations for Interactive Audio in Virtual RealityDeacon T
In
Sonic Interactions in Virtual Environments,
Springer Nature 181-217.
14-10-2022 Ubiquitous Music in Smart City: Musification of Air Pollution and User ContextSarmento P Holmqvist O Barthet M
Ubiquitous Music Symposium 2022.
12-07-2022 Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural ControlGraf M Barthet M
NIME 2022.
28-06-2022 EMOTION-DRIVEN HARMONISATION AND TEMPO ARRANGEMENT OF MELODIES USING TRANSFER LEARNINGTakahashi T
Proceedings of the 23rd International Society for Music Information Retrieval Conference Ismir 2022., 741-748.
01-01-2022 Design of Emotion-Driven Game Interaction Using BiosignalsFrachi Y Takahashi T Wang F Barthet M
In
HCI in Games,
Springer Nature 160-179.
01-01-2022 Influence of Music on Perceived Emotions in FilmWei C Kronland-Martinet T Frachi Y
AES New York 2022 153rd Audio Engineering Society Convention 2022.
01-01-2022 2021
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence ModelsSarmento P Carr CJ Zukowski Z Barthet M
International Society for Music Information Retrieval Conference Online 7 Nov 2021 - 12 Nov 2021.
07-11-2021 DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence ModelsSarmento P Kumar A Carr C Zukowski Z Yang Y-H
In
Arxiv 30-07-2021 Sketching sounds: an exploratory study on sound-shape associationsLöbbers S Barthet M
International Computer Music Conference Santiago de Chile, Chile 25 Jul 2021 - 31 Jul 2021.
25-07-2021 Sketching sounds: an exploratory study on sound-shape associationsLöbbers S Barthet M Fazekas G
In
Arxiv 15-07-2021 Examining Emotion Perception Agreement in Live Music PerformanceYang S Reed CN Chew E
IEEE Transactions on Affective Computing,
Institute of Electrical and Electronics Engineers (IEEE) vol. 14 (2), 1442-1460.
30-06-2021 An Audio-Driven System for Real-Time Music VisualisationGraf M Opara HC Barthet M
Audio Engineering Society Convention 150 24 May 2021 - 28 May 2021.
24-06-2021 An Audio-Driven System For Real-Time Music VisualisationGraf M Opara HC Barthet M
In
Arxiv 18-06-2021 Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred designMartelloni A McPherson A Barthet M
NIME 2021.
01-06-2021 DADAGP: A DATASET OF TOKENIZED GUITARPRO SONGS FOR SEQUENCE MODELSSarmento P Kumar A Barthet M Yang YH
In
Proceedings of The International Society For Music Information Retrieval Conference 610-617.
01-01-2021 SonicDraw: a web-based tool for sketching sounds and drawingsDannemann T Barthet M
Icmc 2021 Proceedings of the International Computer Music Conference 2021., 301-308.
01-01-2021 Immersive Spatial Sound Design Using Creative Commons AudioIrvine L
Icmc 2021 Proceedings of the International Computer Music Conference 2021., 126-132.
01-01-2021 2020
Musical Smart City: Perspectives on Ubiquitous SonificationSarmento P Holmqvist O
Ubiquitous Music Workshop Porto Seguro, BA, Brazil 9 Nov 2020 - 13 Nov 2020.
08-11-2020 Percussive Fingerstyle Guitar through the Lens of NIME: an Interview StudyMartelloni A Mcpherson A Barthet M
New Interfaces for Musical Expression (NIME) Royal Birmingham Conservatoire 22 Jul 2020 - 25 Jul 2020.
20-07-2020 Musical Smart City: Perspectives on Ubiquitous SonificationSarmento P Holmqvist O
In
Arxiv 22-06-2020 2019
Identifying Listener-informed Features for Modeling Time-varying Emotion PerceptionYang S Barthet M Chew E
Inter- national Symposium on Computer Music Multidisciplinary Research.
13-10-2019 The Impact of Audio Effects Processing on the Perception of Brightness and WarmthBromham G Barthet M Danielsen A
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 183-190.
18-09-2019 Modelling Musical Similarity for Drum PatternsBruford F Barthet M McDonald S Sandler M
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 131-138.
18-09-2019 Haptification of performer's control gestures in live electronic music performanceTurchet L
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound., 244-247.
18-09-2019 Playsound.space: Improvising in the browser with semantic sound objectsStolfi AS Milo A Barthet M
Journal of New Music Research,
Taylor & Francis vol. 48 (4), 366-384.
08-08-2019 An ubiquitous smart guitar system for collaborative musical practiceTurchet L
Journal of New Music Research,
Taylor & Francis vol. 48 (4), 352-365.
05-07-2019 Smart Musical InstrumentsTurchet L
In
Foundations in Sound Design For Embedded Media,
Taylor & Francis 275-296.
25-06-2019 Leveraging Online Audio Commons Content for Media ProductionXambó A Fazekas G
In
Foundations in Sound Design For Linear Media,
Taylor & Francis 248-282.
19-06-2019 Shaping SoundsDeacon T Bryan-Kinns N Healey PGT
Proceedings of the 2019 on Creativity and Cognition., 121-132.
13-06-2019 Groove explorer: An intelligent visual interface for drum loop library navigationBruford F McDonald ST Barthet M Sandler M
Ceur Workshop Proceedings. vol. 2327
01-01-2019 Filling the space: The impact of convolution reverberation time on note duration and velocity in duet performanceWeaver J Barthet M
147th Audio Engineering Society International Convention 2019.
01-01-2019 Smart Musical Instruments: Key Concepts and Do-It-Yourself TutorialTurchet L
In
Foundations in Sound Design For Embedded Media a Multidisciplinary Approach 275-296.
01-01-2019 2018
Co-Design of Musical Haptic Wearables for Electronic Music Performer's CommunicationTurchet L
IEEE Transactions on Human-Machine Systems,
Institute of Electrical and Electronics Engineers (IEEE) vol. 49 (2), 183-193.
21-12-2018 Towards a Semantic Architecture for the Internet of Musical ThingsTurchet L Viola F Fazekas G
2018 23rd Conference of Open Innovations Association (FRUCT). vol. 00, 382-390.
16-11-2018 Jamming with a Smart Mandolin and Freesound-based AccompanimentTurchet L
2018 23rd Conference of Open Innovations Association (FRUCT). vol. 00, 375-381.
16-11-2018 Audio semantics: Online chat communication in open band participatory music performancesStolfi A Sokolovskis J Gorodscy F Iazzetta F
Aes: Journal of The Audio Engineering Society vol. 66 (11), 910-921.
01-11-2018 Playsound.spaceViola F Stolfi A Milo A Ceriani M Barthet M Fazekas G
Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music., 46-53.
09-10-2018 Internet of Musical Things: Vision and ChallengesTurchet L Fischione C Keller D Barthet M
IEEE Access vol. 6, 61994-62017.
28-09-2018 Exploring Real-time Visualisations to Support Chord Learning with a Large Music CollectionPauwels J Xambo Sedo A Roma G Barthet M Fazekas G
4th Web Audio Conference (WAC) Berlin, Germany 19 Sep 2018 - 21 Sep 2018.
19-09-2018 Real-Time Hit Classification in a Smart CajónTurchet L McPherson A Barthet M
Frontiers in ICT,
Frontiers vol. 5
10-07-2018 Assessing Musical Similarity for Computational Music CreativityGODDARD C BARTHET M WIGGINS G
Journal of The Audio Engineering Society,
Audio Engineering Society 29-04-2018 Co-design of a Smart CajónTurchet L McPherson A Barthet M
Journal of The Audio Engineering Society,
Audio Engineering Society vol. 66 (4), 220-230.
29-04-2018 Embodied Interactions with E-Textiles and the Internet of Sounds for Performing ArtsSkach S Xambó A Turchet L Stolfi A Stewart R
Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction., 80-87.
18-03-2018 Live Repurposing of Sounds: MIR Explorations with Personal and Crowd-sourced DatabasesXambo A Roma G Barthet M
Proc. of the New Interfaces for Musical Expression (NIME), 3-6 June, Blacksburg, VA, USA..
01-01-2018 The impact of compressor ballistics on the perceived style of musicBromham G Moffat D Barthet M
145th Audio Engineering Society International Convention AES 2018.
01-01-2018 Analysis of piano duo tempo changes in varying convolution reverberation conditionsWeaver J Barthet M Chew E
145th Audio Engineering Society International Convention AES 2018.
01-01-2018 Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's PerspectiveXambo A Pauwels J Roma G Barthet M Fazekas G
2018 CONFERENCE ON INTERACTION WITH SOUND (AUDIO MOSTLY): SOUND IN IMMERSION AND EMOTION (AM'18).
01-01-2018 Playsound.space: Inclusive free music improvisations using audio commonsde Souza Stolfi A Turchet L
Proceedings of the International Conference on New Interfaces for Musical Expression., 228-233.
01-01-2018 Surveying the compositional and performance practices of audiovisual practitionersWeisling A Xambó A Olowe I Barthet M
Proceedings of the International Conference on New Interfaces for Musical Expression., 344-345.
01-01-2018 Demo of interactions between a performer playing a smart mandolin and audience members using musical haptic wearablesTurchet L
Proceedings of the International Conference on New Interfaces for Musical Expression., 82-83.
01-01-2018 2017
User experience in an interactive music virtual reality system: An exploratory studyDeacon T Stockman T
192-216.
16-09-2017 Designing Computationally Creative Musical Performance SystemsGoddard C BARTHET M
Audio Mostly 2017 Queen Mary University of London, London 23 Aug 2017 - 26 Aug 2017. vol. Proceedings of AM ’17
23-08-2017 IMMA-EmoHerremans D Yang S Chuan C-H Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017 User Requirements for Live Sound Visualization System Using Multitrack AudioOlowe I Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017 FEATUR.UX.AVOlowe I Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-5.
23-08-2017 Open BandStolfi A Barthet M Goródscy F de Carvalho AD
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017 Welcome to Audio Mostly 2017!Fazekas G Stockman T
ACM International Conference Proceeding Series. vol. Part F131930
23-08-2017 Mood VisualiserSubramaniam A
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017 DatascapingPigrem J Barthet M
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences., 1-8.
23-08-2017 Open Symphony: Creative Participation for Audiences of Live Music PerformancesWu Y Zhang L Bryan-Kinns N
IEEE Multimedia vol. 24 (1), 48-62.
09-02-2017 Towards the Internet of Musical ThingsTurchet L Fischione C
Proceedings of the Sound and Music Computing Conference., 13-20.
01-01-2017 2016
From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal ContextsBartet M Fazekas G Alik A al E
Journal of The Audio Engineering Society,
Audio Engineering Society vol. 64 (9), 673-682.
19-09-2016 Digital Music Lab: A Framework for Analysing Big Music DataAbdallah S Benetos E Gold N Hargreaves S Weyde T Wolff D
2016 24th European Signal Processing Conference (EUSIPCO)., 1118-1122.
01-08-2016 A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use CaseZhang L Wu Y
International Conference on New Interfaces for Musical Expression.
11-07-2016 Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood AnnotationSaari P Fazekas G Eerola T Barthet M Lartillot O Sandler M
IEEE Transactions on Affective Computing,
Institute of Electrical and Electronics Engineers (IEEE) vol. 7 (2), 122-135.
26-05-2016 A Participatory Live Music Performance with the Open Symphony SystemHayes K Barthet M Wu Y Zhang L
Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems., 313-316.
07-05-2016 FEATUR.UX: An approach to leveraging multitrack information for artistic music visualizationOLOWE I BARTHET M GRIERSON M BRYAN-KINNS N
International Conference on Technologies for Music Notation and Representation (TENOR) Cambridge 27 May 2016 - 29 May 2016.
01-05-2016 myMoodplay: An interactive mood-based music discovery appAllik A Fazekas G Barthet M Sandler M
Proc. of the 2nd Web Audio Conference (WAC), April 4–6, Atlanta, Georgia, USA..
01-01-2016 Crossroads: Interactive Music Systems Transforming Performance, Production and ListeningBarthet M Fazekas G Thalmann F Sandler M Wiggins GA
Proc. ACM Conference on Human Factors in Computing Systems (CHI), May 7–12, San Jose, CA, USA..
01-01-2016 2015
MoodplayBarthet M Fazekas G Allik A Sandler M
Proceedings of the Audio Mostly 2015 on Interaction With Sound., 1-8.
07-10-2015 2014
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor FrameworkFazekas G BARTHET M Sandler MB
Lecture Notes in Computer Science,
Springer-Verlag vol. 8905 (Sound, Music, and Motion), 122-147.
05-12-2014 Visualising Chord Progressions in Music Collections: A Big Data ApproachKachkaev A Wolff D BARTHET M Plumbley MD
9th Conference on Interdisciplinary Musicology (CIM) Berlin.
04-12-2014 Big Data for MusicologyWeyde T Cottrell S Dykes J Benetos E Wolff D Tidhar D Kachkaev A Plumbley M et al.
Proceedings of the 1st International Workshop on Digital Libraries for Musicology., 1-3.
12-09-2014 A framework for automatic ontology generation based on semantic audio analysisKolozali S Fazekas G Barthet M Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014 Big Chord Data Extraction and MiningBARTHET MHE Plumbley MD Dykes J Wolff D
9th Conference on Interdisciplinary Musicology (CIM) Berlin.
01-01-2014 The DML Research Project: Digital Music Lab - Analysing Big Music DataBARTHET M Benetos E Cottrell S Dixon S Dykes J Gold N Mahey M Plumbley MD et al.
01-01-2014 Selection of audio features for music emotion recognition using production musicBaume C Fazekas G Barthet M Martson D Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014 Evaluation and Improvement of the Mood Conductor Interactive SystemLou T Barthet M Fazekas G Sandler M
Proc. of the AES 53rd International Conference on Semantic Audio, Jan, 26-29., London, UK.
01-01-2014 2013
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics): PrefaceAramaki M Barthet M Kronland-Martinet R
10-10-2013 SEMANTIC MODELS OF MUSICAL MOOD: COMPARISON BETWEEN CROWD-SOURCED AND CURATED EDITORIAL TAGSSaari P Barthet M Fazekas G Eerola T Sandler M
2013 IEEE International Conference on Multimedia and Expo Workshops (ICMEW)., 1-6.
01-07-2013 Automatic Ontology Generation for Musical Instruments Based on Audio AnalysisKolozali S Barthet M Fazekas G Sandler M
IEEE Transactions on Audio Speech and Language Processing vol. 21 (10), 1-14.
01-01-2013 DEMO PAPER: THE BBC DESKTOP JUKEBOX MUSIC RECOMMENDATION SYSTEM: A LARGE SCALE TRIAL WITH PROFESSIONAL USERSFazekas G Barthet M Sandler MB
ELECTRONIC PROCEEDINGS OF THE 2013 IEEE INTERNATIONAL CONFERENCE ON MULTIMEDIA AND EXPO WORKSHOPS (ICMEW).
01-01-2013 The Role of Audio and Tags in Music Mood Prediction: a Study Using Semantic Layer ProjectionSaari P Eerola T Fazekas G Barthet M Lartillot O Sandler M
Proc. of the 14th International Society for Music Information Retrieval Conference, ISMIR’13, November 4-8, Curitiba, Brazil.
01-01-2013 Consistency of timbre patterns in expressive music performanceBarthet M Ystad S
Proceedings of the International Conference on Digital Audio Effects Dafx., 19-24.
01-01-2013 Design and evaluation of semantic mood models for music recommendationBarthet M Marston D Baume C Fazekas G Sandler M
Proceedings of the 14th International Society for Music Information Retrieval Conference Ismir 2013., 421-426.
01-01-2013 2011
Musicology for the masses: Situating new audio technologies for musicology and music educationStowell D Barthet M Dixon S Sandler M
Digital Engagement 2011 Newcastle 15 Nov 2011 - 17 Nov 2011.
01-01-2011 Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre RecognitionBarthet M Hargreaves S Sandler M
EXPLORING MUSIC CONTENTS. vol. 6684, 138-162.
01-01-2011 Ethnographic observations of musicologists at the british library: Implications for music information retrievalBarthet M Dixon S
Proceedings of the 12th International Society for Music Information Retrieval Conference Ismir 2011., 353-358.
01-01-2011 2008
Exploration of timbre variations in music performanceBarthet M Guillemain P Ystad S
The Journal of The Acoustical Society of America,
Acoustical Society of America (ASA) vol. 123 (5), 3663-3663.
01-05-2008 2007
The effect of timbre in clarinet interpretationBarthet M Kronland-Martinet R Ystad S
International Computer Music Conference Icmc 2007., 59-62.
01-01-2007 2005
On the relative influence of even and odd harmonics in clarinet timbreBarthet M Kronland-Martinet R
International Computer Music Conference Icmc 2005.
01-01-2005 residUUm: user mapping and performance strategies for multilayered live audiovisual generationOLOWE I MORO G BARTHET M
International Conference on New Interfaces for Musical Expression (NIME) Brisbane, Australia.
Improving Musical Expressiveness by Time-Varying Brightness ShapingBARTHET M Kronland-Martinet R Ystad S
In
Sense of Sounds,
Springer 313-336.
A Generative Framework for Composition-aware Loop Recommendation In Music Production: Drum2Bass Use CaseYi X Barthet M
Sound and Music Computing.
